Thursday, February 13, 2014

Brenda Lee~ "All Alone Am I" (Original Stereo)


 
Uploaded on Sept 27, 2011


Brenda Mae Tarpley (born December 11, 1944), known as Brenda Lee, is an American performer and the top-charting female vocalist of the 1960s. 

She sang rockabilly, pop and country music, and had 47 US chart hits during the 1960s, and is ranked fourth in that decade surpassed only by Elvis Presley, The Beatles and Ray Charles.[1]

She is best known for her 1960 hit "I'm Sorry", and 1958's "Rockin' Around the Christmas Tree", a US holiday standard for more than 50 years.

At 4 ft 9 inches tall (approximately 145 cm), she received the nickname Little Miss Dynamite in 1957 after recording the song "Dynamite"; and was one of the earliest pop stars to have a major contemporary international following.

Lee's popularity faded in the late 1960s as her voice matured, but she continued a successful recording career by returning to her roots as a country singer with a string of hits through the 1970s and 1980s.

She is a member of the Rock and Roll, Country Music and Rockabilly Halls of Fame. She is also a Grammy Lifetime Achievement Award recipient. Brenda currently lives in Nashville, Tennessee.


Brenda Lee
Brenda Lee 1977.JPG
Brenda Lee in 1977
Background information
Birth name Brenda Mae Tarpley
Born December 11, 1944 (age 69)
Atlanta, Georgia, United States
Genres Pop, rockabilly, country
Occupations Singer
Years active 1955–present
Labels Decca (1959–1969)
MCA Records (1970–1991)
Warner Bros. Records (1991–1993)
Telstar Records (1994–1996)
Bear Family Records (1997–1998)
MCA Nashville (1999–present)
Associated acts Connie Francis, Skeeter Davis, Ricky Nelson, Lesley Gore, Red Foley, Muruga Booker
Website Brenda Lee.com



Biography

Early years

Lee was born Brenda Mae Tarpley in the charity ward of Grady Memorial Hospital in Atlanta, Georgia. She weighed 4 pounds 11 ounces at birth.

She attended grade schools wherever her father found work, primarily in the corridor between Atlanta and Augusta. Her family was poor, living hand-to-mouth; she shared a bed with her two siblings in a series of three-room houses without running water.

 Life centered on her parents finding work, their extended family, and the Baptist Church, where she sang solos every Sunday.[2]

Lee's father, Ruben Tarpley, was the son of a farmer in Georgia's red-clay belt. Although he stood 5 ft 7 inches, he was an excellent left-handed pitcher and spent 11 years in the U.S. Army playing baseball.

Her mother, Annie Grayce Yarbrough, had a similar background of an uneducated working-class family in Greene County, Georgia.

Lee was a musical prodigy. Although her family did not have indoor plumbing until after her father's death, they had a battery-powered table radio that fascinated Brenda as a baby.

By the time she was two, she could whistle the melody of songs she heard on the radio.[3]

Both her mother and sister remembered taking her repeatedly to a local candy store before she turned three; one of them would stand her on the counter and she would earn candy or coins for singing.


1956 publicity photo

Child performer

Lee's voice, pretty face and stage presence won her wider attention from the time she was five years old.

At age six, she won a local singing contest sponsored by local elementary schools.

The reward was a live appearance on an Atlanta radio show, Starmakers Revue, where she performed for the next year.

Her father died in 1953, and by the time she turned ten, she was the primary breadwinner of her family through singing at events and on local radio and television shows.

During that time, she appeared regularly on the country music show "TV Ranch" on WAGA-TV in Atlanta; she was so short, the host would lower a stand microphone as low as it would go and stand her up on a wooden crate to reach it.

 In 1955, Grayce Tarpley was remarried to Buell "Jay" Rainwater, who moved the family to Cincinnati, Ohio, where he worked at the Jimmy Skinner Music Center.

Lee performed with Skinner at the record shop on two Saturday programs broadcast over Newport, Kentucky radio station WNOP.

The family soon returned to Georgia, however, this time to Augusta, and Lee appeared on the show The Peach Blossom Special on WJAT-AM in Swainsboro.

 

Brenda Lee at The Granada, Sutton, April 1962

National exposure and stardom

Her break into big-time show business came in February 1955, when she turned down $30 to appear on a Swainsboro radio station in order to see Red Foley and a touring promotional unit of his ABC-TV program Ozark Jubilee in Augusta.

An Augusta DJ persuaded Foley to hear her sing before the show. Foley was as transfixed as everyone else who heard the huge voice coming from the tiny girl and immediately agreed to let her perform "Jambalaya" on stage that night, unrehearsed.

Foley later recounted the moments following her introduction:
“ I still get cold chills thinking about the first time I heard that voice. One foot started patting rhythm as though she was stomping out a prairie fire but not another muscle in that little body even as much as twitched. And when she did that trick of breaking her voice, it jarred me out of my trance enough to realize I'd forgotten to get off the stage. There I stood, after 26 years of supposedly learning how to conduct myself in front of an audience, with my mouth open two miles wide and a glassy stare in my eyes. ”
 

The audience erupted in applause and refused to let her leave the stage until she had sung three more songs.

On March 31, 1955, the 10-year-old made her network debut on Ozark Jubilee in Springfield, Missouri. Although her five-year contract with the show was broken by a 1957 lawsuit brought by her mother and her manager,[4] she made regular appearances on the program throughout its run.

Less than two months later—on July 30, 1956—Decca Records offered her a contract, and her first record was "Jambayala" backed with "Bigelow 6–200".

Lee's second single featured two novelty Christmas tunes: "I'm Gonna Lasso Santa Claus", and "Christy Christmas". Though she turned 12 on December 11, 1956, both of the first two Decca singles credit her as "Little Brenda Lee (9 Years Old)."

Neither of the 1956 releases charted, but her first issue in '57, "One Step at a Time", written by Hugh Ashley, became a hit in both the pop and country fields. Her next hit, "Dynamite", coming out of a 4 ft 9 inch frame, led to her lifelong nickname, Little Miss Dynamite.

Lee first attracted attention performing in country music venues and shows; however, her label and management felt it best to market her exclusively as a pop artist, the result being that none of her best-known recordings from the 1960s were released to country radio, and despite her country sound, with top Nashville session people, she did not have another country hit until 1969, and "Johnny One Time".

 Biggest hits: 1958–1965

Lee achieved her biggest success on the pop charts in the late 1950s through the mid-1960s with rockabilly and rock and roll-styled songs.

Her biggest hits included "Jambalaya", "Sweet Nothin's" (No. 4, written by country musician Ronnie Self), "I Want to Be Wanted" (No. 1), "All Alone Am I" (No. 3) and "Fool No. 1" (No. 3).

She had more hits with the more pop-based songs "That's All You Gotta Do" (No. 6), "Emotions" (No. 7), "You Can Depend on Me" (No. 6), "Dum Dum" (No. 4), 1962's "Break It to Me Gently" (No. 2), "Everybody Loves Me But You" (No. 6), and "As Usual" (No. 12).

Lee's total of nine consecutive top 10 Billboard Hot 100 hits from "That's All You Gotta Do" in 1960 through "All Alone Am I" in 1962 set a record for a female solo artist that was not equalled (and later broken) until 1986 (by Madonna).

The biggest-selling track of Lee's career was a Christmas song.

 In 1958, when she was 13, producer Owen Bradley asked her to record a new song by Johnny Marks, who had had success writing Christmas tunes for country singers, most notably "Rudolph the Red-Nosed Reindeer" (Gene Autry) and "A Holly, Jolly Christmas" (Burl Ives).

Lee recorded the song, "Rockin' Around the Christmas Tree", in July with a prominent twanging guitar part by Hank Garland and raucous sax soloing by Nashville icon Boots Randolph.

Decca released it as a single that November, but it sold only 5,000 copies, and did not do much better when it was released again in 1959.

However, it eventually sold more than five million copies.

In 1960, she recorded her signature song, "I'm Sorry", which hit No. 1 on the Billboard pop chart.

It was her first gold single and was nominated for a Grammy.

Even though it was not released as a country song, it was among the first big hits to use what was to become the Nashville sound – a string orchestra and legato harmonized background vocals.

"Rockin' Around the Christmas Tree" got noticed in its third release a few months later, and sales snowballed; the song remains a perennial favorite each December and is the record with which she is most identified by contemporary audiences.

Her last top ten single on the pop charts was 1963's "Losing You" (No. 6), while she continued to have other chart songs such as her 1966 song "Coming On Strong" and "Is It True?" in 1964.

The latter, featuring Big Jim Sullivan, Jimmy Page on guitars, Bobby Graham on drums, was her only hit single recorded in London, England, and was produced by Mickie Most (but the slide guitar and background singers were overdubbed in Nashville).

It was recorded at Decca Records' number two studio at their West Hampstead complex, as was the B-side, a version of Ray Charles' 1959 classic cut, "What'd I Say?", which wasn't released in America. 
 
Brenda Lee in 1965

 Source:Wikipedia


TTFN
CYA Later Taters
Thanks for watching.

Donnie/ Sinbad the Sailor Man

Wednesday, February 12, 2014

Billie Jo Spears~ "Blanket On the Ground"



 Uploaded on Nov 3, 2011
 Rest in peace Billie Jo - added this comment 12-15-11
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."



 Billie Jo Spears (born Billie Jean Spears, January 14, 1937 – December 14, 2011) was an American country music singer. 

She reached the top-10 of the Country music charts five times between 1969 and 1977, her biggest hit being "Blanket on the Ground", which, in 1975, became her only number one.[1] 

She also had a large following in the United Kingdom with two of her singles reaching the pop top five.



Billie Jo Spears[1]
Birth name Billie Jean Spears[1]
Also known as Billie Jean Moore
Born January 14, 1937[1]
Beaumont, Texas, U.S.
Died December 14, 2011 (aged 73)
Vidor, Texas, U.S.
Genres Country
Occupations Singer
Years active 1950–2011
Labels Abbot Records
Capitol
United Artists
Associated acts Margo Smith, Tanya Tucker, Philomena Begley

 Early life and rise to fame

Spears was born in Beaumont, Texas, United States.

She made her professional debut at age 13 at a country music concert in Houston, Texas.

She cut her first single, called "Too Old For Toys, Too Young For Boys," while she was still a teenager.

It was released by the independent record label, Abbot Records, under the name 'Billie Jean Moore'.

She also performed on the Louisiana Hayride at 13.[1]

After graduating from high school, she sang in nightclubs and sought a record deal.

Spears' early career was orchestrated by the country/rockabilly songwriter, Jack Rhodes.

Working out of his makeshift recording studio, Rhodes took it upon himself to provide Spears with material and clout in her early years.

Spears moved from Texas to Nashville, Tennessee in 1964.

She gained her first recording contract with United Artists Records, and worked with producer Kelso Herston.

Her first singles brought her little success.

Soon her producer moved over to Capitol Records and Spears followed. She was placed under contract by the label in 1968.


Early success

One of Spears' first singles for the label was "Harper Valley PTA" but her single release of the song was beaten off the presses by the version by Jeannie C. Riley. Riley's became a monster crossover hit while Spears' record failed to chart.

Spears' first hit came in 1969, when her Capitol Records release "Mr. Walker It's All Over" reached number 4 on the Country chart.[1]

It also reached the Pop charts at No. 80

The song told of a secretary who resigned a job where she was unappreciated for her skills and encountered sexual harassment.

She gained four more top 40 country hits during the next two years but by late 1972 was off Capitol and had two years without a charting release.[1]


Comeback and peak years

In 1975, Spears signed again with United Artists Records, now the home to some of country music's pop-based acts, like Kenny Rogers.

She returned to the charts in 1975 with "Blanket on the Ground".[1]

The song had been previously turned down by Nashville producers who feared controversy with the chorus line "slipping around", even though the tune was not about adultery.[2]

The expected controversy never materialized, and it became her only number-one song.

In the United Kingdom the song climbed into the top ten of the UK Singles Chart in August 1975, reaching No. 6

Her 1976 country top five record "What I've Got in Mind" proved to be a second major British pop hit for her peaking at No. 4 even though it did not cross over to the American pop charts.

Spears had a third British pop hit, albeit a lesser one peaking at No. 34 with "Sing Me an Old Fashioned Song", a track that was just an album cut in the States.

Billie Jo Spears was a steady presence on the American top 20 country charts for the remainder of the 1970s with such hits as "Misty Blue" (a remake of the 1960s Wilma Burgess classic), "'57 Chevrolet," "Love Ain't Gonna Wait For Us," "If You Want Me," and others.

A 1981's cover version of Tammy Wynette's 1960s hit, "Your Good Girl's Gonna Go Bad," was Spears' last voyage into America's country top 20.


Later career and life

Spears continued releasing albums in the United States into the 1980s.

By the mid 1980s, her overall success in the United States had tapered off. However, she retained a following in the UK, and remained a popular live performer there.

Spears recorded a number of albums for the British market that had limited or even no release in the US.

This level of fame in the UK was summed up by the magazine, Country Music People, during the 1990s when their article described Spears as "The Queen Mother of country music."

In 1990, Broadland Records produced an ill fated experimental album where 'wannabe performers' could, for a fee, record the second part of the duet.

 She told BBC Radio Merseyside personality, Spencer Leigh, in 1994, "The album never got finished and I don't know what happened to the money. It's pathetic and I'm very disappointed."[3]

She recovered from triple bypass surgery in 1993.

She continued to tour for more than 16 years.

In 2005, Spears released the album I'm So Lonesome I Could Cry.

Spears toured with the Irish country singer, Philomena Begley, in 2011.[4]

In later years, she made her home in Vidor, Texas, near her hometown of Beaumont, where she died of cancer on December 14, 2011, at age 73.[4]

 

Source:Wikipedia


TTFN
CYA Later Taters
Thanks for watching.

Donnie/ Sinbad the Sailor Man

Connie Francis~ "Stupid Cupid"






 Published on May 7, 2013


 Connie Francis (born Concetta Rosa Maria Franconero, December 12, 1938) is an American pop singer of Italian heritage and the top-charting female vocalist of the late-1950s and early-1960s.

Although her chart success waned in the second half of the 1960s, Francis remained a top concert draw.

Despite several severe interruptions in her career, she is still active as a recording and performing artist.


Connie Francis
Connie Francis 1961.JPG
Background information
Birth name Concetta Rosa Maria Franconero[1]
Born December 12, 1938 (age 75)
Newark, New Jersey, U.S.
Genres Schlager music, traditional pop, rock and roll, country pop, vocal jazz
Occupations Singer
Instruments Accordion, vocals
Years active 1943–present
Labels MGM Records, Polydor, GSF Records, Ivanhoe Records, United Artists Records, Malaco Records, Herzklang, Legacy Recordings, Carlton Music, Concetta Records
Associated acts Bobby Darin, Brenda Lee, Patti Page, Neil Sedaka, Lesley Gore, Carole King, Ricky Nelson
Website Official site


History

1938–1955: Early life and first appearances

Francis was born in the Italian Down Neck, or Ironbound, neighborhood of Newark, New Jersey, the first child of George Franconero, Sr., and Ida Franconero (née Ferrari-di Vito), spending her first years in a Brooklyn neighborhood on Utica Avenue/St. Marks Avenue before the family moved to New Jersey.[2]

Growing up in an Italian-Jewish neighborhood, Francis became fluent in Yiddish, which would lead her to later record songs in Yiddish and Hebrew.[2][3]
 
In her autobiography Who's Sorry Now?, published in 1984, Francis recalls that she was encouraged by her father, George Franconero, Sr., to appear regularly at talent contests, pageants and other neighborhood festivities from the age of 4 as a singer and accordion player.

Francis attended Newark Arts High School in 1951 and 1952.

She and her family moved to Belleville, New Jersey, where she graduated as salutatorian from Belleville High School Class of 1955.[4][5]

During this time, Francis continued to perform at neighborhood festivities and talent shows (some of which were broadcast on television), appearing alternately as Concetta Franconero and Connie Franconero.

Under the latter name she also appeared on NBC's variety show Startime Kids between 1953 and 1955.[2]

During the rehearsals for her appearance on Arthur Godfrey's Talent Scouts, Francis was advised by Godfrey to change her stage name to Connie Francis for the sake of easier pronunciation. Godfrey also told her to drop the accordion – advice she gladly followed, as she had begun to hate the large and heavy instrument.[2]

Around the same time, Francis took a job as a singer on demonstration records, which were brought to the attention of established singers and/or their management who would subsequently choose or decline to record the song for a professional commercial record.[6]

1955–1957: Recording contract and commercial failure

In 1955, Startime Kids went off air.
In May that same year,[7] George Franconero Sr. and Francis' manager George Scheck raised the cash for a recording session of four songs which they hoped to sell to a major record under Francis' own name.

The story goes that every record label they tried turned her down, mainly because, as a demo singer, Francis could copy other popular singers of the day like Kitty Kallen or Kay Starr, but had not yet developed a distinctive sound of her own.

Finally, even when MGM Records decided to sign a contract with her, it was basically because one track she had recorded, "Freddy", happened to be the name of the son of a company executive, Harry A. Myerson, who thought of this song as a nice birthday gift.

Hence, "Freddy" was released as Francis' first single, which turned out to be a commercial failure, just as her following eight solo singles.[2]

Despite these failures, Francis was hired to record the vocals for Tuesday Weld's "singing" scenes in the 1956 movie Rock, Rock, Rock, and for Freda Holloway in the 1957 Warner Brothers rock and roll movie Jamboree.

In the fall of 1957, Francis enjoyed her first chart success with a duet single she had recorded with Marvin Rainwater: "The Majesty of Love", b/w "You, My Darlin' You", peaked at # 93 on Billboard's Hot 100.[6]

1957–1959: Last chance and breakthrough

But her minor chart success came too late – Francis' recording contract consisted of ten solo singles and one duet single.

Even though success finally had seemed to come with "The Majesty of Love", Francis was informed by MGM Records that her contract would be discontinued after her last solo single.

Francis considered a career in medicine and was about to accept a four-year scholarship offered at New York University.

At what was to have been her final recording session for MGM on October 2, 1957,[7] she recorded a cover version of the 1923 song "Who's Sorry Now?", written by Bert Kalmar and Harry Ruby.

Francis has said that she recorded it at the persistence of her father, who was convinced it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it had a contemporary arrangement.[8]

Francis, who did not like the song at all and had been arguing about it with her father heatedly, delayed the recording of the three other songs during the session so much, that in her opinion there was no time left on the continuously running recording tape.

But her father insisted, and when the recording "Who's Sorry Now?" was finished, there were only a few seconds left on the tape.[2]

The single seemed to go unnoticed like all previous releases – just as Francis had predicted.

But on January 1, 1958, the song debuted on Dick Clark's American Bandstand.

By mid-year, over a million copies had been sold, and Francis was suddenly launched into worldwide stardom.

In April 1958, "Who's Sorry Now" reached # 1 on the UK Singles Chart and # 4 in the US.

For the next four years, Francis was voted the "Best Female Vocalist" by American Bandstand viewers.[2]

As Connie Francis explains at each of her concerts, she began searching for a new hit immediately after the success of "Who's Sorry Now?", since MGM Records had renewed her contract.

After the relative failure of the follow-up singles "I'm Sorry I Made You Cry" (which stalled at No. 36) and "Heartaches" (failing to chart at all), Francis met with Neil Sedaka and Howard Greenfield who sang a number of ballads they had written for her.

After a few hours, Francis began writing in her diary while the songwriters played the last of their ballads.

Afterwards, Francis told them that she considered their ballads too intellectual and sophisticated for the young generation and requested a more lively song.

Greenfield urged Sedaka to sing a song they had written that morning with The Shepherd Sisters in mind.

 Sedaka protested that Francis would be insulted, but Greenfield said that since she hated all the other songs they had performed, they had nothing to lose.

Sedaka played "Stupid Cupid".

When he finished, Francis announced that he had just played her new hit record.

The song reached # 14 on the Billboard chart and was her second # 1 in the UK.

The success of "Stupid Cupid" restored momentum to Francis' chart career, and she reached the U.S. top 40 an additional seven times during the remainder of the 1950s.

She managed to churn out more hits by covering several older songs, such as "My Happiness" (# 2 on the Hot 100) and "Among My Souvenirs" (# 7), as well as performing her own original songs.

In 1959, she gained two gold records for a double-sided hit: on the A-side, "Lipstick on Your Collar" (# 5); on the B-side, "Frankie" (# 9).


Source:Wikipedia


TTFN
CYA Later Taters
Thanks for watching. 

Donnie/ Sinbad the Sailor Man


The Tokens ~ "The Lion Sleeps Tonight"





 
Uploaded on Jul 12, 2008
The Tokens - The lion sleeps tonight 2008
released 1961


The Tokens are an American male doo-wop-style vocal group from Brooklyn, New York. They are known best for their chart-topping 1961 single, "The Lion Sleeps Tonight"


The Tokens
The Tokens.png
The Tokens in 1967
Background information
Origin United States

Members "AS JAY SIEGELS TOKENS
Jay Siegel (lead vocalist)
Bill Reid
Kurt Yahjian
Jay Thaynor (former member, deceased)
AS "THE MARGO BROTHERS TOKENS"
Mitch Margo
Phillip Margo
Jay Leslie
Mike Johnson
Noah Margo
Ari Margo
Damien Margo

Past members Neil Sedaka
Hank Medress
Eddie Rabkin
Cynthia Zolotin




Career

The group was formed in 1955 at Brooklyn's Abraham Lincoln High School, and was known first as the Linc-Tones.

Originally featuring members Neil Sedaka, Hank Medress, Eddie Rabkin, and Cynthia Zolotin, Rabkin was replaced by Jay Siegel in 1956, and the band recorded its first single, "While I Dream" that same year.

In 1957 Sedaka and Zolotin left the band, leaving only Siegel and Medress, who would recruit two additional band members and record the single "Picture in My Wallet" as Darrell & the Oxfords.

Finally establishing its most famous name and crew, the band became known as the Tokens in 1960 after they recruited the 13-year-old multi-instrumentalist and first tenor Mitch Margo and his baritone brother Phil Margo.

In early 1961, the Tokens released a single for Warwick Records entitled "Tonight I Fell In Love," which scored #15 on the Billboard Hot 100 chart and earned them an opportunity to perform on the television program American Bandstand.

The popularity that the band garnered as a result of this performance brought them new recording opportunities, culminating in their cover of Solomon Linda's "The Lion Sleeps Tonight" for RCA Victor Records.

It reached #1 on the Billboard Hot 100 chart, where it remained for three weeks. The same track peaked at #11 in the UK Singles Chart.[1]

Both "Tonight I Fell in Love" and "The Lion Sleeps Tonight" sold more than one million copies, and were awarded gold discs.[2]

From 1962 to 1970, the group released nine more songs that scored the Top 100. Jay Siegel was the lead vocalist on all the Tokens' hits including "I Hear Trumpets Blow" (1966) and "Portrait of My Love" (1967).

Beginning in 1963, the Tokens also began serving as record producers for other artists, such as the Chiffons, Randy & the Rainbows, and the Happenings.

Their production company was called Bright Tunes and they also created their own record company, B.T. (Bright Tunes) Puppy Records. In 1972, Jay Siegel did background vocals for a re-recording of Lion Sleeps Tonight with Robert John as the lead vocalist.

In 1973, Medress ended his relationship with the group and Siegel teamed with the Margo Brothers to form the group Cross Country, which would have some success with its cover version of "In the Midnight Hour."

The Tokens reunited during 1975 for occasional weeks as singing regulars on the Adam Wade hosted game show Musical Chairs and in 1978 recorded a song for ABC's Schoolhouse Rock named "A Victim of Gravity".[3]

Nowadays, brothers Mitch and Philip Margo continue to perform with new members Jay Leslie, Mike Johnson and Noah Margo (one of Margo's sons) playing drums.

Mitch Margo's sons, Damien Margo and Ari Margo also make occasional guest performances with the band, exemplifying Phil Margo's saying that "If you hang around long enough you can grow your own band."[4]

Siegel continues to perform with his own version of the Tokens as well, featuring bass singer Bill Reid and, more recently, John "Jay" Traynor, the original lead singer (before Jay Black) of Jay & the Americans and the Mystics.

Siegel's son is also part of the group as keyboardist and occasional vocalist.[5] (John "Jay" Traynor died January 2, 2014 of liver cancer at a hospital in Tampa, Florida.)

Jay Siegel's Tokens and the Margo brothers reunited in 2000 to perform on the PBS special, Doo Wop 51. At the time, Siegel's Tokens were Siegel, Reid, and Eddy Rezzonico;[6] Rezzonico had replaced Richie Grasso[7] during the 1990s.

Legal controversies

 

Rights for "The Lion Sleeps Tonight"

 

Decades after not receiving any publishing credit for their specific original musical composition part of "The Lion Sleeps Tonight", the band began a lawsuit in order to regain some of these publishing rights.

The case was dismissed due to the statute of limitations.

To this day, the Tokens claim that some of the original musical composition of the 1961 song was created by them, even though they have not been awarded this status by their record company.

 

Name of the band

 

On October 19, 2009, Phil and Mitch Margo filed suit in Manhattan for the rights to the Tokens name.

They claim in their filing that Henry Medress suggested the name. In a competing suit filed in California by Siegel, he claims Siegel, Medress, and Sedaka released an album named Neil Sedaka and The Tokens previously.[8]

On Sedaka's own website, there is a listing in his discography catalog for a 1958 release of Neil Sedaka and The Tokens as well as a second album, also during 1958, named Neil Sedaka and The Tokens and Coins.

Source:Wikipedia


TTFN
CYA Later Taters
Thanks for watching.

Donnie/ Sinbad the Sailor Man 

The Tokens~ "Please Say That You Love Me"





 
 Uploaded on Dec 3, 2009

The Tokens are an American male doo-wop-style vocal group from Brooklyn, New York. They are known best for their chart-topping 1961 single, "The Lion Sleeps Tonight"

The Tokens
The Tokens.png
The Tokens in 1967
Background information
Origin United States


Career

The group was formed in 1955 at Brooklyn's Abraham Lincoln High School, and was known first as the Linc-Tones.

Originally featuring members Neil Sedaka, Hank Medress, Eddie Rabkin, and Cynthia Zolotin, Rabkin was replaced by Jay Siegel in 1956, and the band recorded its first single, "While I Dream" that same year.

In 1957 Sedaka and Zolotin left the band, leaving only Siegel and Medress, who would recruit two additional band members and record the single "Picture in My Wallet" as Darrell & the Oxfords.

Finally establishing its most famous name and crew, the band became known as the Tokens in 1960 after they recruited the 13-year-old multi-instrumentalist and first tenor Mitch Margo and his baritone brother Phil Margo.

In early 1961, the Tokens released a single for Warwick Records entitled "Tonight I Fell In Love," which scored #15 on the Billboard Hot 100 chart and earned them an opportunity to perform on the television program American Bandstand.

The popularity that the band garnered as a result of this performance brought them new recording opportunities, culminating in their cover of Solomon Linda's "The Lion Sleeps Tonight" for RCA Victor Records.

It reached #1 on the Billboard Hot 100 chart, where it remained for three weeks. The same track peaked at #11 in the UK Singles Chart.[1]

Both "Tonight I Fell in Love" and "The Lion Sleeps Tonight" sold more than one million copies, and were awarded gold discs.[2]

From 1962 to 1970, the group released nine more songs that scored the Top 100.

Jay Siegel was the lead vocalist on all the Tokens' hits including "I Hear Trumpets Blow" (1966) and "Portrait of My Love" (1967).

Beginning in 1963, the Tokens also began serving as record producers for other artists, such as The Chiffons, Randy & the Rainbows, and The Happenings. Their company was called Bright Tunes Productions and they also have their own record company, B. T. Puppy Records.

In 1972, Jay Siegel did background vocals for a re-recording of Lion Sleeps Tonight with Robert John as the lead vocalist.

In 1973, Medress ended his relationship with the group and Siegel teamed with the Margo Brothers to form the group Cross Country, which would have some success with its cover version of "In the Midnight Hour."

The Tokens reunited during 1975 for occasional weeks as singing regulars on the Adam Wade hosted game show Musical Chairs and in 1978 recorded a song for ABC's Schoolhouse Rock named "A Victim of Gravity".[3]

Nowadays, brothers Mitch and Philip Margo continue to perform with new members Jay Leslie, Mike Johnson and Noah Margo (one of Margo's sons) playing drums.

Mitch Margo's sons, Damien Margo and Ari Margo also make occasional guest performances with the band, exemplifying Phil Margo's saying that "If you hang around long enough you can grow your own band."[4]

Siegel continues to perform with his own version of the Tokens as well, featuring bass singer Bill Reid and, more recently, John "Jay" Traynor, the original lead singer (before Jay Black) of Jay & the Americans and The Mystics.

Siegel's son is also part of the group as keyboardist and occasional vocalist.[5]

Jay Siegel's Tokens and the Margo brothers reunited in 2000 to perform on the PBS special, Doo Wop 51.

At the time, Siegel's Tokens were Siegel, Reid, and Eddy Rezzonico;[6] Rezzonico had replaced Richie Grasso[7] during the 1990s.


Legal controversies

Rights for "The Lion Sleeps Tonight"

Decades after not receiving any publishing credit for their specific original musical composition part of "The Lion Sleeps Tonight", the band began a lawsuit in order to regain some of these publishing rights.

The case was dismissed due to the statute of limitations.

To this day, the Tokens claim that some of the original musical composition of the 1961 song was created by them, even though they have not been awarded this status by their record company.

Name of the band

On October 19, 2009, Phil and Mitch Margo filed suit in Manhattan for the rights to the Tokens name.

They claim in their filing that Henry Medress suggested the name. In a competing suit filed in California by Siegel, he claims Siegel, Medress, and Sedaka released an album named Neil Sedaka and The Tokens previously.[8]

On Sedaka's own website, there is a listing in his discography catalog for a 1958 release of Neil Sedaka and The Tokens as well as a second album, also during 1958, named Neil Sedaka and The Tokens and Coins.[9]

Source: Wikipedia





TTFN 
CYA Later Taters 
Thanks for watching.

Donnie/ Sinbad the Sailor Man

Sunday, January 19, 2014

Frankie Valli and The For Seasons~ "Walk Like A Man"



The Four Seasons are an American rock and pop band who became internationally successful in the mid-1960s.

The Vocal Group Hall of Fame has stated that the group was the most popular rock band before the Beatles.[1]

Since 1970, they have also been known at times as Frankie Valli and the Four Seasons. In 1960, the group known as the Four Lovers evolved into the Four Seasons, with Frankie Valli as the lead singer, Bob Gaudio (formerly of the Royal Teens) on keyboards and tenor vocals, Tommy DeVito on lead guitar and baritone vocals, and Nick Massi on bass guitar and bass vocals.

The legal name of the organization is the Four Seasons Partnership, formed by Gaudio and Valli after a failed audition in 1960.

While singers, producers, and musicians have come and gone, Gaudio and Valli remain the group's constant (with each owning fifty percent of the act and its assets, including virtually all of its recording catalog).[2][3] Gaudio no longer plays live, leaving Valli the only member of the group from its inception that is currently touring.[4]
The Four Seasons (group members 1960–1966) were inducted into the Rock and Roll Hall of Fame in 1990,[5] and joined the Vocal Group Hall of Fame in 1999.[1] They are one of the best-selling musical groups of all time, having sold an estimated 100 million records worldwide.[4]

The Four Seasons
Frankie Valli and The Four Seasons.jpg
Valli and the Four Seasons at London's Royal Albert Hall, June 2012
Background information
Also known as The 4 Seasons
The 4 Seasons featuring the "sound" of Frankie Valli and the 4 Seasons
Origin Newark, New Jersey, United States
Genres Rock and roll, traditional pop, rhythm and blues
Years active 1960-present
Labels Gone, Vee-Jay, Philips, Mowest, Warner Bros., MCA, Curb

Members Frankie Valli

Past members Tommy DeVito
Nick Massi (ne Macioci)
Bob Gaudio
Charles Calello
Ronnie Carangelo
Joe Long (ne LaBracio)
Bob Grimm
John Stefan
Al Ruzicka
Joseph Steffanelli
Demetri Callas
Clay Jordan
Billy DeLoach
Roger (Bland) Guckenheimer
Paul Wilson
Lee Shapiro
Gerry Polci
Don Cicco
John Paiva
Jerry Corbetta
Rex Robinson
Larry Lingle
Lynn Hamman
Chuck Wilson
Robin Swens
Howard Laravea
Tim Stone
Zoro
Fino Roverato
Adrian Baker
Tommy Alvarado
Warren Hamm
Rich Callaci
Steve Gregory
Keith Hubacher
Jason Martinez
Matt Baldoni
Gary Melvin
Bill Williams

History

Before the Four Seasons

Frankie Valli's first commercial release was "My Mother's Eyes" (as Frankie Valley) in 1953.

The following year, he and Tommy DeVito formed the Variatones (with Hank Majewski, rhythm guitar, Frank Cattone, accordion, and Billy Thompson, drums),[6] which between 1954 and 1956 performed and recorded under a variety of names before settling on the name The Four Lovers.[7][8]

The same year, the quartet released their first record, "You're the Apple of My Eye", which appeared on the Billboard Hot 100 singles chart, peaking at #62.[9]

 Five additional Four Lovers singles (on RCA Victor) were released over the next year, with virtually no sales, airplay, or jukebox play. In 1957, the group's seventh single (this time on Epic) had a similar lack of success.[10]

From 1956 until 1960, the group stayed together, performing in clubs and lounges as the Four Lovers and recording on various record labels with various names: Frankie Tyler, Frankie Valley, Frankie Valley and the Travelers, Frankie Valle and the Romans, the Village Voices, and the Topics are some of the 18 "stage names" used individually or collectively by the members of the group.

 In 1958, the group started working with producer Bob Crewe, primarily with session work (Crewe wrote "I Go Ape", which Valli recorded with the intention of releasing it as a "solo" single).

Later that year, the Four Lovers were performing in Baltimore on the same stage as the Royal Teens, who were riding the wave of success of "Short Shorts", a song co-written by then-15-year-old Bob Gaudio, who was also the Royal Teens' guitarist.

The next year, Gaudio replaced Nick DeVito in the lineup, with Gaudio doubling as both keyboardist and guitarist, and Charles Calello replaced Majewski on bass.

In 1960, Calello left and was replaced by Nick Massi (Calello would soon return as the group's arranger).

Despite the change of personnel, the fortunes of the Four Lovers did not change at the beginning of 1960, when they failed an audition for a lounge at a Union Township, Union County, New Jersey bowling establishment.

According to Gaudio, "We figured we'll come out of this with something. So we took the name of the bowling alley. It was called the Four Seasons."

Despite the last few years of frustration of the Four Lovers, this proved to be the turning point for the group: on a handshake between keyboardist/composer Bob Gaudio and lead singer Frankie Valli, the Four Seasons Partnership was formed.


The rise of the Four Seasons

The Four Seasons released their first single in 1961 ("Bermuda"/"Spanish Lace" on Gone Records).

The single did not chart. The group began working with producer Bob Crewe as background vocalists, and sometimes leads under different group names, for his productions on his own Topix label.

Bob Gaudio eventually wrote a song that, after some discussion between Crewe and Gaudio, was titled "Sherry". The song was recorded and Crewe, along with members of the group, went about soliciting labels to release the record.

It was Frankie Valli who spoke with Randy Wood, West coast sales manager for Vee-Jay Records (not the founder of Dot Records) who, in turn, suggested the release of "Sherry" to the decision makers at Vee-Jay.

"Sherry" made enough of an impression that Crewe was able to sign a deal between his production company and Vee-Jay for its release.

At the time, the Four Seasons were signed, as artists, to Crewe's production company. They were the first white artists to sign with Vee-Jay.[11]

In 1962, the group released their first album, featuring the single "Sherry", which was not only their first charted hit but also their first number-one song. Under the guidance of producer/songwriter Bob Crewe, the Four Seasons followed up "Sherry" with several million-selling hits, including "Big Girls Don't Cry" (their second #1 hit), "Walk Like a Man" (their third #1), "Candy Girl", "Ain't That a Shame", and several others.

In addition, they released a Christmas album in December 1962 and charted with a unique rendition of "Santa Claus Is Coming to Town".

From 1962 to early 1964, only the Beach Boys matched the Four Seasons in record sales in the United States, and their first three Vee-Jay non-holiday single releases marked the first time that a rock band hit #1 on the Billboard singles charts with three consecutive entries (ignoring their version of "Santa Claus Is Coming to Town").

Source:Wikipedia 




TTFN
CYA Later Taters
Thanks for watching.
Donnie/ Sinbad the Sailor Man