Friday, August 14, 2015

ABBA's~ Frida Lyngstad at 65 Years Old "Looking Back At Her Career"


Anni-Frid Synni, Princess Reuss of Plauen (German: Anni-Frid Synni, Prinzessin Reuss von Plauen; born Anni-Frid Synni Lyngstad, pronounced [ˈlʏŋstɑːd], 15 November 1945), widely known as Frida Lyngstad or by just the mononym Frida, is a Norwegian-born Swedish pop and jazz singer.

Born in Norway to a Norwegian mother and a German father, she grew up in Sweden and was a member of the Swedish group ABBA[1] between 1972 and 1982. After the break-up of ABBA, she continued an international solo singing career with mixed success.

In 1997, Frida recorded her final album before 'retiring' from music. She now focuses on environmental issues and intends to return to the music business soon.[citation needed]

In April 1964, aged 18 she married Ragnar Fredriksson. Immediately after their divorce in 1970, Lyngstad courted eventual ABBA band member Benny Andersson, co-habiting until they officially married in 1978.

The couple divorced in 1981. In 1992, Lyngstad married Heinrich Ruzzo Prince Reuss of Plauen, who was a German Prince of the former sovereign House of Reuss. The prince died of lymphoma in October 1999.

Lyngstad currently lives in Zermatt, Switzerland, sharing a home with her British boyfriend, Henry Smith, 5th Viscount Hambleden, since 2008.



Anni-Frid Lyngstad
Anni-Frid Lyngstad, May 2013.jpg
Lyngstad during the opening of ABBA: The Museum, May 6, 2013
Background information
Birth name Anni-Frid Synni Lyngstad
Also known as Frida
Born 15 November 1945 (age 69)
Origin Bjørkåsen, Ballangen, Norway
Genres Pop, pop rock
Occupation(s) Singer
Instruments Vocals, piano
Years active 1967–1984, 1996–1999,
2004 (With Jon Lord)
2010-present
Labels EMI
Polar Music
Anderson Records
Atlantic Records (USA)
Associated acts

Early life

Anni-Frid Synni Lyngstad was born in Bjørkåsen, a small village in Ballangen near Narvik, in northern Norway, to a Norwegian mother, Synni Lyngstad (19 June 1926 – 28 September 1947), and a German soldier father, a Sergeant in the Wehrmacht, Alfred Haase (1919 - 2009) just after the end of the Second World War and the German occupation of Norway.[2]

Lyngstad's father returned to Germany when his troops were evacuated.[2]

In early 1947, Lyngstad, her mother, and her maternal grandmother, Arntine Lyngstad ("Agny"), left her birthplace, fearing reprisals against those who had dealings with the Germans during the occupation. This could entail not just insults and threats, but also forced separation of infants from their parents and relatives (see War children).[2]

Lyngstad was taken by her grandmother to Sweden, where they settled in the region of Härjedalen and her grandmother took any available job. Lyngstad's mother, Synni, remained in Norway and worked for a period in the south of the country.

Synni joined her mother and daughter in Sweden, and the three moved to Malmköping (72 km from Stockholm).

Synni soon died of kidney failure, aged 21 leaving Lyngstad to be raised solely by her grandmother.

In June 1949, they both relocated to Torshälla (just outside of Eskilstuna), where Agny Lyngstad worked as a seamstress. Frida Lyngstad grew up in Torshälla and began attending school there in August 1952.

Close contact with her family in Norway (notably her uncle and four aunts) continued, and Lyngstad recalls summer holidays spent with them at her birthplace.

She was especially close to her Aunt Olive, who once stated that she saw how lonely and subdued Frida was and, as a result, always did her best to make her feel loved and welcomed during visits.

Lyngstad believed that her father, Alfred Haase, had died during the war on his way back to Germany as his ship was reported to have sunk.

 However, in 1977, the German teen magazine Bravo published a poster and a complete biography with details of Lyngstad's background, including the names of her father and mother.

It was seen by Lyngstad's half-brother, Peter Haase, who went to his father and asked him if he had been in Ballangen during the war.

A few months later, Lyngstad met Haase in Stockholm for the first time.[3]

Career


1958–1969: Early work


Lyngstad stated in several interviews that her grandmother frequently sang songs to her (notably old Norwegian songs), which resulted in her love for music.

She soon showed musical talent at a very early age, beginning in her first years at school. On Fridays, she was often asked by her teacher to sing in front of the class and soon became known in school and in the neighborhood for her beautiful voice.

Although her grandmother encouraged her to sing (according to Lyngstad herself), she never attended any of her performances. Her grandmother died shortly before ABBA formed and therefore never experienced the success of the group.

At the age of 13, she got her first job as a dance band and schlager singer in 1958, with the Evald Eks Orchestra. Evald Ek himself remembers: "It was hard to believe, such a young person could sing that well.

She was so easy to rehearse with and she was never shy onstage. The only thing I taught her was to sing out. In those days, she had a tendency of holding back her voice a little."

With the Evald Eks Orchestra, the 13-year-old Lyngstad, performed every weekend in front of a dancing audience. The sets often lasted up to five hours.

The songs she liked most to sing were the evergreens; "All of Me", "Night and Day" and "Begin the Beguine".[4]

To advance and develop, she also started to take singing lessons. Later, she teamed up with a 15-piece 'big band', who performed a jazz repertoire covering Glenn Miller, Duke Ellington and Count Basie; her vocal idols being Ella Fitzgerald and Peggy Lee. In 1963, she formed her own band, the Anni-Frid Four.

On 3 September 1967, Frida won the Swedish national talent competition, "New Faces", arranged by record company EMI and held at Skansen, Stockholm. The song she chose to sing was "En Ledig Dag" ("A Day Off").

The first prize in this contest was a recording contract with EMI Sweden. Unbeknownst to Lyngstad, the winner of the contest was also expected to appear the same evening in the country's most popular TV show at that time, Hylands Hörna.

This happened on the same day Sweden switched from driving on the left side of the road to the right side. Driving on that day was discouraged, so most of the nation was watching TV that night.

Frida performed her winning song live. (The performance can be seen on Frida - The DVD)
This first exposure to a wider television audience caused a sensation, and many record companies and producers contacted Frida immediately.

EMI executives, fearing they might lose their new singer, took the precaution of driving from Stockholm to Frida's home in Eskilstuna the next morning with a recording contract for her to sign. EMI producer Olle Bergman remembers: "We got so interested and fond of her and I thought she had everything a person needs to become something."[5]

On 11 September 1967, Frida recorded the vocals for "En Ledig Dag", which was to become her first single for EMI Sweden. Professional and self-assured on this first day in the studio, she recorded the vocals in just one take.[6]

The early songs she recorded for EMI Sweden are included in the EMI compilation Frida 1967-1972, digitally remastered and released by EMI Sweden in 1997.

On 29 January 1968, she performed this song on national TV, and at this occasion briefly met future ABBA member Agnetha Fältskog, who also performed her first single in the same programme. Lyngstad toured Sweden in 1968, and recorded several singles for EMI. She decided to move to Stockholm to start working full-time as a singer.

In 1969, she participated in Melodifestivalen – the Swedish heats for the Eurovision Song Contest – with the song "Härlig är vår jord" ("Our Earth Is Wonderful"), and finished fourth.

1970–1971: Pre-ABBA


Her first album, Frida, produced by her then-fiancé Andersson, was released in 1971.

The album received unanimously generous praise from the critics and the press, who especially noted the precision and versatility of Lyngstad's voice.

For example, Sweden's biggest morning paper Dagens Nyheter (Daily News) wrote: "Professional, sure and certain LP-debut ... low-key but self-assured personality with sprinkles of temperament, humor and tenderness.

And she sings in such a way that you understand that she's got something between her ears – she sings, in other words, in a very intelligent way". She now scored her first Swedish No.1 hit with "Min Egen Stad" ("My Own Town").

All four future members of ABBA sang back-up vocals on this song. The album is now included in the EMI compilation Frida 1967-1972.

Frida continued to play in cabarets, and tour and regularly perform on TV and radio. Subsequently, her relationship with Andersson, and friendship with Björn Ulvaeus and Agnetha Fältskog led to the formation of ABBA.

In 1972, after five years at EMI Sweden, Lyngstad changed record companies and moved to the Polar Music label. She recorded the single "Man vill ju leva lite dessemellan" ("One wants to live a little from time to time"), which became her second No. 1 hit on the Swedish charts.

1972–1982: ABBA years


Main article: ABBA

At first, Lyngstad was hesitant to perform with her boyfriend Benny Andersson, his best friend Björn Ulvaeus and his wife, Agnetha Fältskog.[7]

Their first project together was the cabaret act Festfolk, which flopped in the winter of 1970–1971. The following year, 'Frida' toured on her own while the other three future ABBA members started performing together on a regular basis.[8]

Eventually, she rejoined them. Andersson and Ulvaeus were busy producing other artists, but soon discovered the qualities of Lyngstad's and Fältskog's voices combined: ABBA came to life.

Frida sang solo parts in the following ABBA songs: "Andante, Andante", "Cassandra", "Fernando", "Gonna Sing You My Lovesong", "I Am the City", "I Have a Dream", "I Let The Music Speak", "I'm a Marionette", "I Wonder (Departure)", "The King Has Lost His Crown", "Knowing Me, Knowing You", "Like an Angel Passing Through My Room", "Lovers (Live a Little Longer)", "Me and Bobby and Bobby's Brother", "Me and I", "Money, Money, Money", "The Name Of The Game", "One Man, One Woman", "Our Last Summer", "Put On Your White Sombrero", "Should I Laugh or Cry", "Super Trouper", "Tropical Loveland", "The Visitors", "The Way Old Friends Do", "When All Is Said And Done" and "You Owe Me One" and her voice was of course clearly audible on most other ABBA tracks as well.


Lyngstad clearly enjoyed the spotlight more than the other three members of ABBA. She truly liked to tour and to meet audience members one-to-one.[9]

She took an active part in co-designing the famed ABBA costumes for their tours and TV performances.[10]
 Since the members of ABBA went their separate ways, Frida has been the only one who openly regrets there has never been a reunion to date.



Frida Lyngstad and Benny Andersson 1976


Her next solo album, in Swedish, was Frida ensam, (Frida Alone), released in 1975 during the ABBA years, and produced by Benny Andersson.

This album includes her successful Swedish version of "Fernando", which stayed at the no. 1 spot in the Svensktoppen radio charts for 9 weeks, but was never released as a single.

The album was recorded between sessions of the ABBA albums "Waterloo" and "ABBA". Due to the rising popularity of the group, the album took 18 months to record.

It became an enormous commercial and critical success in Sweden, topping the Swedish album charts for six weeks and remaining in the charts for 38.

The album was mostly a collection of covers of songs by artists like the Beach Boys, 10cc and David Bowie, receiving positive reviews from Melody Maker: "The album portrays Frida as a very strong and emotive singer and shows the true value of the music, that if sung properly and with enough feeling it transcends all language barriers".

This album was such a big success, it eventually went platinum.

1982–1984: International solo career



Lyngstad in Amsterdam, The Netherlands, October 1982


In 1982, during ABBA's last year as a working band, Frida recorded and released her first post-Abba solo album.

This was also her first solo album in English. The Phil Collins-produced album was called Something's Going On, and became a big success for Frida worldwide.

A much rockier sound was found on many of the songs and Phil Collins' drum sound contributed a lot, especially on the lead single.

The album sold 1.5 million copies[3] and spawned the successful single "I Know There's Something Going On", which topped the charts in Switzerland, Belgium, Costa Rica and France, where it stayed No 1 for five weeks.

The song also reached the top five in Germany, Austria, the Netherlands, Norway and Australia amongst others.

In the United States, the single reached #13 in March 1983 on the Billboard Hot 100 and #9 on Radio & Records, and was the 20th biggest selling single in the US that year.

The song and its video were heavily promoted and played on MTV. The album itself received good reviews, with Billboard writing: "ABBA's auburn-haired songstress makes a bold solo project a stunning success", while Mark Coleman described the album in the third edition of Rolling Stone Album Guide as "a sharp, rock-oriented, delightfully eclectic album".

William Cooper had a similar opinion in AllMusic: "Frida escapes the creative limitations of being a member of one of the world's most popular groups on this solid and often riveting album". Swedish Television SVT documented this historical event by filming the whole recording process.

The result became a one-hour TV documentary, including interviews with Frida and Phil, Björn and Benny, as well as all the musicians on the album.

Due to the success of this album and its lead single, Frida was voted "Best Female Artist Of The Year" 1982, by the readers of Sweden's biggest evening paper Aftonbladet, receiving the Swedish Music Award Price Rockbjörnen.

In 1983, Lyngstad assisted with Abbacadabra, and recorded one of the tracks with two different male vocalists in different languages, including Frenchman Daniel Balavoine on the track "Belle" and on the English version "Time" with B. A. Robertson.

This track was a cover of "Arrival", an instrumental track from the ABBA album of the same name.
Lyngstad's next album was the experimental Shine (1984).

This album was recorded at Studios De La Grande Armée in Paris, France and produced by Steve Lillywhite, known for his work with artists like Peter Gabriel, U2, Rolling Stones and Morrissey amongst others.

The young producer Lillywhite was only 25 when this album was recorded and he gave Frida a very experimental sound and managed to create a relaxed atmosphere in the studio.

The album had much less success than hoped, though it reached the Top 20 in many European countries, #6 in Sweden being its highest position.

1985–2004: Later career


In 1986 Frida was in the choir for the recording of her former husband Benny Andersson's song "Klinga Mina Klockor".

Also in 1987, Lyngstad recorded the single "Så Länge Vi Har Varann" ("As Long As We Have Each Other") with the Swedish pop group Ratata, one of Lyngstad's favourites.

She was contacted by singer Mauro Scocco, who mentioned that he had a song suitable for a duet. After hearing it, Lyngstad accepted immediately.[11]

The song achieved great success in Sweden, and was also recorded in English under the title of "As long as I have you".

An English-language video of the song was produced, although an Australian release of this song on Festival Records in January 1998 was eventually shelved.

In 1990, Lyngstad became a member of the committee of the Swedish environmental organization Det Naturliga Steget (The Natural Step). The organization wanted a "famous face" to help them reach the public, and in 1991 she became chairwoman for the organization Artister För Miljö (Artists For The Environment).

In 1992, Lyngstad performed live at the Stockholm Water Festival at the Kings Castle and released the environmental charity single with her cover of Julian Lennon's song "Saltwater". All the money from this single went to charity.

In 1993, on Queen Silvia's 50th birthday, Frida was asked to perform "Dancing Queen" on stage, as performed by ABBA when the king and queen got married. Frida contacted The Real Group and together they performed the song at the Stockholm Opera House in front of the king and queen.

The Swedish prime minister at the time, Ingvar Carlsson, also present that night, said it was an ingenious step to do "Dancing Queen" a cappella. This performance was filmed by Swedish TV and can be seen in Frida - The DVD.

In 1996, Lyngstad recorded her Swedish language album Djupa andetag (Deep Breaths).
It was a long-awaited album as 12 years had passed since Shine was released.

The album attracted overall relatively positive reviews and was a success in Sweden where it became #1 on the album chart.

Frida did many TV appearances in Sweden, Norway, Denmark and Finland to promote the album. Djupa andetag was one of the first Swedish albums to be released as a combined audio-video CD-ROM, including interviews with Lyngstad, footage from the making of the album, as well as promotional videos.

Despite the fact that Djupa andetag was officially only released in Scandinavia and the songs were entirely sung in Swedish, a remix album of the single tracks "Även en blomma", "Alla Mina Bästa År" (a duet with Roxette's Marie Fredriksson) and "Ögonen" was released in Germany in 1998, entitled Frida - The Mixes

Despite the success of the album, none of these singles made a big impression on the Swedish charts, leaving Frida very disappointed and she would never to record an album again.

A one-hour documentary about the making of this album, both in the studio and from Frida's home in Mallorca, Spain, can be seen in Frida - The DVD.

A follow-up album with producer Anders Glenmark was reportedly in the works, but was shelved due to the death of Frida's daughter in 1998. Lyngstad dedicated the song "Chemistry Tonight" (co-written by Kirsty MacColl,) to the songwriter after her death in 2000.

A few low key and one-off recordings followed, including a 2002 duet with opera singer Filippa Giordano of the "Barcarolle" from Jacques Offenbach's Les contes d'Hoffman as well as the song "The Sun Will Shine Again", written by former Deep Purple member Jon Lord, and recorded in 2004.

 "Barcarolle" is only available on the Japanese edition of Giordano's album Rosso Amore and "The Sun Will Shine Again" can be found on Jon Lord's album Beyond The Notes (although a limited-promotional single had been made available).

Lord and Lyngstad made several TV appearances in Germany performing the song, on shows like The Sunday Night Classics and The Golden Henne Gala. Lyngstad also joined Lord on stage singing the song during his European autumn tour in 2004.

During this tour, she also performed "In the Deep Midwinter", a performance of which can be found on social media.

For the 2004 semi-final of the Eurovision Song Contest, staged in Istanbul thirty years after ABBA had won the contest in Brighton, Lyngstad appeared in a special comedy video made for the interval act, entitled Our Last Video.

Each of the four members of the group appeared briefly in cameo roles, as did, amongst others, Cher and British comedian Rik Mayall

The video was not included in the official DVD release of the Eurovision Contest, but was issued as a separate DVD release on the Universal Music label.

It was billed as the first time the four had worked together since the group split in 1982 although they each filmed their appearances separately.

Also in 2004, Lyngstad appeared with former band mates Benny Andersson and Björn Ulvaeus at London's fifth anniversary performance of Mamma Mia!, the musical based on ABBA songs.

In 2005, she joined all three of her former ABBA colleagues at the Swedish premiere of Mamma Mia! at the arena Cirkus in Stockholm.

2005–Present: after music


On 15 November 2005, to celebrate Lyngstad's 60th birthday, Universal Records released the box set Frida, consisting of all the solo albums she recorded for Polar Music, all digitally remastered and including a set of bonus tracks.

Also included was Frida - The DVD, a 3½ hour documentary where Lyngstad talks about her entire career in the music business. Filmed in the Swiss Alps, she talks about her singing technique and about her career both before and after Abba and explains how songs were performed and recorded.

In collaboration with Swedish TV, SVT, the film included many rare TV clips from her early performances, like her first TV performance with "En Ledig Dag", ("A Day Off"). Also included are TV-documentaries about the making and recordings of Something's Going On and Djupa andetag (Deep Breaths).

In September 2010, a new album by musician Georg Wadenius titled "Reconnection" was released.

Frida and George had discussed working together for many years, as they had long been good friends.

The album opens with her rendition of the traditional tune Morning Has Broken popularized by Cat Stevens. This song by Cat Stevens, is a favourite for Frida and the song was also on the playlist in the church for Frida and Prince Ruzzo's wedding on August 26, 1992.

On 16 February 2011 BBC Radio 4 broadcast a 45-minute play featuring Frida and the play's writer, long term fan and performer Christopher Green.

The play, Like An Angel Passing Through My Room, was billed as 'a story about love. The unconditional love of a devoted fan ... about a real and an imagined intimacy.'

It was a project several years in the making; what started as an upbeat reflection on fame and the notion of being a fan, developed into a meditation on the communication between two people and coping with the blows life deals.

In an interview with Frida she and Green talked about her long recovery from the death of her husband in 1999.

The play is reflective but with a comic sensibility. Frida stated in 2004 that she never intended to return to the music industry although this was short lived and future studio albums were discussed in 2010.

Nothing ever came of them and Frida has never returned to recording music since. After the death of her friend Jon Lord, in 2013, Frida has almost become almost a recluse, rarely seen in the public eye.

In 2013, Frida helped organise the opening of the ABBA Museum in Stockholm stated she wanted to 'let ABBA rest'.

The Long awaited ABBA reunion was expected to happen in 2014 to celebrate their win at the Eurovision Song Contest in 1974, some 40 years prior, but this never happened, disappointing fans.

Frida met with fellow ABBA member Agnetha Faltskog in Majorca, where the pair talked about singing together but no information regarding this has been released.

In 2015 Frida, along with Dan Daniell, released the single "1865" about the Matterhorn in Switzerland.

Personal life


Marriage to Ragnar Fredriksson (1963–1970)


On 3 April 1964, at age 18, Frida married salesperson and fellow musician Ragnar Fredriksson. They had two children: Hans Ragnar (born 26 January 1963) and Ann Lise-Lotte (25 February 1967 – 13 January 1998).

They separated in 1968 and were officially divorced on 19 May 1970. On the very same day, Lyngstad's grandmother, Arntine, died, aged 71.

Relationship (1969–1978) and marriage to Benny Andersson (1978–1981)


In 1969, Lyngstad met Benny Andersson. By 1971, they were living together, but did not marry until 6 October 1978, during the height of ABBA's success.

However, after two years of marriage, they separated in 1980, and were divorced in 1981.

Marriage to Prince Reuss of Plauen (1992–1999)


In 1982, Lyngstad left Sweden and moved to London. In 1986, she relocated to Switzerland, and lived with her boyfriend, an architect named Prince Heinrich Ruzzo Reuss, Count of Plauen (1950–1999), in his family castle in Fribourg.

In 1988, Lyngstad became a grandmother when her daughter, Ann Lise-Lotte, gave birth to a son named Jonathan.

On 26 August 1992, Lyngstad married the Prince of House of Reuss.[1]

By this marriage, she has two stepdaughters, the twins Princess Henriette Anna-Bess Helle Mette Reuss, Countess of Plauen, and Princess Pauline Margaretha Emma-Louise Mette Reuss, Countess of Plauen (both born 2 June 1977, Oslo, Norway).

Through her marriage to Prince Reuss of Plauen, who had been a student at the same boarding school as Crown Prince Carl Gustaf – who later became the King of Sweden – Lyngstad became acquainted with the Swedish royal family and eventually became close friends with Sweden's Queen Silvia.

On 13 January 1998, Lyngstad's daughter, Ann Lise-Lotte Casper (née Fredriksson), died of injuries sustained in a car accident in Livonia, New York – a town 20 miles south of Rochester, New York.
The prince died of lymphoma in October 1999.

Other relations and interests


Lyngstad remains involved in charity work, and stated in a 2005 interview that she had no interest in ever returning to a music career.[citation needed]


She currently lives in Zermatt, Switzerland, sharing a home with her British boyfriend, Henry Smith, 5th Viscount Hambleden, since 2008.[12]

Frida also has an interest in racing pigeons and is actively involved in the UK. She is the Honorary President of the Hardwick Homing Society in Stockton On Tees.

She also competes as a partner in a team in the same club "Cunningham, Nixon, Lyngstad". Lyngtad also owns several homes in the UK; one in Newcastle Upon Tyne, another in London and another, shared home in the Yorkshire Dales.


ABBA  was a Swedish pop group formed in Stockholm in 1972, comprising Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad.

ABBA is an acronym of the first letters of the band members' first names and is sometimes stylized as the registered trademark ᗅᗺᗷᗅ.

The band became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1975 to 1982. They won the Eurovision Song Contest 1974 at the Dome in Brighton, UK, giving Sweden its first triumph in the contest, and were the most successful group ever to take part in the competition. Ulvaeus and Andersson wrote the Broadway musical "Chess" in 1980.

ABBA has sold over 380 million albums and singles worldwide,[1][2] which makes them one of the best-selling music artists, and the second best-selling music group of all time.

ABBA was the first group to come from a non-English-speaking country to enjoy consistent success in the charts of English-speaking countries, including the UK, Ireland, the U.S., Canada, Australia, New Zealand, and South Africa.

The group also enjoyed significant success in Latin American markets, and recorded a collection of their hit songs in Spanish.



ABBA
ABBA - TopPop 1974 5.png
Background information
Also known as Björn & Benny, Agnetha & Anni-Frid
Origin Stockholm, Sweden
Genres Pop, pop rock, disco
Years active 1972–1982
Labels Polar, Metal, Polydor, Atlantic, Universal, Epic, Vogue, RCA, PolyGram, Sunshine (Rhodesia/Zimbabwe), Ariston/Dig It (Italy)
Associated acts Hep Stars, Hootenanny Singers, Benny Anderssons Orkester
Website abbasite.com

Past members Agnetha Fältskog
Björn Ulvaeus
Benny Andersson
Anni-Frid Lyngstad

 

ABBA logo
During the band's active years, Fältskog & Ulvaeus and Lyngstad & Andersson were married. At the height of their popularity, both relationships were suffering strain which ultimately resulted in the collapse of the Ulvaeus–Fältskog marriage in 1979 and the Andersson–Lyngstad marriage in 1981.

These relationship changes were reflected in the group's music, with later compositions including more introspective, brooding, dark lyrics.[3]

After ABBA broke up in late 1982, Andersson and Ulvaeus achieved success writing music for the stage while Lyngstad and Fältskog pursued solo careers with mixed success. ABBA's music declined in popularity until several films, notably Muriel's Wedding and The Adventures of Priscilla, Queen of the Desert, revived interest in the group and the spawning of several tribute bands.

In 1999, ABBA's music was adapted into the successful musical Mamma Mia! that toured worldwide.

 A film of the same name, released in 2008, became the highest-grossing film in the United Kingdom that year.

ABBA were honored at the 50th anniversary celebration of the Eurovision Song Contest in 2005, when their hit "Waterloo" was chosen as the best song in the competition's history.[4]

The group was inducted into the Rock and Roll Hall of Fame on 15 March 2010.[5]



Source: Wikipeda.org


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Jim Reeves~ "I Know One"


James Travis "Jim" Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer-songwriter.

With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music).

Known as "Gentleman Jim", his songs continued to chart for years after his death. Reeves died in the crash of a private airplane. He is a member of both the Country Music and Texas Country Music Halls of Fame.



Jim Reeves
Jim Reeves.jpg
Background information
Birth name James Travis Reeves
Also known as Gentleman Jim
Born August 20, 1923
Galloway, Texas, U.S.
Died July 31, 1964 (aged 40)
Davidson County, Tennessee, U.S.
Genres Country, Nashville sound, Gospel, Blues, Western Swing
Occupation(s) Singer-songwriter, musician
Years active 1948–1964
Labels RCA Victor, Fabor, Macy, Abbott
Associated acts Chet Atkins, Floyd Cramer, Dottie West



Biography

Early life and education

Reeves was born in Galloway, Texas, a small rural community near Carthage. Winning an athletic scholarship to the University of Texas, he enrolled to study speech and drama, but quit after only six weeks to work in the shipyards in Houston.

Soon he resumed baseball, playing in the semi-professional leagues before contracting with the St. Louis Cardinals "farm" team during 1944 as a right-handed pitcher. He played for the minor leagues for three years before severing his sciatic nerve while pitching, which ended his athletic career.[citation needed]

Early career

Reeves began to work as a radio announcer, and sang live between songs. During the late 1940s, he was contracted with a couple of small Texas-based recording companies, but without success.

Influenced by such Western swing-music artists as Jimmie Rodgers and Moon Mullican, as well as popular singers Bing Crosby, Eddy Arnold and Frank Sinatra, it was not long before he was a member of Moon Mullican's band, and made some early Mullican-style recordings like "Each Beat of my Heart" and "My Heart's Like a Welcome Mat" from the late 1940s to the early 1950s.


He eventually obtained a job as an announcer for KWKH-AM in Shreveport, Louisiana, then the home of the popular radio program the Louisiana Hayride. According to former Hayride master of ceremonies Frank Page, who had introduced Elvis Presley on the program in 1954,[1] singer Sleepy LaBeef was late for a performance, and Reeves was asked to substitute.

(Other accounts—including that of Reeves himself, in an interview on the RCA Victor album Yours Sincerely—name Hank Williams as the absentee.)

Initial success in the 1950s

Reeves' first successful country music songs included "I Love You" (a duet with Ginny Wright), "Mexican Joe", and "Bimbo" which reached Number 1 in 1954 on the U.S. Country Charts, and other songs with both Fabor Records and Abbott Records.

Abbott released his first album in November 1955, Jim Reeves Sings (Abbott 5001), which was the label's only album release.

Earlier in 1955, he was signed to a 10-year recording contract with RCA Victor by Steve Sholes, who produced some of Reeves' first recordings at RCA Victor and signed Elvis Presley for the company that same year. Also in 1955, he joined the Grand Ole Opry[2] and made his first appearance on ABC-TV's Ozark Jubilee, where he was a fill-in host from May–July 1958.

For his earliest RCA Victor recordings, Reeves was still singing with the loud style of his first recordings, considered standard for country and western performers at that time.

He decreased his volume, using a lower pitch and singing with lips nearly touching the microphone, although there were protests at RCA. During 1957, with the endorsement of his producer Chet Atkins, he used this style for his version of a demonstration song of lost love intended for a female singer.

"Four Walls" not only scored No. 1 on the country music charts, but scored No. 11 on the popular music charts. Reeves had helped begin a new style of country music, using violins and lusher background arrangements soon known as the Nashville sound.

Reeves became known as a crooner because of his rich light baritone voice. Songs such as "Adios Amigo", "Welcome to My World", and "Am I Losing You?" demonstrated this. His Christmas songs have been perennial favorites, including "C-H-R-I-S-T-M-A-S", "Blue Christmas" and "An Old Christmas Card".

He is also responsible for popularizing many gospel songs, including "We Thank Thee", "Take My Hand, Precious Lord", "Across The Bridge", "Where We'll Never Grow Old" and many others.

Early 1960s and international fame

Reeves scored his greatest success with the Joe Allison composition "He'll Have to Go",[3] a great success on both the popular and country music charts, which earned him a platinum record.

Released during late 1959, it scored number one on Billboard magazine's Hot Country Songs chart on February 8, 1960, which it scored for 14 weeks consecutive. Country music historian Bill Malone noted that while it was in many ways a conventional country song, its arrangement and the vocal chorus "put this recording in the country pop vein".

In addition, Malone lauded Reeves' vocal styling—lowered to "its natural resonant level" to project the "caressing style that became famous"—as why "many people refer to him as the singer with the velvet voice."[4]

In 1963, he released his well proclaimed "Twelve Songs of Christmas" album, which had the well known songs "C.H.R.I.S.T.M.A.S" and "An Old Christmas Card". During 1975, RCA producer Chet Atkins told interviewer Wayne Forsythe, "Jim wanted to be a tenor but I wanted him to be a baritone... I was right, of course. After he changed his voice to that smooth deeper sound, he was immensely popular."[5]

Reeves' international popularity during the 1960s, however, at times surpassed his popularity in the United States, helping to give country music a worldwide market for the first time.

South Africa

During the early 1960s, Reeves was more popular in South Africa than Elvis Presley and recorded several albums in the Afrikaans language.

In 1963, he toured and was featured in a South African film, Kimberley Jim. The film was released with a special prologue and epilogue in South African cinemas after Reeves' death, praising him as a true friend of the country.

The film was produced, directed, and written by Emil Nofal.[citation needed]

Reeves was one of an exclusive trio of performers to have released an album there that played at the little-used 16⅔ rpm speed. This unusual format was more suited to the spoken word and was quickly discontinued for music.

The only other artists known to have released such albums in South Africa were Elvis Presley and Slim Whitman.

Britain and Ireland

Reeves toured Britain and Ireland during 1963 between his tours of South Africa and Europe. Reeves and the Blue Boys were in Ireland from May 30 to June 19, 1963, with a tour of US military bases from June 10 to 15, when they returned to Ireland.

They performed in most counties in Ireland, though Reeves occasionally abbreviated performances because he was unhappy with the piano. In a June 6, 1963 interview with Spotlight magazine, Reeves expressed his concerns about the tour schedule and the condition of the pianos, but said he was pleased with the audiences.

There was a press reception for him at the Shannon Shamrock Inn organised by Tom Monaghan of Bunratty Castle, County Clare. Show band singers Maisie McDaniel and Dermot O' Brien welcomed him on May 29, 1963.

A photograph appeared in the Limerick Leader on June 1, 1963. Press coverage continued from May until Reeves's arrival with a photograph of the press reception in The Irish Press. Billboard magazine in the US also reported the tour before and after.

The single "Welcome to My World" with the B/W side "Juanita" was released by RCA Victor during June 1963 and bought by the distributors Irish Records Factors Ltd. This scored the record number one while Reeves was there during June.

There were a number of accounts of his dances in the local newspapers and a good account was given in The Kilkenny People of his dance in the Mayfair Ballroom where 1,700 persons were present.

There was a photograph in The Donegal Democrat of Reeves's singing in the Pavesi Ball Room on June 7, 1963, and an account of his non-appearance on stage in The Diamond, Kiltimagh, County Mayo in The Western People representing how the tour went in different areas.

He planned to record an album of popular Irish songs, and had three number one songs in Ireland during 1963 and 1964: "Welcome to My World", "I Love You Because", and "I Won't Forget You".

(The last two are estimated to have sold 860,000 and 750,000 respectively in Britain alone, excluding Ireland.) Reeves had 11 songs in the Irish charts from 1962 to 1967.

He recorded two Irish ballads, "Danny Boy" and "Maureen". "He'll Have to Go" was his most popular song there and was at number one and on the charts for months during 1960.

He was one of the most popular recording artists in Ireland, in the first ten after the Beatles, Elvis and Cliff Richard.

He was permitted to perform in Ireland by the Irish Federation of Musicians on the condition that he share the bill with Irish show bands, becoming popular by 1963.

The British Federation of Musicians would not permit him to perform there because no agreement existed for British show bands to travel to America in exchange for the Blue Boys playing in Britain. Reeves, however, performed for British radio and TV programmes.

Norway

Reeves played at the sports arena Njårdhallen, Oslo on April 16, 1964 with Bobby Bare, Chet Atkins, the Blue Boys and the Anita Kerr Singers.

They performed two concerts; the second was televised and recorded by the Norwegian network NRK (Norsk Rikskringkasting, the only one in Norway at the time). The complete concert, however, was not recorded, including some of Reeves' last songs.

There are reports he performed "You're the Only Good Thing (That's Happened to Me)" in this section. The program has been repeated on NRK several times over the years.

His first success in Norway, "He'll Have to Go", scored No. 1 in the Top Ten and scored the chart for 29 weeks. "I Love You Because" was his greatest success in Norway, scoring No. 1 during 1964 and scoring on the list for 39 weeks.

His albums spent 696 weeks in the Norwegian Top 20 chart, making him one of the most popular music artists in the history of Norway.


Last recording session

 

Reeves' last recording session for RCA Victor had produced "Make the World Go Away", "Missing You", and "Is It Really Over?" When the session ended with some time remaining on the schedule, Reeves suggested he record one more song.

He taped "I Can't Stop Loving You", in what was to be his final RCA recording. He made one later recording, however, at the little studio in his home. In late July 1964, just a couple of days before his death, Reeves recorded "I'm a Hit Again", using just an acoustic guitar as accompaniment.

That recording was never released by RCA (because it was a home recording not owned by the label), but appeared during 2003 as part of a collection of previously unissued Reeves songs released on the VoiceMasters label.


Death

 

On July 31, 1964, Reeves and his business partner and manager Dean Manuel (also the pianist of Reeves' backing group, the Blue Boys) left Batesville, Arkansas, en route to Nashville in a single-engine Beechcraft Debonair aircraft, with Reeves at the controls.

The two had secured a deal on some real estate (Reeves had also unsuccessfully tried to buy property from the LaGrone family in Deadwood, Texas, north of his birthplace of Galloway).

While flying over Brentwood, Tennessee, they encountered a violent thunderstorm. A subsequent investigation showed that the small airplane had become caught in the storm and Reeves suffered spatial disorientation.

The singer's widow, Mary Reeves (1929–1999), probably unwittingly started the rumor that he was flying the airplane upside down and assumed he was increasing altitude to clear the storm.

However, according to Larry Jordan, author of the 2011 biography, Jim Reeves: His Untold Story, this scenario is refuted by eyewitnesses known to crash investigators who saw the plane overhead immediately before the mishap, and confirmed that Reeves was not upside down.

Jordan writes extensively about forensic evidence (including from the long-elusive tower tape and accident report), which suggests that instead of making a right turn to avoid the storm (as he had been advised by the Approach Controller to do), Reeves turned left in an attempt to follow Franklin Road to the airport.

In so doing, he flew further into the rain.

While preoccupied with trying to re-establish his ground references, Reeves let his airspeed get too low and stalled the aircraft.

Relying on his instincts more than his training, evidence suggests he applied full power and pulled back on the yoke before leveling his wings—a fatal, but not uncommon, mistake that induced a stall/spin from which he was too low to recover.

Jordan writes that according to the tower tape, Reeves ran into the heavy rain at 4:51 p.m. and crashed only a minute later, at 4:52 p.m.

When the wreckage was found some 42 hours later, it was discovered the airplane's engine and nose were buried in the ground due to the impact of the crash.

The crash site was in a wooded area north-northeast of Brentwood approximately at the junction of Baxter Lane and Franklin Pike Circle, just east of Interstate 65, and southwest of Nashville International Airport where Reeves planned to land.

Coincidentally, both Reeves and Randy Hughes, the pilot of Patsy Cline's ill-fated airplane, were trained by the same instructor.[citation needed]

On the morning of August 2, 1964, after an intense search by several parties (which included several personal friends of Reeves including Ernest Tubb and Marty Robbins) the bodies of the singer and Dean Manuel were found in the wreckage of the aircraft and, at 1:00 p.m. local time, radio stations across the United States began to announce Reeves' death formally.

Thousands of people traveled to pay their last respects at his funeral two days later. The coffin, draped in flowers from fans, was driven through the streets of Nashville and then to Reeves' final resting place near Carthage, Texas.


Legacy

 


Jim Reeves Drive at the Texas Country Music Hall of Fame in Carthage, Texas
Reeves was elected posthumously to the Country Music Hall of Fame during 1967, which honored him by saying, "The velvet style of 'Gentleman Jim Reeves' was an international influence.

His rich voice brought millions of new fans to country music from every corner of the world.

Although the crash of his private airplane took his life, posterity will keep his name alive because they will remember him as one of country music's most important performers."

During 1998, he was inducted into the Texas Country Music Hall of Fame in Carthage, Texas, where the Jim Reeves Memorial is located.
The inscription on the memorial reads,

"If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain."


Posthumous releases

 

Reeves' records continued to sell well, both earlier as well as new albums, issued after his death. His widow, Mary, combined unreleased tracks with previous releases (placing updated instrumentals alongside Reeves' original vocals) to produce a regular series of "new" albums after her husband's death.

She also operated the Jim Reeves Museum in Nashville from the mid-1970s until 1996.

On the fifteenth anniversary of Jim's death Mary told a country music magazine interviewer, "Jim Reeves my husband is gone; Jim Reeves the artist lives on."[6]

During 1966, Reeves' record "Distant Drums" scored No. 1 on the British singles chart and scored there for five weeks, besting competition from the Beatles' "Yellow Submarine" and "Eleanor Rigby" (a double-sided "A" release), and the Small Faces' song, "All Or Nothing".

The song scored on the UK charts for 45 weeks and scored No. 1 on the US country music chart. Originally, "Distant Drums" had been recorded merely as a "demo" for its composer, Cindy Walker, believing it was for her personal use and had been deemed "unsuitable" for general release by Chet Atkins and RCA Victor.

During 1966, however, RCA determined that there was a market for the song because of the war in Vietnam. It was named Song of the Year in the UK during 1966 and Reeves became the first American artist to receive the accolade. That same year, singer Del Reeves (no relation) recorded an album paying tribute to him.

In 1980, Reeves had another two Top Ten posthumous duet hits along with the late country star Patsy Cline, who featured on Have You Ever Been Lonely? and I Fall to Pieces.

Although the two had never recorded together during their tragically short lives, producers Chet Atkins and Owen Bradley lifted their isolated vocal performances off their original 3-track stereo master session tapes, resynchronized them and re-recorded new digital backing tracks.

Reeves' compilation albums containing well-known standards continue to sell well. The Definitive Collection scored No. 21 in the UK album charts during July 2003, and Memories are Made of This scored No. 35 during July 2004.

Bear Family Records produced a 16-CD boxed set of Reeves' studio recordings and several smaller sets, mainly radio broadcasts and demos.

During 2007, the label released a set entitled Nashville Stars on Tour, including audio and video material of the RCA European tour during April 1964 in which Reeves features prominently.

Since 2003, the US-based VoiceMasters has issued more than 80 previously unreleased Reeves recordings, including new songs as well as newly overdubbed material.

Among them was "I'm a Hit Again", the last song he recorded in his basement studio just a few days before his death.

VoiceMasters overdubbed this track in the same studio in Reeves' former home (now owned by a Nashville record producer).

Reeves' fans repeatedly urged RCA or Bear Family to re-release some of the songs overdubbed during the years after his death which have never appeared on CD.

A compilation CD The Very Best of Jim Reeves scored No. 8 on initial release in the UK album chart during May 2009, to later score its maximum of No. 7 during late June, his first top 10 album in the UK since 1992.


India and Sri Lanka

 

Reeves had many fans in both India and Sri Lanka since the 1960s, and is probably the all-time most popular English language singer in Sri Lanka.

His Christmas carols are especially popular, and music stores continue to carry his CDs or audio cassettes.[citation needed] Two of his songs, "There's a Heartache Following Me" and "Welcome to My World," were favorites of the Indian spiritual teacher Meher Baba.[citation needed]

A follower of Meher Baba, Pete Townshend of the Who, recorded his own version of "Heartache" on his first major solo album Who Came First during 1972.[7]

During Christmas season his versions of "Jingle Bells", Silent Night" or "Mary's Boy Child" are the most sought after songs/albums in Sri Lanka.

Robert Svoboda, in his trilogy on Aghora and the Aghori Vimalananda, mentions that Vimalananda considered Reeves a gandharva, i.e. in Indian tradition, a heavenly musician, who had been born on Earth. He had Svoboda play Reeves' "Take My Hand, Precious Lord" at his cremation.[8][9]


Tributes

 

Tributes to Reeves were composed in British Isles after his death. The song "A Tribute to Jim Reeves" was written by Eddie Masterson and recorded by Larry Cunningham and the Mighty Avons and during January 1965 it scored on the UK Charts and Top Ten in Ireland.

It scored the UK Charts on December 10, 1964 and was there for 11 weeks and sold 250,000 copies. The Dixielanders Show Band also recorded a Tribute to Jim Reeves written by Steve Lynch and recorded during September 1964 and it scored the Northern Ireland Charts during September 1964. The Masterson song was translated later into Dutch and recorded.

In the UK, "We'll Remember You" was written by Geoff Goddard but not released until 2008 on the Now & Then: From Joe Meek To New Zealand double album by Houston Wells.

Jerry Jerry and the Sons of Rhythm Orchestra, a Canadian alternative rock band whose musical style blends elements of surf music, gospel music, rockabilly, garage and punk released the song entitled "Jimmy Reeves" on their 1992 album "Don't Mind If I Do" [10]

Reeves remains a popular artist in Ireland and many Irish singers have recorded tribute albums. A play by author Dermot Devitt, Put Your Sweet Lips, was based on Reeves' appearance in Ireland at the Pavesi Ballroom in Donegal town on June 7, 1963 and reminiscences of people there.

Blind R&B and blues music artist Robert Bradley (of the band Robert Bradley's Blackwater Surprise) paid tribute to Reeves in the album description of his release, Out of the Wilderness.

Bradley is quoted as saying,

"This record brings me back to the time when I started out wanting to be a singer-songwriter, where the music did not need the New York Philharmonic to make it real...I wanted to do a record and just be Robert and sing straight like Jim Reeves on 'Put Your Sweet Lips a Little Closer to the Phone.'"


British comedian Vic Reeves adopted his stage name from Reeves and Vic Damone, two of his favorite singers.

In the United States, Del Reeves (no relation) recorded and released a 1966 album entitled Del Reeves sings Jim Reeves.

Reeves' nephew, John Rex Reeves, appears occasionally on RFD-TV's Midwest Country, singing the songs of his uncle, and other popular country songs.

Source: Wikipedia.org


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