Showing posts with label RCA Victor. Show all posts
Showing posts with label RCA Victor. Show all posts

Monday, August 29, 2016

Paul Anka~ "Puppy Love"


Paul Albert Anka, OC (born July 30, 1941) is a Canadian singer (from Syrian and Lebanese parents), songwriter, and actor.

Anka became famous in the late 1950s, 1960s, and 1970s with hit songs like "Diana", "Lonely Boy", "Put Your Head on My Shoulder", and "(You're) Having My Baby".

He wrote such well-known music as the theme for The Tonight Show Starring Johnny Carson and one of Tom Jones's biggest hits, "She's a Lady", as well as the English lyrics for Frank Sinatra's signature song, "My Way", which has been covered by many including Elvis Presley.

He was inducted into Canada's Walk of Fame in 2005.

In 1983, he co-wrote the song "I Never Heard" with Michael Jackson. It was retitled and released in 2009 under the name "This Is It".[1]

An additional song that Jackson co-wrote with Anka from this 1983 session, "Love Never Felt So Good", was since discovered and was released on Jackson's posthumous album Xscape in 2014. The song was also released by Johnny Mathis in 1984.

Anka became a naturalized US citizen in 1990.





Paul Anka
PaulAnka07.jpg
Anka at the 2007 North Sea Jazz Festival
Background information
Birth name Paul Albert Anka
Born July 30, 1941 (age 73)
Ottawa, Ontario, Canada
Genres Pop, soft rock, jazz, doo-wop
Occupation(s) Singer, songwriter
Instruments Vocals, piano, guitar
Years active 1955–present
Labels ABC-Paramount, EMI Columbia, RCA, United Artists, Columbia
Website Official website


Early life

 

Anka was born in Ottawa, Ontario to Camelia (née Tannis) and Andrew Emile "Andy" Anka, Sr., who owned a restaurant called the Locanda.[2] His parents were both Antiochian Orthodox Christians.[3] Anka's father was Syrian, his mother was Lebanese.[4]

Anka sang with the St. Elias Antiochian Orthodox Church choir under the direction of Frederick Karam, with whom he studied music theory. He studied piano with Winnifred Rees. He attended Fisher Park High School, where he was part of a vocal trio called the Bobby Soxers.[5][6]

Career

Early success

 


Paul Anka at Gröna Lund, Stockholm 1959.

Anka in 1961.
Paul Anka recorded his first single, "I Confess", when he was 14.

In 1957 he went to New York City where he auditioned for Don Costa at ABC, singing what was widely believed to be a lovestruck verse he had written to a former babysitter.

In an interview with NPR's Terry Gross in 2005, he stated that it was to a girl at his church whom he hardly knew.[7]

The song "Diana" brought Anka stardom as it rocketed to #1 on the Canadian and U.S. music charts.[8] "Diana" is one of the best selling singles ever by a Canadian recording artist.[9]

He followed up with four songs that made it into the Top 20 in 1958,[10] including "It's Time to Cry", which hit #4 and "(All Of a Sudden) My Heart Sings", which reached #15, making him (at 17) one of the biggest teen idols of the time.

He toured Britain, then Australia with Buddy Holly. Anka also wrote "It Doesn't Matter Anymore" – a song written for Holly, which Holly recorded just before he died in 1959. Anka stated shortly afterward:

"It Doesn't Matter Anymore" has a tragic irony about it now, but at least it will help look after Buddy Holly's family. I'm giving my composer's royalty to his widow – it's the least I can do.[11]

Paul Anka's talent included the theme for The Tonight Show Starring Johnny Carson (reworked in 1962 from a song Anka wrote earlier called "Toot Sweet"; it had been rewritten with lyrics and recorded by Annette Funicello in 1959 as "It's Really Love").[12]

Anka composed Tom Jones's biggest hit record, "She's a Lady", and wrote the English lyrics to "My Way", Frank Sinatra's signature song (originally the French song "Comme d'habitude").

In the 1960s Anka began acting in motion pictures as well as writing songs for them, most notably the theme for the hit film The Longest Day (which also was the official march of the Canadian Airborne Regiment, in which he made a cameo appearance as a US Army Ranger.

For his film work he wrote and recorded one of his greatest hits, "Lonely Boy". He also wrote and recorded "My Home Town", which was a #8 pop hit for him the same year.

He then went on to become one of the first pop singers to perform at the Las Vegas casinos. In 1960 he appeared twice as himself in NBC's short-lived crime drama Dan Raven.



Paul Anka's star on Canada's Walk of Fame.
In 1960, Anka signed with RCA Victor. He bought the rights and ownership of his ABC-Paramount catalog in 1963,[13] but like most North American recording artists saw his career stalled by the British Invasion.

 By the late 1960s, his career focused on adult contemporary and big-band standards, played regularly in Las Vegas. In the early 1970s he signed with Buddah Records.

After more than ten years without a top 25 hit record, he signed with United Artists and in 1974 teamed up with Odia Coates to record the #1 hit, "(You're) Having My Baby".

The two would record two more duets that made it into the Top 10, "One Man Woman/One Woman Man" (#7) and "I Don't Like to Sleep Alone" (#8), and the #15 duet "(I Believe) There's Nothing Stronger Than Our Love".

In 1975 he recorded a jingle for Kodak written by Bill Lane (lyrics) and Roger Nichols (melody) called "Times of Your Life". It became so popular Anka recorded it as a full song, which peaked at #7 in the U.S. pop chart in 1976.

The follow-up was another hit that Anka wrote for Sinatra, "Anytime (I'll Be There)", peaking at #33. Anka's last Top 40 hit in the U.S. was in the summer of 1983: "Hold Me 'Til The Mornin' Comes", which included backing vocals from then-Chicago frontman Peter Cetera; it hit #2 on the Hot Adult Contemporary chart.[14]

Comeback

 

His 1998 album A Body of Work was his first new U.S. studio release since Walk a Fine Line in 1983; vocalists and performers included Celine Dion, Kenny G, Patti LaBelle, and Skyler Jett. The album included a new version of "Hold Me 'Til the Morning Comes", once again performed with Peter Cetera.

In 2005, his album of big-band arrangements of contemporary standards, Rock Swings, provided a mainstream comeback of sorts that saw him awarded a star on Canada's Walk of Fame in Toronto.

On October 12, 2009, Anka stated that Michael Jackson's new release titled "This Is It" was a collaborative effort between the two in 1983.

According to Anka, after recording the song, Jackson decided not to use it and the tune was then recorded and released by Sa-Fire. After Anka threatened to sue for credit and a share of royalties, the administrators of Jackson's estate granted Anka 50% of the copyright.[15]

 An additional song that Jackson co-wrote with Anka from this 1983 session, "Love Never Felt So Good", was discovered shortly thereafter. His album Songs of December charted at #58 in Canada in November 2011.[16]

Italy

 

Already locally famous as a teenage idol for his songs in English, Anka hit the Italian market with "Summer's Gone" in 1960; it was released as "Dove Sei".

The record got immediate success, reaching #4 on Italian hit lists,[17] opening a promising foreign career. Anka then underwent an intense collaboration with Italian musicians of the time, including composer/director Ennio Morricone, singer/songwriter Lucio Battisti, and lyricist Mogol.

His official discography reports nine singles released by RCA Italy,[18] but the Italian charts list at least six other songs he interpreted or recorded in Italian.

His top hit was "Ogni giorno" which scored #1 in 1962, followed by "Piangerò per te" and "Ogni volta", which reached both #2, in 1963 and 1964. "Ogni volta" ("Every Time") was sung by Anka during the Festival di Sanremo of 1964 and then sold more than one million copies in Italy alone; it was also awarded a gold disc.[19]

He returned to San Remo in 1968 with "La farfalla impazzita" by Battisti-Mogol. On that occasion the same title was interpreted by Italian crooner Johnny Dorelli. The pair of singers, however, were eliminated before the final stage of the competition.

Anka, maybe only coincidentally, left the Italian scene shortly thereafter. In 2003 Anka came back with an exclusive concert in Bologna, organized by the Italian company Mapei during the CERSAIE exhibition.

He recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.[citation needed]

In 2006 he recorded a duet with 1960s Italian hitmaker Adriano Celentano, a new cover of "Diana," with Italian lyrics by Celentano-Mogol and with singer/songwriter Alex Britti on the guitar.[20] The song hit #3.

Other countries

 

With less success than in Italy, Anka tried the French market as well. At least two songs by Anka with French lyrics are known: one reported by the Italian charts ("Faibles Femmes", 1959[17]) and another reported by his official discography ("Comme Avant"[18]) with Mireille Mathieu.

A single release in Japanese ("Kokoro No Sasae"/"Shiawase E No Tabiji") is also reported on his discography.

In 1993 he recorded a duet with Philippine singer Regine Velasquez entitled "It's Hard to Say Goodbye", included in her album, Reason Enough. This song was re-recorded several years later by Anka and Celine Dion and was included in his album A Body of Work.[citation needed]

Personal life

 

Anka was married to Anne de Zogheb, the daughter of a Lebanese diplomat, Charles de Zogheb, from February 16, 1963, until 2001.[21]

The couple met in 1962 in San Juan, Puerto Rico, where she was a fashion model on assignment and under contract to the Eileen Ford Agency. Zogheb, brought up in Egypt,[22] is of Lebanese, English, French, Dutch, and Greek[22] descent. The couple married the following year in a ceremony at Paris-Orly Airport.

 She quit modelling after their second child was born.

They have five daughters: Amelia, Anthea, Alicia, Amanda (married to actor Jason Bateman), and Alexandra.

In 2008, Anka married his personal trainer, Anna Åberg, in Sardinia.[23] They divorced in 2010 and share custody of their son, Ethan. Anna was featured in the Swedish TV show Svenska Hollywoodfruar (Swedish Hollywood wives).

In 1972, a street in Ottawa was named Paul Anka Drive.[24]

In 1981, the Ottawa City Council named August 26 as "Paul Anka Day" to celebrate his quarter-century in show business.[25]

On September 6, 1990, he became a naturalized citizen of the United States.[26]

Anka has written an autobiography, My Way, co-written with David Dalton, with a foreword by Paul Holmgren.

Acting career

 

Anka's first acting role in a major film was in a cameo as an army private in The Longest Day (1962). He also composed the title song to the movie.

During the late 1950s and early 1960s, he starred in such teen exploitation films as Girls Town (1959) and Look in Any Window (1961), in which he played a peeping tom.

He later played an Elvis-hating casino pit manager in 3000 Miles To Graceland (2001) and a yacht broker in Captain Ron (1992).

He guest-starred as a murder suspect in The Case of the Maligned Mobster (1991).

In October 1995, he appeared as himself in the episode "Treehouse of Horror VI" on The Simpsons.

He made guest appearances as himself in the episode "Red's Last Day" on That '70s Show and in "The Real Paul Anka" episode of Gilmore Girls. He made several appearances on the NBC TV series Las Vegas.

Other film and television appearances

 

Anka was the subject of the 1962 National Film Board of Canada documentary Lonely Boy, considered a classic work of cinema verite.[27]

He wrote and performed songs in a 1985 Canadian children's Christmas cartoon, George and the Christmas Star. In American Idol‍ '​s seasons 2 and 3, he made a special appearance and sang an adapted version of "My Way" that mocked the format of the show, as well as participants, judges, and the host.

The performance was praised as "One of the Best Moments in American Idol".[citation needed]

Popular culture

 

In the mid-1980s,[28] Anka was secretly recorded while launching a tirade against his crew and band members, berating them for behavior that he considered unprofessional. When asked about it on the interview program Fresh Air, he referred to the person who did the recording as a "snake we later fired".

The recording became widely known after being uploaded to the Internet and a number of quotes from it have since become famous, including "The guys get shirts!"; "Don't make a maniac out of me!"; and "Slice like a fucking hammer!".[29]

Some of the quotes were reproduced verbatim by Al Pacino's character in the 2007 film Ocean's Thirteen.[28]

He was mentioned in the "Fish Licence" sketch in the tenth episode of Series 2 (23rd overall) of Monty Python's Flying Circus, which was first broadcast on December 1, 1970.

Dealing with a postal clerk (Michael Palin) who thought it absurd to give all of one's pets the same name, Praline, (John Cleese) countered that there was nothing wrong with it, citing Mustafa Kemal Atatürk as an example. To support his argument, he submitted as evidence an entry from the book "Kemal Ataturk, the Man by E.W. Swanton with a foreword by Paul Anka".[30]


On Gilmore Girls, Lorelai Gilmore named her Polish Lowland Sheepdog after Anka.[31]

Series co-creator Daniel Palladino chose the name after hearing the Rock Swings album at a coffeehouse.[32]

 In the cold open to the episode The Real Paul Anka, both Paul Ankas were featured in a dream sequence Lorelei describes to her daughter, Rory.[33][34]

On That 70's Show, Paul Anka made a brief cameo in the episode 'Red's Last Day'.


Source: Wikipedia.org


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Sunday, August 23, 2015

Jim Reeves~ "The Blizzard" & "Tall Tales Short Tempers"


James Travis "Jim" Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer-songwriter.

With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music).

Known as "Gentleman Jim", his songs continued to chart for years after his death. Reeves died in the crash of a private airplane. He is a member of both the Country Music and Texas Country Music Halls of Fame.



Jim Reeves
Jim Reeves.jpg
Background information
Birth name James Travis Reeves
Also known as Gentleman Jim
Born August 20, 1923
Galloway, Texas, U.S.
Died July 31, 1964 (aged 40)
Davidson County, Tennessee, U.S.
Genres Country, Nashville sound, Gospel, Blues, Western Swing
Occupation(s) Singer-songwriter, musician
Years active 1948–1964
Labels RCA Victor, Fabor, Macy, Abbott
Associated acts Chet Atkins, Floyd Cramer, Dottie West



Biography

Early life and education

Reeves was born in Galloway, Texas, a small rural community near Carthage. Winning an athletic scholarship to the University of Texas, he enrolled to study speech and drama, but quit after only six weeks to work in the shipyards in Houston.

Soon he resumed baseball, playing in the semi-professional leagues before contracting with the St. Louis Cardinals "farm" team during 1944 as a right-handed pitcher. He played for the minor leagues for three years before severing his sciatic nerve while pitching, which ended his athletic career.[citation needed]

Early career

Reeves began to work as a radio announcer, and sang live between songs. During the late 1940s, he was contracted with a couple of small Texas-based recording companies, but without success.

Influenced by such Western swing-music artists as Jimmie Rodgers and Moon Mullican, as well as popular singers Bing Crosby, Eddy Arnold and Frank Sinatra, it was not long before he was a member of Moon Mullican's band, and made some early Mullican-style recordings like "Each Beat of my Heart" and "My Heart's Like a Welcome Mat" from the late 1940s to the early 1950s.


He eventually obtained a job as an announcer for KWKH-AM in Shreveport, Louisiana, then the home of the popular radio program the Louisiana Hayride. According to former Hayride master of ceremonies Frank Page, who had introduced Elvis Presley on the program in 1954,[1] singer Sleepy LaBeef was late for a performance, and Reeves was asked to substitute.

(Other accounts—including that of Reeves himself, in an interview on the RCA Victor album Yours Sincerely—name Hank Williams as the absentee.)

Initial success in the 1950s

Reeves' first successful country music songs included "I Love You" (a duet with Ginny Wright), "Mexican Joe", and "Bimbo" which reached Number 1 in 1954 on the U.S. Country Charts, and other songs with both Fabor Records and Abbott Records.

Abbott released his first album in November 1955, Jim Reeves Sings (Abbott 5001), which was the label's only album release.

Earlier in 1955, he was signed to a 10-year recording contract with RCA Victor by Steve Sholes, who produced some of Reeves' first recordings at RCA Victor and signed Elvis Presley for the company that same year. Also in 1955, he joined the Grand Ole Opry[2] and made his first appearance on ABC-TV's Ozark Jubilee, where he was a fill-in host from May–July 1958.

For his earliest RCA Victor recordings, Reeves was still singing with the loud style of his first recordings, considered standard for country and western performers at that time.

He decreased his volume, using a lower pitch and singing with lips nearly touching the microphone, although there were protests at RCA. During 1957, with the endorsement of his producer Chet Atkins, he used this style for his version of a demonstration song of lost love intended for a female singer.

"Four Walls" not only scored No. 1 on the country music charts, but scored No. 11 on the popular music charts. Reeves had helped begin a new style of country music, using violins and lusher background arrangements soon known as the Nashville sound.

Reeves became known as a crooner because of his rich light baritone voice. Songs such as "Adios Amigo", "Welcome to My World", and "Am I Losing You?" demonstrated this. His Christmas songs have been perennial favorites, including "C-H-R-I-S-T-M-A-S", "Blue Christmas" and "An Old Christmas Card".

He is also responsible for popularizing many gospel songs, including "We Thank Thee", "Take My Hand, Precious Lord", "Across The Bridge", "Where We'll Never Grow Old" and many others.

Early 1960s and international fame

Reeves scored his greatest success with the Joe Allison composition "He'll Have to Go",[3] a great success on both the popular and country music charts, which earned him a platinum record.

Released during late 1959, it scored number one on Billboard magazine's Hot Country Songs chart on February 8, 1960, which it scored for 14 weeks consecutive. Country music historian Bill Malone noted that while it was in many ways a conventional country song, its arrangement and the vocal chorus "put this recording in the country pop vein".

In addition, Malone lauded Reeves' vocal styling—lowered to "its natural resonant level" to project the "caressing style that became famous"—as why "many people refer to him as the singer with the velvet voice."[4]

In 1963, he released his well proclaimed "Twelve Songs of Christmas" album, which had the well known songs "C.H.R.I.S.T.M.A.S" and "An Old Christmas Card". During 1975, RCA producer Chet Atkins told interviewer Wayne Forsythe, "Jim wanted to be a tenor but I wanted him to be a baritone... I was right, of course. After he changed his voice to that smooth deeper sound, he was immensely popular."[5]

Reeves' international popularity during the 1960s, however, at times surpassed his popularity in the United States, helping to give country music a worldwide market for the first time.

South Africa

During the early 1960s, Reeves was more popular in South Africa than Elvis Presley and recorded several albums in the Afrikaans language.

In 1963, he toured and was featured in a South African film, Kimberley Jim. The film was released with a special prologue and epilogue in South African cinemas after Reeves' death, praising him as a true friend of the country.

The film was produced, directed, and written by Emil Nofal.[citation needed]

Reeves was one of an exclusive trio of performers to have released an album there that played at the little-used 16⅔ rpm speed. This unusual format was more suited to the spoken word and was quickly discontinued for music.

The only other artists known to have released such albums in South Africa were Elvis Presley and Slim Whitman.

Britain and Ireland

Reeves toured Britain and Ireland during 1963 between his tours of South Africa and Europe. Reeves and the Blue Boys were in Ireland from May 30 to June 19, 1963, with a tour of US military bases from June 10 to 15, when they returned to Ireland.

They performed in most counties in Ireland, though Reeves occasionally abbreviated performances because he was unhappy with the piano. In a June 6, 1963 interview with Spotlight magazine, Reeves expressed his concerns about the tour schedule and the condition of the pianos, but said he was pleased with the audiences.

There was a press reception for him at the Shannon Shamrock Inn organised by Tom Monaghan of Bunratty Castle, County Clare. Show band singers Maisie McDaniel and Dermot O' Brien welcomed him on May 29, 1963.

A photograph appeared in the Limerick Leader on June 1, 1963. Press coverage continued from May until Reeves's arrival with a photograph of the press reception in The Irish Press. Billboard magazine in the US also reported the tour before and after.

The single "Welcome to My World" with the B/W side "Juanita" was released by RCA Victor during June 1963 and bought by the distributors Irish Records Factors Ltd. This scored the record number one while Reeves was there during June.

There were a number of accounts of his dances in the local newspapers and a good account was given in The Kilkenny People of his dance in the Mayfair Ballroom where 1,700 persons were present.

There was a photograph in The Donegal Democrat of Reeves's singing in the Pavesi Ball Room on June 7, 1963, and an account of his non-appearance on stage in The Diamond, Kiltimagh, County Mayo in The Western People representing how the tour went in different areas.

He planned to record an album of popular Irish songs, and had three number one songs in Ireland during 1963 and 1964: "Welcome to My World", "I Love You Because", and "I Won't Forget You".

(The last two are estimated to have sold 860,000 and 750,000 respectively in Britain alone, excluding Ireland.) Reeves had 11 songs in the Irish charts from 1962 to 1967.

He recorded two Irish ballads, "Danny Boy" and "Maureen". "He'll Have to Go" was his most popular song there and was at number one and on the charts for months during 1960.

He was one of the most popular recording artists in Ireland, in the first ten after the Beatles, Elvis and Cliff Richard.

He was permitted to perform in Ireland by the Irish Federation of Musicians on the condition that he share the bill with Irish show bands, becoming popular by 1963.

The British Federation of Musicians would not permit him to perform there because no agreement existed for British show bands to travel to America in exchange for the Blue Boys playing in Britain. Reeves, however, performed for British radio and TV programmes.

Norway

Reeves played at the sports arena Njårdhallen, Oslo on April 16, 1964 with Bobby Bare, Chet Atkins, the Blue Boys and the Anita Kerr Singers.

They performed two concerts; the second was televised and recorded by the Norwegian network NRK (Norsk Rikskringkasting, the only one in Norway at the time). The complete concert, however, was not recorded, including some of Reeves' last songs.

There are reports he performed "You're the Only Good Thing (That's Happened to Me)" in this section. The program has been repeated on NRK several times over the years.

His first success in Norway, "He'll Have to Go", scored No. 1 in the Top Ten and scored the chart for 29 weeks. "I Love You Because" was his greatest success in Norway, scoring No. 1 during 1964 and scoring on the list for 39 weeks.

His albums spent 696 weeks in the Norwegian Top 20 chart, making him one of the most popular music artists in the history of Norway.


Last recording session

 

Reeves' last recording session for RCA Victor had produced "Make the World Go Away", "Missing You", and "Is It Really Over?" When the session ended with some time remaining on the schedule, Reeves suggested he record one more song.

He taped "I Can't Stop Loving You", in what was to be his final RCA recording. He made one later recording, however, at the little studio in his home. In late July 1964, just a couple of days before his death, Reeves recorded "I'm a Hit Again", using just an acoustic guitar as accompaniment.

That recording was never released by RCA (because it was a home recording not owned by the label), but appeared during 2003 as part of a collection of previously unissued Reeves songs released on the VoiceMasters label.


Death

 

On July 31, 1964, Reeves and his business partner and manager Dean Manuel (also the pianist of Reeves' backing group, the Blue Boys) left Batesville, Arkansas, en route to Nashville in a single-engine Beechcraft Debonair aircraft, with Reeves at the controls.

The two had secured a deal on some real estate (Reeves had also unsuccessfully tried to buy property from the LaGrone family in Deadwood, Texas, north of his birthplace of Galloway).

While flying over Brentwood, Tennessee, they encountered a violent thunderstorm. A subsequent investigation showed that the small airplane had become caught in the storm and Reeves suffered spatial disorientation.

The singer's widow, Mary Reeves (1929–1999), probably unwittingly started the rumor that he was flying the airplane upside down and assumed he was increasing altitude to clear the storm.

However, according to Larry Jordan, author of the 2011 biography, Jim Reeves: His Untold Story, this scenario is refuted by eyewitnesses known to crash investigators who saw the plane overhead immediately before the mishap, and confirmed that Reeves was not upside down.

Jordan writes extensively about forensic evidence (including from the long-elusive tower tape and accident report), which suggests that instead of making a right turn to avoid the storm (as he had been advised by the Approach Controller to do), Reeves turned left in an attempt to follow Franklin Road to the airport.

In so doing, he flew further into the rain.

While preoccupied with trying to re-establish his ground references, Reeves let his airspeed get too low and stalled the aircraft.

Relying on his instincts more than his training, evidence suggests he applied full power and pulled back on the yoke before leveling his wings—a fatal, but not uncommon, mistake that induced a stall/spin from which he was too low to recover.

Jordan writes that according to the tower tape, Reeves ran into the heavy rain at 4:51 p.m. and crashed only a minute later, at 4:52 p.m.

When the wreckage was found some 42 hours later, it was discovered the airplane's engine and nose were buried in the ground due to the impact of the crash.

The crash site was in a wooded area north-northeast of Brentwood approximately at the junction of Baxter Lane and Franklin Pike Circle, just east of Interstate 65, and southwest of Nashville International Airport where Reeves planned to land.

Coincidentally, both Reeves and Randy Hughes, the pilot of Patsy Cline's ill-fated airplane, were trained by the same instructor.[citation needed]

On the morning of August 2, 1964, after an intense search by several parties (which included several personal friends of Reeves including Ernest Tubb and Marty Robbins) the bodies of the singer and Dean Manuel were found in the wreckage of the aircraft and, at 1:00 p.m. local time, radio stations across the United States began to announce Reeves' death formally.

Thousands of people traveled to pay their last respects at his funeral two days later. The coffin, draped in flowers from fans, was driven through the streets of Nashville and then to Reeves' final resting place near Carthage, Texas.


Legacy

 


Jim Reeves Drive at the Texas Country Music Hall of Fame in Carthage, Texas
Reeves was elected posthumously to the Country Music Hall of Fame during 1967, which honored him by saying, "The velvet style of 'Gentleman Jim Reeves' was an international influence.

His rich voice brought millions of new fans to country music from every corner of the world.

Although the crash of his private airplane took his life, posterity will keep his name alive because they will remember him as one of country music's most important performers."

During 1998, he was inducted into the Texas Country Music Hall of Fame in Carthage, Texas, where the Jim Reeves Memorial is located.
The inscription on the memorial reads,

"If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain."


Posthumous releases

 

Reeves' records continued to sell well, both earlier as well as new albums, issued after his death. His widow, Mary, combined unreleased tracks with previous releases (placing updated instrumentals alongside Reeves' original vocals) to produce a regular series of "new" albums after her husband's death.

She also operated the Jim Reeves Museum in Nashville from the mid-1970s until 1996.

On the fifteenth anniversary of Jim's death Mary told a country music magazine interviewer, "Jim Reeves my husband is gone; Jim Reeves the artist lives on."[6]

During 1966, Reeves' record "Distant Drums" scored No. 1 on the British singles chart and scored there for five weeks, besting competition from the Beatles' "Yellow Submarine" and "Eleanor Rigby" (a double-sided "A" release), and the Small Faces' song, "All Or Nothing".

The song scored on the UK charts for 45 weeks and scored No. 1 on the US country music chart. Originally, "Distant Drums" had been recorded merely as a "demo" for its composer, Cindy Walker, believing it was for her personal use and had been deemed "unsuitable" for general release by Chet Atkins and RCA Victor.

During 1966, however, RCA determined that there was a market for the song because of the war in Vietnam. It was named Song of the Year in the UK during 1966 and Reeves became the first American artist to receive the accolade. That same year, singer Del Reeves (no relation) recorded an album paying tribute to him.

In 1980, Reeves had another two Top Ten posthumous duet hits along with the late country star Patsy Cline, who featured on Have You Ever Been Lonely? and I Fall to Pieces.

Although the two had never recorded together during their tragically short lives, producers Chet Atkins and Owen Bradley lifted their isolated vocal performances off their original 3-track stereo master session tapes, resynchronized them and re-recorded new digital backing tracks.

Reeves' compilation albums containing well-known standards continue to sell well. The Definitive Collection scored No. 21 in the UK album charts during July 2003, and Memories are Made of This scored No. 35 during July 2004.

Bear Family Records produced a 16-CD boxed set of Reeves' studio recordings and several smaller sets, mainly radio broadcasts and demos.

During 2007, the label released a set entitled Nashville Stars on Tour, including audio and video material of the RCA European tour during April 1964 in which Reeves features prominently.

Since 2003, the US-based VoiceMasters has issued more than 80 previously unreleased Reeves recordings, including new songs as well as newly overdubbed material.

Among them was "I'm a Hit Again", the last song he recorded in his basement studio just a few days before his death.

VoiceMasters overdubbed this track in the same studio in Reeves' former home (now owned by a Nashville record producer).

Reeves' fans repeatedly urged RCA or Bear Family to re-release some of the songs overdubbed during the years after his death which have never appeared on CD.

A compilation CD The Very Best of Jim Reeves scored No. 8 on initial release in the UK album chart during May 2009, to later score its maximum of No. 7 during late June, his first top 10 album in the UK since 1992.


India and Sri Lanka

 

Reeves had many fans in both India and Sri Lanka since the 1960s, and is probably the all-time most popular English language singer in Sri Lanka.

His Christmas carols are especially popular, and music stores continue to carry his CDs or audio cassettes.[citation needed] Two of his songs, "There's a Heartache Following Me" and "Welcome to My World," were favorites of the Indian spiritual teacher Meher Baba.[citation needed]

A follower of Meher Baba, Pete Townshend of the Who, recorded his own version of "Heartache" on his first major solo album Who Came First during 1972.[7]

During Christmas season his versions of "Jingle Bells", Silent Night" or "Mary's Boy Child" are the most sought after songs/albums in Sri Lanka.

Robert Svoboda, in his trilogy on Aghora and the Aghori Vimalananda, mentions that Vimalananda considered Reeves a gandharva, i.e. in Indian tradition, a heavenly musician, who had been born on Earth. He had Svoboda play Reeves' "Take My Hand, Precious Lord" at his cremation.[8][9]


Tributes

 

Tributes to Reeves were composed in British Isles after his death. The song "A Tribute to Jim Reeves" was written by Eddie Masterson and recorded by Larry Cunningham and the Mighty Avons and during January 1965 it scored on the UK Charts and Top Ten in Ireland.

It scored the UK Charts on December 10, 1964 and was there for 11 weeks and sold 250,000 copies. The Dixielanders Show Band also recorded a Tribute to Jim Reeves written by Steve Lynch and recorded during September 1964 and it scored the Northern Ireland Charts during September 1964. The Masterson song was translated later into Dutch and recorded.

In the UK, "We'll Remember You" was written by Geoff Goddard but not released until 2008 on the Now & Then: From Joe Meek To New Zealand double album by Houston Wells.

Jerry Jerry and the Sons of Rhythm Orchestra, a Canadian alternative rock band whose musical style blends elements of surf music, gospel music, rockabilly, garage and punk released the song entitled "Jimmy Reeves" on their 1992 album "Don't Mind If I Do" [10]

Reeves remains a popular artist in Ireland and many Irish singers have recorded tribute albums. A play by author Dermot Devitt, Put Your Sweet Lips, was based on Reeves' appearance in Ireland at the Pavesi Ballroom in Donegal town on June 7, 1963 and reminiscences of people there.

Blind R&B and blues music artist Robert Bradley (of the band Robert Bradley's Blackwater Surprise) paid tribute to Reeves in the album description of his release, Out of the Wilderness.

Bradley is quoted as saying,

"This record brings me back to the time when I started out wanting to be a singer-songwriter, where the music did not need the New York Philharmonic to make it real...I wanted to do a record and just be Robert and sing straight like Jim Reeves on 'Put Your Sweet Lips a Little Closer to the Phone.'"


British comedian Vic Reeves adopted his stage name from Reeves and Vic Damone, two of his favorite singers.

In the United States, Del Reeves (no relation) recorded and released a 1966 album entitled Del Reeves sings Jim Reeves.

Reeves' nephew, John Rex Reeves, appears occasionally on RFD-TV's Midwest Country, singing the songs of his uncle, and other popular country songs.

Source: Wikipedia.org




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