Wednesday, June 24, 2015

Ricky Nelson~ "A Long Vacation"




Eric Hilliard Nelson (May 8, 1940 – December 31, 1985) – known as Ricky Nelson, later also as Rick Nelson – was an American actor, musician and singer-songwriter.
He starred alongside his family in the television series, The Adventures of Ozzie and Harriet (1952–66), as well as co-starring alongside John Wayne and Dean Martin in Howard Hawks's western feature film, Rio Bravo (1959).
He placed 53 songs on the Billboard Hot 100 between 1957 and 1973 including "Poor Little Fool" which holds the distinction of being the first #1 song on Billboard magazine's then-newly created Hot 100 chart
He recorded 19 additional Top 10 hits and was inducted into the Rock and Roll Hall of Fame on January 21, 1987.[1][2] In 1996, he was ranked #49 on TV Guide's 50 Greatest TV Stars of All Time.[3]
Nelson began his entertainment career in 1949 playing himself in the radio sitcom series, The Adventures of Ozzie and Harriet.
In 1952, he appeared in his first feature film, Here Come the Nelsons. In 1957, he recorded his first single, debuted as a singer on the television version of the sitcom, and released the #1 album entitled Ricky.
In 1958, Nelson released his first #1 single, "Poor Little Fool", and in 1959 received a Golden Globe nomination for "Most Promising Male Newcomer" after starring in Rio Bravo.
A few films followed, and when the television series was cancelled in 1966, Nelson made occasional appearances as a guest star on various television programs.
Nelson and Sharon Kristin Harmon were married on April 20, 1963, and divorced in December 1982.
They had four children: Tracy Kristine, twin sons Gunnar Eric and Matthew Gray, and Sam Hilliard.
On February 14, 1981, a son (Eric Crewe) was born to Nelson and Georgeann Crewe.
A blood test in 1985 confirmed that Nelson was the child's father. Nelson was engaged to Helen Blair when both were killed in an airplane crash on December 31, 1985.


Rick Nelson
A young man in profile playing a guitar and standing before a microphone.
Nelson in concert in Lawton, Oklahoma
Background information
Birth nameEric Hilliard Nelson
BornMay 8, 1940
Teaneck, New Jersey, US
DiedDecember 31, 1985 (aged 45)
De Kalb, Texas, US
GenresRockabillyRock 'n' roll, Pop,FolkCountry
Occupation(s)Actor, musician, singer-songwriter
Years active1949–1985
LabelsImperialDecca/MCAEpic
Associated actsElvis PresleyThe Everly BrothersFats DominoConnie FrancisCarl PerkinsJames Burton
Websiterickynelson.com

Early life[edit]

Ricky Nelson was born on May 8, 1940, at 1:25 p.m. at Holy Name Hospital in Teaneck, New Jersey.[4][5][6]
He was the second son of big band leader Ozzie Nelson, who was of half Swedish descent, and his wife, big band vocalist Harriet Hilliard Nelson (née Peggy Louise Snyder).
Harriett remained in Englewood, New Jersey, with her newborn and her older son David while Ozzie toured the nation with the Nelson orchestra.[7]
The Nelsons bought a two-story colonial house in Tenafly, New Jersey,[7][8] and, six months after the purchase, moved with son David to Hollywood, where Ozzie and Harriet were slated to appear in the 1941–42 season of Red Skelton's The Raleigh Cigarette Hour; Ricky remained in Tenafly in the care of his paternal grandmother.[9]
In November 1941, the Nelsons bought what would become their permanent home: a green and white, two-story, Cape Cod colonial home at 1822 Camino Palmero in Los Angeles.[10][11]
Ricky joined his parents and brother in Los Angeles in 1942.[10]
Ricky was a small and insecure child who suffered from severe asthma. At night, his sleep was eased with a vaporizer emitting tincture of evergreen.[12]
He was described by Red Skelton's producer John Guedel as "an odd little kid," likable, shy, introspective, mysterious, and inscrutable.[13]
When Skelton was drafted in 1944, Guedel crafted the radio sitcom The Adventures of Ozzie and Harriet for Ricky's parents.[13][14]
The show debuted on Sunday, October 8, 1944, to favorable reviews.[15][16]
Ozzie eventually became head writer for the show and based episodes on the fraternal exploits and enmity of his sons.[17]
The Nelson boys were first played in the radio series by professional child actors until twelve-year-old Dave and eight-year-old Ricky joined the show on February 20, 1949, in the episode "Invitation to Dinner."[18][19]

The Nelson family, 1952
In 1952, the Nelsons tested the waters for a television series with the theatrically released film Here Come the Nelsons.
The film was a hit, and Ozzie was convinced the family could make the transition from radio's airwaves to television's small screen.
On October 3, 1952, The Adventures of Ozzie and Harriet made its television debut and was broadcast in first run until September 3, 1966, to become one of the longest-running sitcoms in television history.

Education

 

Nelson attended Gardner Street Public School,[20] Bancroft Junior High,[21] and, between 1954 and 1958, Hollywood High School, from which he graduated with a B average.[22][23][24]
He played football at Hollywood High[22][23] and represented the school in interscholastic tennis matches.[25]
Twenty-five years later, Nelson told the Los Angeles Weekly he hated school because it "smelled of pencils" and he was forced to rise early in the morning to attend.[22]
At Hollywood High, Nelson was blackballed by the Elksters, a fraternity of a dozen conservative sports-loving teens who thought him too wild.[26][27]
Many of the Elksters were family friends and spent weekends at the Nelson home playing basketball or relaxing around the pool.[27]
In retaliation, he joined the Rooks, a greaser car club of sideburned high school teens clad in leather jackets and motorcycle boots.[27][28]

He tattooed his hands, wrist, and shoulder with India ink and a sewing needle, slicked his hair with oil, and accompanied the Rooks on nocturnal forays along Hollywood Boulevard.[27][28]
Nelson was jailed twice in connection with incidents perpetrated by the Rooks and escaped punishment after sucker-punching a police officer only through the intervention of his father.[28]
  
Nelson's parents were alarmed. Their son's juvenile delinquency did little to enhance the All-American image of Ozzie and Harriet, and they quickly put an end to Ricky's involvement with the Rooks by banishing one of the most influential of the club's members from Ricky's life and their home.[25]
One of Ricky's seldom-publicized traits was his "fierce loyalty" to boyhood friends whom he regarded as trusted confidants. When young friend Bill Aken was in a crippling auto accident in New York City and confined to a hospital bed for months, Ricky would often phone Billy's mother, asking about his progress and writing short notes and letters to Billy to cheer him up.
They became lifelong friends, and Aken recorded the only family-authorized tribute record ("Gentle Friend") for the fan club after Rick's death.
Ozzie Nelson was a Rutgers alumnus and keen on college education,[29] but eighteen-year-old Ricky was already in the 93 percent income-tax bracket and saw no reason to attend.[23]
At age thirteen, Ricky was making over $100,000 per annum, and at sixteen he had a personal fortune of $500,000.[30]
Nelson's wealth was astutely managed by his parents, who channeled his earnings into trust funds. Although his parents permitted him a $50 allowance at the age of eighteen, Rick was often strapped for cash and one evening collected and redeemed empty pop bottles to gain entrance to a movie theater for himself and a date.[31]
Accustomed to affluence, Nelson had a cavalier attitude about money and never managed his finances very well.[26]

Music career

Debut

 

Nelson played clarinet and drums in his tweens and early teens, learned the rudimentary guitar chords, and vocally imitated his favorite Sun Records rockabillyartists in the bathroom at home or in the showers at the Los Angeles Tennis Club.[32][33][34]
He was strongly influenced by the music of Carl Perkins and once said he tried to emulate the sound and the tone of the guitar break in Perkins's March 1956 Top Ten hit "Blue Suede Shoes."[33][34]
At age sixteen, he wanted to impress a girl friend who was an Elvis Presley fan and, although he had no record contract at the time, told her that he, too, was going to make a record.[32][35][36][37]
With his father's help, he secured a one-record deal with Verve Records, an important jazz label looking for a young and popular personality who could sing or be taught to sing.[36][37][38][39]
On March 26, 1957, he recorded the Fats Domino standard "I'm Walkin'" and "A Teenager's Romance" (released in late April 1957 as his first single),[40] and "You're My One and Only Love".[39][41]
Before the single was released, he made his television rock-and-roll debut on April 10, 1957, lip-synching "I'm Walkin'" in the Ozzie and Harriet episode "Ricky, the Drummer".[42][43]
About the same time, he made an unpaid public appearance, singing "Blue Moon of Kentucky" with the Four Preps at a Hamilton High School lunch hour assembly[40] in Los Angeles and was greeted by hordes of screaming teens who had seen the television episode.[44][45]
"I'm Walkin'" reached #4 on Billboard's Best Sellers in Stores chart, and its flip side, "A Teenager's Romance", hit #2.[36][45]

When the television series went on summer break in 1957, Nelson made his first road trip and played four state and county fairs in Ohio and Wisconsin with the Four Preps, who opened and closed for him.[46]


Source: Wikipedia.org


Somebody Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!


TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.


P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!
 
 

Friday, June 12, 2015

ABBA~ "Fernando" (HD)



ABBA (Continued)


ABBA
ABBA - TopPop 1974 5.png
Background information
Also known as Björn & Benny, Agnetha & Anni-Frid
Origin Stockholm, Sweden
Genres Pop, pop rock, disco
Years active 1972–1982
Labels Polar, Metal, Polydor, Atlantic, Universal, Epic, Vogue, RCA, PolyGram, Sunshine (Rhodesia/Zimbabwe), Ariston/Dig It (Italy)
Associated acts Hep Stars, Hootenanny Singers, Benny Anderssons Orkester
Website abbasite.com

Past members Agnetha Fältskog
Björn Ulvaeus
Benny Andersson
Anni-Frid Lyngstad

First hit as Agnetha, Anni-Frid, Benny & Björn

Ulvaeus and Andersson persevered with their songwriting and experimented with new sounds and vocal arrangements. "People Need Love" was released in June 1972, featuring guest vocals by the women, who were now given much greater prominence.

Stig Anderson released it as a single, credited to Björn & Benny, Agnetha & Anni-Frid. The song peaked at number 17 in the Swedish combined single and album charts, enough to convince them they were on to something.[18]

The single also became the first record to chart for the quartet in the United States, where it peaked at number 114 on the Cashbox singles chart and number 117 on the Record World singles chart. Labeled as Björn & Benny (with Svenska Flicka), it was released there through Playboy Records.

However, according to Stig Anderson, "People Need Love" could have been a much bigger American hit, but a small label like Playboy Records did not have the distribution resources to meet the demand for the single from retailers and radio programmers.[19]

The foursome decided to record their first album together in the autumn of 1972, and sessions began on 26 September 1972. The women shared lead vocals on "Nina, Pretty Ballerina" (a top ten hit in Austria) that day, and their voices in harmony for the first time gave the foursome an idea of the quality of their combined talents.

"Ring Ring"

In 1973, the band and their manager Stig Anderson decided to have another try at Melodifestivalen, this time with the song "Ring Ring". The studio sessions were handled by Michael B. Tretow, who experimented with a "wall of sound" production technique that became the wholly new sound.

Stig Anderson arranged an English translation of the lyrics by Neil Sedaka and Phil Cody and they thought this would be a surefire winner. However, on 10 February 1973, the song came third in Melodifestivalen, thus it never reached the Eurovision Song Contest itself.

Nevertheless, the group released their debut studio album, also called Ring Ring. The album did well and the "Ring Ring" single was a hit in many parts of Europe and also in South Africa. However, Stig Anderson felt that the true breakthrough could only come with a UK or US hit.[20]

When Agnetha Fältskog gave birth to her first child in 1973, she was replaced for a short period by Inger Brundin on a trip to West Germany.

Official Naming

In early 1973, Stig Anderson, tired of unwieldy names, started to refer to the group privately and publicly as ABBA.

At first, this was a play on words, as Abba is also the name of a well-known fish-canning company in Sweden, and itself an acronym. However, since the fish-canners were unknown outside Sweden, Anderson came to believe the name would work in international markets.

A competition to find a suitable name for the group was held in a Gothenburg newspaper. The group was impressed with the names "Alibaba", "FABB", and "Baba", but in the end all the entries were ignored and it was officially announced in the summer that the group were to be known as "ABBA".

The group negotiated with the canners for the rights to the name.[21]

"ABBA" is an acronym formed from the first letters of each group member's first name: Agnetha, Björn, Benny and Anni-Frid.[22]

During a promotional photo, Benny flipped his "B" horizontally for fun, and from 1976 onwards the first 'B' in the logo version of the name was "mirror-image" reversed on the band's promotional material and ᗅᗺᗷᗅ became the group's registered trademark.

The first time "ABBA" is found written on paper is on a recording session sheet from the Metronome Studio in Stockholm, dated 16 October 1973. This was first written as "Björn, Benny, Agnetha & Frida", but was subsequently crossed out with "ABBA" written in large letters on top.

The official logo, using the bold version of the News Gothic typeface, was designed by Rune Söderqvist, and appeared for the first time on the "Dancing Queen" single in August 1976, and subsequently on all later original albums and singles.

But the idea for the official logo was made by the German photographer Wolfgang Heilemann on a "Dancing Queen" shoot for the teenage magazine Bravo.

On the photo, the ABBA members held a giant initial letter of his/her name. After the pictures were made, Heilemann found out that one of the men held his letter backwards as in ᗅᗺᗷᗅ®.

They discussed it and the members of ABBA liked it. Following their acquisition of the group's catalogue, Polygram began using variations of the ABBA logo, using a different font and adding a crown emblem to it in 1992 for the first release of the ABBA Gold: Greatest Hits compilation.

When Universal Music purchased Polygram (and, thus, ABBA's label Polar Music International), control of the group's catalogue was returned to Stockholm. Since then, the original logo has been reinstated on all official products.[23]

Breakthrough (1973–1976)

Eurovision Song Contest 1974


ABBA making an appearance on Dutch TV in April 1974: Clockwise from top left Benny Andersson, Björn Ulvaeus, Agnetha Fältskog and Anni-Frid Lyngstad
As the group entered the Melodifestivalen with "Ring Ring" but failed to qualify as the 1973 Swedish entry, Stig Anderson immediately started planning for the 1974 contest.

Ulvaeus, Andersson and Stig Anderson believed in the possibilities of using the Eurovision Song Contest as a way to make the music business aware of them as songwriters, as well as the band itself. In late 1973, they were invited by Swedish television to contribute a song for the Melodifestivalen 1974 and from a number of new songs, the upbeat number "Waterloo" was chosen; the group was now inspired by the growing glam rock scene in England.

ABBA won their national heats on Swedish television on 9 February 1974, and with this third attempt were far more experienced and better prepared for the Eurovision Song Contest.

Winning the 1974 Contest on 6 April 1974 gave ABBA the chance to tour Europe and perform on major television shows; thus the band saw the "Waterloo" single chart in many European countries. "Waterloo" was ABBA's first number one single in big markets such as the UK and West Germany. In the United States, the song peaked at number six on the Billboard Hot 100 chart, paving the way for their first album and their first trip as a group there.

Albeit a short promotional visit, it included their first performance on American television, The Mike Douglas Show. The album Waterloo only peaked at number 145 on the Billboard 200 chart, but received unanimous high praise from the US critics: Los Angeles Times called it "a compelling and fascinating debut album that captures the spirit of mainstream pop quite effectively … an immensely enjoyable and pleasant project", while Creem characterized it as "a perfect blend of exceptional, lovable compositions".[citation needed]

ABBA's follow-up single, "Honey, Honey", peaked at number 27 on the US Billboard Hot 100, and was a number 2 hit in West Germany. However, in the United Kingdom, ABBA's British record label, Epic, decided to re-release a remixed version of "Ring Ring" instead of "Honey, Honey", and a cover version of the latter by Sweet Dreams peaked at number 10.

Both records debuted on the UK chart within one week of each other. "Ring Ring" failed to reach the Top 30 in the United Kingdom, increasing growing speculation that the group was simply a Eurovision one-hit wonder.

Post-Eurovision

In November 1974, ABBA embarked on their first European tour, playing dates in Denmark, West Germany and Austria. It was not as successful as the band had hoped, since most of the venues did not sell out.

Due to a lack of demand, they were even forced to cancel a few shows, including a sole concert scheduled in Switzerland. The second leg of the tour, which took them through Scandinavia in January 1975, was very different.

They played to full houses everywhere and finally got the reception they had aimed for. Live performances continued during the summer of 1975 when ABBA embarked on a fourteen open-air date tour of Sweden and Finland.

Their Stockholm show at the Gröna Lund amusement park had an estimated audience of 19,200.[24] Björn Ulvaeus later said that "If you look at the singles we released straight after Waterloo, we were trying to be more like the Sweet, a semi-glam rock group, which was stupid because we were always a pop group."[25]

In late 1974, "So Long" was released as a single in the United Kingdom but it received no airplay from Radio 1 and failed to chart. In the summer of 1975 ABBA released "I Do, I Do, I Do, I Do, I Do", which again received little airplay on Radio 1 but managed to climb the charts, to number 38.

Later in 1975, the release of their self-titled third studio album ABBA and single "SOS" brought back their chart presence in the UK, where the single hit number 6 and the album peaked at number 13. "SOS" also became ABBA's second number 1 single in Germany and their third in Australia.

Success was further solidified with "Mamma Mia" reaching number 1 in the United Kingdom, Germany and Australia. In the United States, "SOS" peaked at number 10 on the Record World Top 100 singles chart and number 15 on the Billboard Hot 100 chart, picking up the BMI Award along the way as one of the most played songs on American radio in 1975.

The success of the group in the United States had until that time been limited to single releases. By early 1976, the group already had four Top 30 singles on the US charts, but the album market proved to be tough to crack.

The eponymous ABBA album generated three American hits, but it only peaked at number 165 on the Cashbox album chart and number 174 on the Billboard 200 chart. Opinions were voiced, by Creem in particular, that in the US ABBA had endured "a very sloppy promotional campaign".

Nevertheless, the group enjoyed warm reviews from the American press. Cashbox went as far as saying that "there is a recurrent thread of taste and artistry inherent in Abba's marketing, creativity and presentation that makes it almost embarrassing to critique their efforts", while Creem wrote: "SOS is surrounded on this LP by so many good tunes that the mind boggles".

In Australia, the airing of the music videos for "I Do, I Do, I Do, I Do, I Do" and "Mamma Mia" on the nationally-broadcast TV pop show Countdown (which premiered in November 1974) saw the band rapidly gain enormous popularity, and Countdown become a key promoter of the group via their distinctive music videos.

This started an immense interest for ABBA in Australia, resulting in both the single and album holding down the No. 1 positions on the charts for months.

Source: Wikipedia.org


Somebody Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!


TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.


P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!
 
 

ABBA~ "Take a Chance On Me"


ABBA (Continued)

ABBA
ABBA - TopPop 1974 5.png
Background information
Also known as Björn & Benny, Agnetha & Anni-Frid
Origin Stockholm, Sweden
Genres Pop, pop rock, disco
Years active 1972–1982
Labels Polar, Metal, Polydor, Atlantic, Universal, Epic, Vogue, RCA, PolyGram, Sunshine (Rhodesia/Zimbabwe), Ariston/Dig It (Italy)
Associated acts Hep Stars, Hootenanny Singers, Benny Anderssons Orkester
Website abbasite.com

Past members Agnetha Fältskog
Björn Ulvaeus
Benny Andersson
Anni-Frid Lyngstad


History

Before ABBA (1960s)

Andersson with the Hep Stars (2nd, from right).
Ulvaeus with the Hootenanny Singers (2nd, from right).
Benny Andersson and Björn Ulvaeus in promotional photos for different musical groups
Benny Andersson (born 16 December 1946 in Stockholm, Sweden) became (at age 18) a member of a popular Swedish pop-rock group the Hep Stars that performed covers, amongst other things, of international hits. The Hep Stars were known as "the Swedish Beatles".[6]

 They also set up Hep House, their equivalent of Apple Corps. Andersson played the keyboard and eventually started writing original songs for his band, many of which became major hits, including "No Response" that hit number 3 in 1965, "Sunny Girl", "Wedding", and "Consolation", all of which hit number 1 in 1966.[7]

Andersson also had a fruitful songwriting collaboration with Lasse Berghagen, with whom he wrote his first Svensktoppen entry "Sagan om lilla Sofie" ("The Story of Little Sophie") in 1968.

Björn Ulvaeus (born 25 April 1945 in Gothenburg/Göteborg, Sweden) also began his musical career at 18 (as a singer and guitarist), when he fronted The Hootenanny Singers, a popular Swedish folk-skiffle group.

Ulvaeus started writing English-language songs for his group, and even had a brief solo career alongside. The Hootenanny Singers and The Hep Stars sometimes crossed paths while touring. In June 1966, Ulvaeus and Andersson decided to write a song together.

Their first attempt was "Isn't It Easy to Say", a song later recorded by The Hep Stars. Stig Anderson was the manager of The Hootenanny Singers and founder of the Polar Music label. He saw potential in the collaboration, and encouraged them to write more.

  Both also began playing occasionally with the other's bands on stage and on record, although it was not until 1969 that the pair wrote and produced some of their first real hits together: "Ljuva sextital" ("Sweet Sixties"), recorded by Brita Borg, and The Hep Stars' 1969 hit "Speleman" ("Fiddler").

Andersson wrote and submitted the song "Hej, Clown" for the 1969 Melodifestivalen, the national festival to select the Swedish entry to the Eurovision Song Contest.

 The song tied for first place, but re-voting relegated Andersson's song to second place.[8] On that occasion Andersson briefly met his future spouse, singer Anni-Frid Lyngstad, who also participated in the contest.

A month later, the two had become a couple. As their respective bands began to break up during 1969, Andersson and Ulvaeus teamed up and recorded their first album together in 1970, called Lycka ("Happiness"), which included original songs sung by both men.

Their spouses were often present in the recording studio, and sometimes added backing vocals; Fältskog even co-wrote a song with the two. Ulvaeus still occasionally recorded and performed with The Hootenanny Singers until the summer of 1974, and Andersson took part in producing their records.

Agnetha Fältskog (born 5 April 1950 in Jönköping, Sweden) sang with a local dance band headed by Bernt Enghardt who sent a demo recording of the band to Karl Gerhard Lundkvist. The demo tape featured a song written and sung by Agnetha: "Jag var så kär".

Lundkvist was so impressed with her voice that he was convinced she would be a star. After going through considerable effort to locate the singer, he arranged for Agnetha to come to Stockholm and to record two of her own songs.

This led to Agnetha at the age of 18 having a number 1 record in Sweden with a self-composed song, which later went on to sell over 80,000 copies. She was soon noticed by the critics and songwriters as a talented singer/songwriter of schlager style songs.

Fältskog's main inspiration in her early years were singers such as Connie Francis. Along with her own compositions, she recorded covers of foreign hits and performed them on tours in Swedish folkparks.

Most of her biggest hits were self-composed, which was quite unusual for a female singer in the 1960s. Agnetha released four solo LPs between 1968 and 1971. She had many successful singles in the Swedish charts.

During filming of a Swedish TV special in May 1969, Fältskog met Ulvaeus, and they married on 6 July 1971. Fältskog and Ulvaeus eventually were involved in each other's recording sessions,[9] and soon even Andersson and Lyngstad added backing vocals to her third studio album Som jag är (As I Am) (1970).

In 1972, Fältskog starred as Mary Magdalene in the original Swedish production of Jesus Christ Superstar and attracted favourable reviews. Between 1967 and 1975, Fältskog released five studio albums.[10]

Anni-Frid "Frida" Lyngstad (born 15 November 1945 in Bjørkåsen in Ballangen, Norway) sang from the age of 13 with various dance bands, and worked mainly in a jazz-oriented cabaret style. She also formed her own band, the Anni-Frid Four.

In the summer of 1967, she won a national talent competition with "En ledig dag" ("A Day Off") a Swedish version of the bossa nova song "A Day in Portofino", which is included in the EMI compilation Frida 1967–1972.

The first prize was a recording contract with EMI Sweden and to perform live on the most popular TV shows in the country. This TV performance, amongst many others, is included in the 3½ hour documentary Frida – The DVD.

Lyngstad released several schlager style singles on EMI without much success. When Benny Andersson started to produce her recordings in 1971, she had her first number 1 single, "Min egen stad" ("My Own Town") written by Benny featuring all the future ABBA members on backing vocals.

Lyngstad toured and performed regularly in the folkpark circuit and made appearances on radio and TV. She met Ulvaeus briefly in 1963 during a talent contest, and Fältskog during a TV show in early 1968.

Lyngstad finally linked up with her future bandmates in 1969. On 1 March 1969, she participated in the Melodifestivalen, where she met Andersson for the first time. A few weeks later they met again during a concert tour in southern Sweden and they soon became a couple.

Andersson produced her single "Peter Pan" in September 1969 — her first collaboration with Benny & Björn, as they had written the song. Andersson would then produce Lyngstad's debut studio album, Frida, which was released in March 1971.

Lyngstad also played in several revues and cabaret shows in Stockholm between 1969 and 1973. After ABBA formed, she recorded another successful album in 1975, Frida ensam, which included a Swedish rendition of "Fernando", a hit on the Swedish radio charts before the English version was released.[11]

First live performance and the start of "Festfolket"

An attempt at combining their talents occurred in April 1970 when the two couples went on holiday together to the island of Cyprus.

What started as singing for fun on the beach ended up as an improvised live performance in front of the United Nations soldiers stationed on the island. Andersson and Ulvaeus were at this time recording their first album together, Lycka, which was to be released in September 1970.

Fältskog and Lyngstad added backing vocals on several tracks during June, and the idea of them working together saw them launch a stage act, "Festfolket" (which translates from Swedish to mean both "Party People" and "Engaged Couples") on 1 November 1970 in Gothenburg.

The cabaret show attracted generally negative reviews, except for the performance of the Andersson and Ulvaeus hit "Hej, gamle man" ("Hello, Old Man"); the first Björn and Benny recording to feature all four.

They also performed solo numbers from respective albums, but the lukewarm reception convinced the foursome to shelve plans for working together for the time being, and each soon concentrated on individual projects again.

First record together "Hej, gamle man"

"Hej, gamle man", a song about an old Salvation Army soldier, became the quartet's first hit. The record was credited to Björn & Benny and reached number 5 on the sales charts and number 1 on Svensktoppen, staying there for 15 weeks.

It was during 1971 that the four artists began working together more, adding vocals to the others' recordings. Fältskog, Andersson and Ulvaeus toured together in May, while Lyngstad toured on her own. Frequent recording sessions brought the foursome closer together during the summer.[12]

Forming the group (1970 until 1973)

After the 1970 release of Lycka, two more singles credited to 'Björn & Benny' were released in Sweden, "Det kan ingen doktor hjälpa" ("No Doctor Can Help with That") and "Tänk om jorden vore ung" ("Imagine If the Earth Were Young"), with more prominent vocals by Fältskog and Lyngstad–and moderate chart success.

Fältskog and Ulvaeus, now married, started performing together with Andersson on a regular basis at the Swedish folkparks during the summer of 1971.

Stig Anderson, founder and owner of Polar Music, was determined to break into the mainstream international market with music by Andersson and Ulvaeus. "One day the pair of you will write a song that becomes a worldwide hit", he predicted.[13]

Stig Anderson encouraged Ulvaeus and Andersson to write a song for Melodifestivalen, and after two rejected entries in 1971,[14] Andersson and Ulvaeus submitted their new song "Säg det med en sång" ("Say It with a Song") for the 1972 contest, choosing newcomer Lena Anderson to perform.

The song came in third place, encouraging Stig Anderson, and became a hit in Sweden.[15]

The first signs of foreign success came as a surprise, as the Andersson and Ulvaeus single "She's My Kind of Girl" was released through Epic Records in Japan in March 1972, giving the duo a Top 10 hit.

Two more singles were released in Japan, "En Carousel"[16] ("En Karusell" in Scandinavia, an earlier version of "Merry-Go-Round") and "Love Has Its Ways" (a song they wrote with Kōichi Morita).[17]

Source:Wikipedia.org


Somebody Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!


TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.


P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!