Showing posts with label MGM. Show all posts
Showing posts with label MGM. Show all posts

Thursday, July 30, 2015

Eddy Arnold~ "Make The World Go Away"



Richard Edward "Eddy" Arnold (May 15, 1918 – May 8, 2008) was an American country music singer who performed for six decades.

He was a so-called Nashville sound (country/popular music) innovator of the late 1950s, and scored 147 songs on the Billboard country music charts, second only to George Jones.

He sold more than 85 million records. A member of the Grand Ole Opry (beginning 1943) and the Country Music Hall of Fame (beginning 1966), Arnold ranked 22nd on Country Music Television's 2003 list of "The 40 Greatest Men of Country Music."


Eddy Arnold
Eddie Arnold 1969.JPG
Arnold in 1969.
Background information
Birth name Richard Edward Arnold
Also known as The Tennessee Plowboy
Born May 15, 1918
Origin Henderson, Tennessee, United States
Died May 8, 2008 (aged 89)
Nashville, Tennessee, United States
Genres country music, gospel music, pop music
Occupation(s) singer, songwriter, TV host, actor
Instruments guitar, banjo
Years active 1937–1998; 2005
Labels RCA Victor (1944–1972; 1976–2008)
MGM Records (1973–1976)

 

 

Early years

Arnold was born on May 15, 1918 on a farm near Henderson, Tennessee.

His father, a sharecropper, played the fiddle, while his mother played guitar.

As a boy Arnold helped on the farm, which later gained him his nickname—the Tennessee Plowboy.

Arnold attended Pinson High School in Pinson, Tennessee, where he played guitar for school functions and events.

He quit before graduation to help with the farm work, but continued performing, often arriving on a mule with his guitar hung on his back. Arnold also worked part-time as an assistant at a mortuary.[1]



Downtown Henderson, Tennessee, the city near which Arnold was born.
In 1934 at age 16, Arnold debuted musically on WTJS-AM in Jackson, Tennessee and obtained a job there during 1937.

He performed at local nightclubs and was a permanent performer for the station. During 1938, he was hired by WMPS-AM in Memphis, Tennessee, where he was one of its most popular performers.

He soon quit for KWK-AM in St. Louis, Missouri,[2] followed by a brief stint at WHAS-AM in Louisville, Kentucky.

He performed for WSM-AM on the Grand Ole Opry during 1943 as a solo artist.[1]

In 1944, Arnold signed a contract with RCA Victor, with manager Colonel Tom Parker, who later managed Elvis Presley.

Arnold's first single was little noticed,[3] but the next, "Each Minute Seems a Million Years", scored No. 5 on the country charts during 1945.[1]

Its success began a decade of unprecedented chart performance; Arnold's next 57 singles all scored the Top Ten, including 19 number one scoring successes.[4]

In 1946, Arnold scored his first major success with "That's How Much I Love You".

In 1948, he had five successful songs on the charts simultaneously. That year he had nine songs score the top 10; five of these scored No. 1 and scored No. 1 for 40 of the year's 52 weeks. With Parker's management, Arnold continued to dominate, with 13 of the 20 best-scoring country music songs of 1947–1948.[1]

He became the host of Mutual Radio's Purina-sponsored segment of the Opry and of Mutual’s Checkerboard Jamboree, a midday program shared with Ernest Tubb that was broadcast from a Nashville theater.[5]

Recorded radio programs increased Arnold’s popularity, as did the CBS Radio series Hometown Reunion with the Duke of Paducah.

Arnold quit the Opry during 1948, and his Hometown Reunion briefly broadcast in competition with the Opry on Saturday nights. In 1949 and 1950, he performed in the Columbia movies Feudin’ Rhythm and Hoedown.

Arnold began working for television in the early 1950s, hosting The Eddy Arnold Show. The summer program was broadcast successively by all three television networks, replacing the Perry Como and Dinah Shore programs.[6]

He also performed as a guest and a guest host on the ABC-TV show Ozark Jubilee from 1955–60.[7] Arnold featured in the syndicated Eddy Arnold Time from 1955 to 1957.[2] From 1960 to 1961, he hosted NBC-TV's Today on the Farm.[8]

In 1955 he asked songwriter Cindy Walker to write a song for him based on the idea of unrequited love, with the title "You Don't Know Me". They share co-credit for writing the song.

Second career: The Nashville sound

 

With the rise of rock and roll in the 1950s, Arnold's record sales declined, though he and fellow RCA Victor recording artist Jim Reeves had a greater audience with popular-sounding string-laced arrangements.

Arnold annoyed many people of the country music establishment by recording with the Hugo Winterhalter Orchestra at RCA's studios in New York. The pop-oriented arrangements of "The Cattle Call" and "The Richest Man (in the World)", however, helped to expand his appeal beyond its country music base.[9]

This style, pioneered by Reeves and Arnold, became known as the "Nashville Sound".[9]

 During 1953, Arnold and Tom Parker had a dispute, and Arnold dismissed him. From 1954 to 1963, Arnold's performances were managed by Joe Csida; during 1964 Csida was replaced by Jerry Purcell.[10]

Arnold embarked on a second career that brought his music to a more diverse audience. In the summer of 1965, he had his first Number One country song in ten years, What's He Doing in My World and struck gold again six months later with the song that would become his most well-known Make the World Go Away accompanied by pianist Floyd Cramer on piano and featuring the Anita Kerr Singers.

As a result, Arnold's rendition became an international success.[9]

Bill Walker's orchestra arrangements provided the lush background for 16 continuous successes sung by Arnold in the late 1960s.

Arnold performed with symphony orchestras in New York City, Las Vegas and Hollywood. He performed in Carnegie Hall for two concerts, and in the Coconut Grove in Las Vegas.[9]

 During 1966, Arnold was inducted into the Country Music Hall of Fame, the youngest performer to receive the honor.[11]

The following year Arnold was voted the first-ever awarded Country Music Association's Entertainer Of The Year.[12]
Two years later, Arnold released an autobiography named It's A Long Way From Chester County.[13]

Having been with RCA Victor since 1944, Arnold left the label in 1973 for MGM Records, where he recorded four albums, which included several top 40 successes. He returned to RCA in 1976.[1]

Later years and death

 

During the 1980s, Arnold declared himself semi-retired; however, he continued recording. In 1984, the Academy of Country Music awarded Arnold its Pioneer Award. His next album, You Don't Miss A Thing wasn't released until 1991.[1]

Arnold performed road tours for several more years.[14]

By 1992, he had sold nearly 85 million records, and had a total of 145 weeks of No. 1 songs, more than any other singer.[1]

In 1996, RCA issued an album of Arnold's main successes since 1944 as part of its 'Essential' series.[1]

Arnold, then 76 years old, retired from active singing, though he still performed occasionally.[9]

On May 16, 1998, the day after his 80th birthday, he announced his final retirement during a concert at the Hotel Orleans in Las Vegas.[15]

That same year, the National Academy of Recording Arts and Sciences inducted the recording of "Make The World Go Away" into the Grammy Hall of Fame.

In 2000, he was awarded the National Medal of Arts.[16]

In 2005, Arnold received a lifetime achievement award from the Recording Academy,[17] and later that year, released a final album for RCA entitled After All These Years.[18]

Arnold died from natural causes on May 8, 2008 in a nursing home in Nashville, exactly one week before his 90th birthday.

His wife of 66 years, Sally Gayhart Arnold, had preceded him in death by two months.

They were survived by two children (Richard E. Arnold, Jr., and JoAnn Arnold Pollard), two grandchildren (K. Michelle Pollard and R. Shannon Pollard, Jr.), and four great-grandchildren (Katie E. Pollard, Sophie Pollard, Rowan Pollard and Ben Johns).[19]

On May 31, 2008, RCA released "To Life", as a single from the album After All These Years.

It debuted at No. 49 on the Hot Country Songs charts, Arnold's first entry in 25 years and the recording by the oldest person to chart in Billboard magazine.

It set the record for the longest span between a first chart single and a last: 62 years and 11 months ("Each Minute Seems Like a Million Years" debuted on June 30, 1945), and extended Arnold's career chart history to seven decades.[20]

Source: Wikipedia.org


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Sunday, November 2, 2014

Andy Williams~ "Silent Night"


Published on Sep 30, 2012
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Howard Andrew "Andy" Williams (December 3, 1927 – September 25, 2012) was an American popular music singer. He recorded seventeen Gold-[1] and three Platinum-certified[2] albums. He hosted The Andy Williams Show, a TV variety show, from 1962 to 1971, as well as numerous television specials. Most recently, he performed at his Moon River Theatre[3] in Branson, Missouri, which was named after the Johnny Mercer and Henry Mancini song "Moon River", with which he is closely identified.


Andy Williams

Andy Williams in 1969
Background information
Birth nameHoward Andrew Williams
BornDecember 3, 1927
Wall Lake, Iowa, U.S.
DiedSeptember 25, 2012 (aged 84)
Branson, Missouri, U.S.
GenresTraditional popeasy listeningcountry
OccupationsSinger, songwriter, actor, record producer
Years active1938–2012
LabelsSony BMG/ColumbiaCadence
WebsiteAndyWilliams.com

Early life and career

Williams was born in Wall Lake, Iowa,[4] the son of Jay Emerson and Florence (née Finley) Williams. Williams attended Western Hills High School in Cincinnati, but finished high school at University High School in West Los Angeles as a result of his family's move to California. He had three older brothers — Bob, Don, and Dick.

Williams' first performance was in a children's choir at the local Presbyterian church.[4] He and his brothers formed the Williams Brothers quartet[4] in late 1938, and they performed on radio in the Midwest, first at WHO in Des Moines, Iowa, and later at WLS in Chicago and WLW in Cincinnati.
Moving to Los Angeles in 1943, The Williams Brothers sang with Bing Crosby on the hit record "Swinging on a Star" (1944).

They appeared in four musical films: Janie (1944), Kansas City Kitty (1944), Something in the Wind (1947) and Ladies' Man (1947).

The Williams Brothers were signed by MGM to appear in Anchors Aweigh (1945) and Ziegfeld Follies(1945) but before they went before the cameras, the oldest brother Bob was drafted into military service and the groups's contract was canceled. Kay Thompson, a former radio star who was now head of the vocal department at MGM, had a nose for talent and she hired the remaining three Williams Brothers to sing in her large choir on many soundtracks for such MGM films as The Harvey Girls (1946).

 When Bob was done with his military service, Kay hired all four of them to sing on the soundtrack to Good News (1947).

By then, Kay Thompson was tired of working behind the scenes at MGM so, with the four Williams boys as her backup singers and dancers, she formed a nightclub act called Kay Thompson and the Williams Brothers. They made their debut in Las Vegas in 1947 and became an overnight sensation. Within a year, they were the highest paid nightclub act in the world, breaking records wherever they appeared.

Andy Williams revealed in his memoir Moon River and Me that he and Kay became romantically involved while on tour, despite the age difference (he was 19 and she was 38). The act broke up in 1949 but reunited for another hugely successful tour from the fall of 1951 through the summer of 1953. After that the four brothers went their separate ways. A complete itinerary of both tours is listed on the Kay Thompson biography website [2].

Andy and Kay, however, remained very close, both personally and professionally. She mentored his emergence as a solo singing star. She coached him, wrote his arrangements, and composed many songs that he recorded (including his 1958 Top 20 hit "Promise Me, Love" and, later, "Kay Thompson's Jingle Bells" on his 1964 No. 1 The Andy Williams Christmas Album).

Using her contacts in the business, Kay helped Andy land his breakthrough television gig as a featured singer for two-and-a-half years on The Tonight Show starring Steve Allen (it helped that the producer of the series Bill Harbach was Kay's former aide de camp). Kay also got Andy his breakthrough recording contract with Cadence Records (the label's owner Archie Bleyer had gotten early career breaks because of Kay and he owed her a favor).

 Meanwhile, Andy sang backup on many of Kay's recordings through the 1950s, including her Top 40 hit Eloise based on her bestselling book about the mischievous little girl who lives at the Plaza Hotel in New York.

Kay also served as a creative consultant and vocal arranger on Andy's three summer replacement network television series in 1957, 1958, and 1959. In the summer of 1961, Kay traveled with Andy and coached him  throughout his starring role in a summer stock tour of the musical Pal Joey. Their personal and professional relationship finally ended in 1962 when Andy met and married Claudine Longet and Kay moved to Rome.

 Solo career


Williams at the Moon River Theater in Branson, 2006
Williams' solo career began in 1953.[4] He recorded six songs for RCA Victor's label "X", but none of them were popular hits.[5]

After finally landing a spot as a regular on Tonight Starring Steve Allen in 1954,[6] Williams was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" reached No. 7 in the Top Ten in August 1956, and was soon followed by his only Billboard No. 1 hit – in February 1957 – "Butterfly" – a cover of a Charlie Gracie record. "Butterfly" also reached No. 1 on the UK Singles Chart in May 1957, where it spent two weeks.

More hits followed, including "The Hawaiian Wedding Song" (U.S. #11), "Are You Sincere" (U.S. #3 in February 1958), "The Village of St. Bernadette" (U.S. #7 in December 1959), "Lonely Street" (U.S. #5 in September 1959), and "I Like Your Kind Of Love" with Peggy Powers (U.S. #8 in May 1957) before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles and gaining another hit with "Can't Get Used to Losing You" (U.S. #2).

 In terms of success on the singles charts, the Cadence era was Williams' peak although songs he introduced on Columbia became much bigger standards. The two top-ten hits from the Cadence era, "Butterfly" and "I Like Your Kind of Love", both sung in a style similar to Elvis Presley, were apparently believed not to suit Williams' later style; they were not included on a Columbia reissue of his Cadence greatest hits of the 1960s. Some of William's recordings sounded like multitracking. He admitted that he had occasionally asked one of his brothers to sing with him to save studio time.[citation needed]

In 1964, Williams ultimately became the owner of the Cadence master tapes, which he occasionally licensed to Columbia, including not only his own recordings, but also those of his fellow Cadence-era labelmates: The Everly BrothersLenny WelchThe Chordettes, and Johnny Tillotson.

In 1968, although he was still under contract with Columbia for his own recordings, Williams formed a separate company called Barnaby Records to handle not only reissuing of the Cadence material, especially that of the Everly Brothers (one of the first Barnaby LPs was a double LP set of the brothers long out of print Cadence hits) but also new artists. Barnaby also had several Top 40 hits in the 1970s with novelty artist Ray Stevens (who had done a summer replacement show for Williams in 1970), including number-one hits such as "Everything Is Beautiful" in 1970 and "The Streak" in 1974.

Also in 1970, Barnaby signed and released the first album by an unknown singer-songwriter named Jimmy Buffett (Jimmy Buffett Down to Earth) produced by Travis Turk. Columbia was initially the distributor for Barnaby, but later distribution was handled first by MGM Records and then General Recorded Tape. Once Barnaby ceased operating as a working record company at the end of the 1970s, Williams licensed the old Cadence material to various other labels (such as Varese & Rhino in the U.S.) after 1980.

During the 1960s, Williams became one of the most popular vocalists in the country and was signed to what was at that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank SinatraJohnny Mathis and Elvis Presley.

By 1973 he had earned as many as 18 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. These recordings, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era. In the UK, Williams continued to reach high chart status until 1978. The albums Can't Help Falling In Love (1970), Andy Williams Show (1970) Home Lovin Man ( No. 1 1971), Solitaire (1973), The Way We Were (1974) and Reflections (1978) all reached the Top 10.

Williams forged an indirect collaborative relationship with Henry Mancini, although they never recorded together. Williams was asked to sing Mancini and Johnny Mercer's song "Moon River" from the movie Breakfast at Tiffany's at the 1962 Oscar Awards. The song won the Oscar and quickly became Williams' theme song; however, because it was never released as a single, "Moon River" was never actually a chart hit for Williams.[7] The next year Williams sang "Days of Wine and Roses" which was written by Mancini and Mercer (this song also won). Two years later, he sang Mancini's "Dear Heart" at the 1965 awards and "The Sweetheart Tree" (also written with Mercer) at the 1966 awards.

On August 5, 1966, the 14-story, 700-room Caesars Palace casino and nightclub opened in Las Vegas, Nevada, with the stage production of "Rome Swings", in which Williams starred. He performed live to a sold-out crowd in the Circus Maximus showroom. He headlined for Caesars for the next twenty years.
In 1968, Columbia released a 45-rpm record of two songs Williams sang at the funeral of Robert F. Kennedy, his close friend: "Ave Maria" and "The Battle Hymn of the Republic". These were never released on a long-playing record.

Williams also competed in the teenage-oriented singles market and had several charting hits including "Can't Get Used to Losing You", "Happy Heart", and "Where Do I Begin", the theme song from the 1970 blockbuster film, Love Story. In addition, Williams hit the Top 10 of the UK Singles Chart with "Almost There" (1965), "Can't Help Falling In Love" (1970), "Home Lovin' Man" (1970) and "Solitaire" (1973).
Both Williams and Petula Clark recorded "Happy Heart" around the same time, just prior to his guest appearance on her second NBC-TV special. Unaware that she was releasing the song as a single, he asked to perform it on the show. The exposure ultimately led to his having the bigger hit with the song. The song "Happy Heart" is played during the final scene, and throughout the end credits, of the Danny Boyle film Shallow Grave.

Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and reduced his show to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre.[8]

Williams recorded eight Christmas albums over the years and was known as "Mr. Christmas",[8] due to his perennial Christmas specials and the success of "It's the Most Wonderful Time of the Year", which appears on all of his Christmas albums.
Williams hosted the most Grammy telecasts, from the 13th Annual Grammy Awards in 1971 through to the 19th awards in 1977, seven consecutive shows. He returned to television to do a syndicated half-hour series in 1976–1977.

In the early 1970s, when the Nixon Administration attempted to deport John Lennon, Williams was an outspoken defender of the former Beatle's right to stay in the United States.
A caricature of Williams is included in the montage of caricatures displayed on the cover of Ringo Starr's 1973 album, Ringo.

Williams also sang the national anthem at Super Bowl VII in 1973 with Little Angels of Holy Angels Church in Chicago, Illinois.

Williams continued to perform live into his 80s. It was this that kept him vital, he said during a 2007 tour of the UK.[9]

Source: Wikipedia

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