Uploaded on Jan 4, 2008
Right or Wrong by Wanda Jackson
STUDIO VERSION
1961
STUDIO VERSION
1961
Wanda Lavonne Jackson (born October 20, 1937) is an American singer, songwriter, pianist and guitarist who had success in the mid-1950s and '60s as one of the first popular female rockabilly singers and a pioneering rock and roll artist.[2]
She is known to many as the Queen (or First Lady) of Rockabilly.[3]
Jackson mixed country music with fast-moving rockabilly, often recording them on opposite sides of a record.[4]
As rockabilly declined in popularity in the mid-1960s, she moved to a successful career in mainstream country music with a string of hits between 1966 and 1973, including "Tears Will Be the Chaser for Your Wine", "A Woman Lives for Love" and "Fancy Satin Pillows".
She has enjoyed a resurgence of popularity among rockabilly revivalists in Europe and younger Americana fans, and was inducted into the Rock and Roll Hall of Fame as an Early Influence in 2009.[5][6]
| Wanda Jackson | |
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Jackson in the mid-1950s
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| Background information | |
| Birth name | Wanda Lavonne Jackson |
| Also known as | The Queen of Rockabilly The First Lady of Rockabilly |
| Born | October 20, 1937 Maud, Oklahoma |
| Genres | Rockabilly, country, gospel |
| Occupations | singer-songwriter |
| Instruments | Vocals, Guitar, Piano |
| Years active | 1954–present |
| Labels | Decca Records Capitol Records CMH Records Third Man Records |
| Associated acts | Elvis Presley, Jack White, Imelda May, Hank Thompson, Billy Gray, Rosie Flores, Norma Jean, Adele[1] |
| Website | WandaJackson.com |
Early life
Wanda Jackson was born to Tom Robert Jackson and Nellie Vera Jackson (December 19, 1913 – January 14, 2011)[7][8] in Maud, Oklahoma, in 1937, but has lived much of her life in Oklahoma City.Her father, a musician, moved the family to Bakersfield, California, during the 1940s in hopes of a better life.[4]
Two years later, he bought Jackson a guitar and encouraged her to play.
He also took her to see performances by Spade Cooley, Tex Williams and Bob Wills, which left a lasting impression.[2]
In 1948, when she was 11, the family moved back to Oklahoma. In 1956, she won a talent contest which led to her own radio program, soon extended by 30 minutes.[9]
Jackson began her professional career while still attending Capitol Hill High School[10] in Oklahoma City after being discovered by Hank Thompson in 1954,[2][2] who heard her singing on local station KLPR-AM[7] and invited her to perform with his band, the Brazos Valley Boys.
She recorded a few songs on their label, Capitol Records, including "You Can't Have My Love", a duet with Thompson's bandleader, Billy Gray.
The song was released as a single in 1954 and reached No. 8 on the country chart.
Jackson asked Capitol to sign her, but was turned down by producer Ken Nelson who told her, "Girls don't sell records." Instead, she signed with Decca Records.[4
Career
1955–1959
After graduating from high school, Jackson began to tour with her father as manager and chaperon.[2]She often shared the bill with Elvis Presley, who encouraged Jackson to sing rockabilly. Jackson briefly dated Elvis, during which time Elvis sometimes would coach Jackson how to play rock 'n' roll.[11]
She was a cast member of ABC-TV's Ozark Jubilee in Springfield, Missouri from 1955 to 1960, and in 1956 she signed with Capitol, recording a number of singles mixing country with rock and roll. "I Gotta Know", released in 1956, peaked at No. 15.[9][12][13]
She continued to record more rockabilly singles through the decade with producer Ken Nelson. Jackson insisted that Nelson make her records sound like those of label mates Gene Vincent and The Blue Caps.
Nelson brought in many experienced and popular session players, including rock and roll pianist Merill Moore and the then unknown Buck Owens.
In the late 1950s, Jackson recorded and released a number of rockabilly songs, including "Hot Dog!
That Made Him Mad", "Mean, Mean Man", "Fujiyama Mama" (which hit No. 1 in Japan) and "Honey Bop."
The songs, however, were only regional hits.[14]
She toured Japan in February and March 1959.
1960–1964: The Queen of Rockabilly
In 1960, Jackson had a Top 40 pop hit with "Let's Have a Party", a song Presley had cut three years earlier.[9]She was headlining concerts with her own band, which she dubbed The Party Timers. Prominently featured were pianist Big Al Downing and guitarist Roy Clark, virtually unknown at the time.[14]
Her country music career also began to take off with the self-penned "Right or Wrong", a No. 9 hit, and "In The Middle of a Heartache", which peaked at No. 6. Both songs also enjoyed top 40 pop success.[2]
The unexpected success of her records led Capitol to release a number of albums composed of her 1950s material, including 1960's Rockin' with Wanda and There's a Party Goin' On, which included "Tongue Tied" and "Riot in the Cell Block No. 9".
Her 1961 and 1962 albums, Right or Wrong and Wonderful Wanda, featured her two top ten country hits from 1961.
In 1963, Jackson recorded a final album titled Two Sides of Wanda, which included both rock and roll and country music, including a cover of Jerry Lee Lewis' "Whole Lotta Shakin' Goin' On".[15]
The album earned Jackson her first Grammy nomination for Best Female Country Vocal Performance.
1965–1979: Country, gospel, and foreign language hits
By 1965, Jackson was focusing more exclusively on traditional country music as rockabilly declined in popularity, and had a string of Top 40 hits during the next ten years.In 1966, she released two singles that peaked in the country top 20, "Tears Will Be the Chaser For Your Wine" and "The Box It Came In".[2]
In early 1965, Jackson was invited by the German distribution partner of Capitol Records, Electrola, to record in German.
Jackson's German language debut single, Santo Domingo (b/w Morgen, ja morgen), recorded at Electrola's studios in Cologne, peaked at No. 5 on the official German charts and at No. 1 on the charts of Germany's most influential teen magazine, Bravo.
In the first months following the chart success of Santo Domingo, Jackson also re-recorded some of her German songs in Dutch and Japanese.
The success of Santo Domingo prompted the recording of eight further German language singles until 1968, which were also released on an album, Made in Germany. A last German single was recorded in 1970.
In 1967, she recorded two albums, and released a string of singles during the next few years that often asserted a fiery and violent persona, including 1969's "My Big Iron Skillet", a top 20 hit which threatened death or assault for cheating on a spouse.[14]
In 1970 and 1971, she had her final top 20 country hits with "A Woman Lives for Love" (her second Grammy nomination) and "Fancy Satin Pillows".
Jackson was a premier attraction in Las Vegas.
She followed Kitty Wells' lead as only the second country female vocalist to have her own syndicated television show, Music Village, from 1967–68.[2]
In the early 1970s, at her children's request, Jackson and her husband began to regularly attend church and discovered Christianity.[14]
She began recording gospel songs and albums, including 1972's Praise the Lord on Capitol.[4]
After Capitol dropped her, she recorded a number of albums for small religious labels and set up evangelical church tours across the country with her husband.
Jackson wanted to record a mix of country and gospel music for her albums; however, religious labels were not interested.[15]
1980–1999: Return to rockabilly
In the early 1980s, Jackson was invited to Europe to play and record rockabilly material when revivalists sought her out.[2]She regularly toured Scandinavia, England, and Germany during the decade.
Now embracing her rock 'n' roll history, Jackson released a 1984 album titled Rockabilly Fever (later issued by Rounder Records as Rock N' Roll Your Blues Away in 1986), her first secular album in a decade and her first recording of rock music in over twenty years.
Cyndi Lauper acknowledged Jackson's classic rockabilly records were a major influence and inspiration for her during this period and Jackson's fan following also included a new generation of country music female vocalists, among them Rosanne Cash, Pam Tillis, Jann Browne and Rosie Flores.[2]
Jackson recorded a duet with Browne on a 1987 album release by Browne and in 1995, she sang two duets with Flores on her 1995 album, Rockabilly Filly, and then embarked on a United States tour with her, her first American tour since the 1970s.[4]
Source:Wikipedia
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