Showing posts with label R&B. Show all posts
Showing posts with label R&B. Show all posts

Friday, February 26, 2016

The Hearts~ "Lonely Nights"


The Jaynetts were a Bronx, New York, girl group who became one-hit wonders with "Sally Go 'Round the Roses", which reached No. 2 on the Billboard Hot 100 in 1963.

 


Career

Beginnings

In 1954, Bronx native Zelma "Zell" Sanders produced "Lonely Nights" by a female R&B vocal group called The Hearts (not to be confused with "Long Lonely Nights" by Lee Andrews & the Hearts).

With no major labels interested in a track by a female R&B group, "Lonely Nights" was eventually released on the small independent label Baton[1] and became one of the earliest girl-group hits when it made the US R&B Top 10 hit single in 1955.[2]

This success allowed Sanders to found her own doo-wop-oriented label, J&S.

The Jaynetts name was conceived by adding the "J" in "J&S" to "Anetta", the middle name of Lezli Valentine, a session vocalist who sang on the group's 1957 debut, "I Wanted To Be Free", as well as on other J&S releases.

The lead vocal on "I Wanted To Be Free" was by Justine "Baby" Washington, who regularly performed on the Hearts' releases in 1956-57; Washington also began recording solo in 1957 with the B-side of her second release, "Hard Way to Go" (1958), being a track credited to the Jaynetts entitled "Be My Boyfriend."[3]

"Sally Go 'Round the Roses"

J&S Records had its first national success in 1961 when Abner Spector, an A&R man for the Chicago-based Chess Records, utilized J&S's Tuff subsidiary for the release of the Corsairs' hit "Smoky Places" which reached #12 in March 1962.

In 1963 Spector had Zell Sanders assemble the line-up to cut a girl group record, and Spector's wife Lona Stevens wrote "Sally Go 'Round the Roses" with Sanders for this purpose.[1]

The credited members of the Jaynetts who recorded "Sally Go 'Round the Roses" were Yvonne Bushnell, Ethel Davis (aka Vernell Hill), Ada Ray Kelly and Johnnie Louise Richardson, who had all previously recorded for J&S; a fifth credited member Mary Sue Wells (aka Mary Sue Wellington/Mary Green Wilson) was recruited through a newspaper advertisement.

It was announced that Johnnie Louise Richardson, Sanders' daughter, who had been a member of Johnnie and Joe, was not intended as a group member beyond singing on their first track.

Vocalists who sang on "Sally Go 'Round the Roses" besides the five credited personnel include J&S veterans Selena Healey, Marie Hood, Marlene Mack (aka Marlina Mack/Marlina Mars), Louise (Harris) Murray (a member of the original Hearts), Lezli Valentine and Iggy Williams.

 According to Richardson, "Anybody that came in the studio that week, [Spector] would put them on [the track].

Originally, I think he had about 20 voices on 'Sally.'"

The sessions produced only the one song, "Sally Go 'Round the Roses" being released with the song's instrumental track as its B-side, credited to 'Sing Along Without the Jaynetts'.

The single reached #2 on the Billboard Hot 100 chart dated 28 September 1963.




Sally Go 'Round the Roses album

The single's success led to the release of a Sally Go 'Round the Roses album on Tuff; besides the title cut, in both the vocal and instrumental versions, and the follow-up single "Keep An Eye On Her" "bubbled under the Hot 100" in November 1963.

The album featured "Archie's Melody", "Bongo Bobby", "I Wanna Know", "No Love At All", "One Track Mind", "Pick Up My Marbles", "School Days" and "See Saw"; also featured as "A Special Guest Appearance" was "Dear Abby" credited to the Hearts, a minor hit (#94) recorded by at least some of the same personnel as "Sally Go 'Round the Roses", and with the same "Sing Along without the..." instrumental-only version on the B-side. Despite the Jaynetts having been promoted as a quintet, their album cover image was of a trio, only two of whom—Ethel Davis and Lezli Valentine—are identifiable.

Lezli is the lead voice on "Sally" and she performed the spoken part on "Dear Abby".

Follow-up

The Jaynetts name was used for the release of two further singles on Tuff: "Snowman, Snowman Sweet Potato Nose" and "There's No Love At All" b/w "Tonight You Belong to Me".

Throughout 1964 Tuff also released recordings featuring at least some of the personnel from "Sally Go 'Round the Roses"; these releases were credited to the Clickettes (who were Lezli Valentine, Marlina Mars and Iggy Williams), the Poppies (not to be confused with the Poppies who recorded for Epic in 1966) and the Patty Cakes (whose release "I Understand Them" was subtitled "A Love Song to the Beatles").

 In 1964 the Roulette single "Changing My Life For You" b/w "I Would if I Could", credited to the Z-Debs, was sung by members of the Jaynetts who had recorded "Sally Go 'Round the Roses".

The 1964 J&S single "Cry Behind the Daisies" was the first release credited to the Jaynetts with a new core line-up retaining Johnnie Louise Richardson and adding Evangeline Jenkins, Linda Jenkins and Georgette Malone.

This group had further J&S releases into 1965 with "Chicken, Chicken, Cranny Crow b/w Winky Dinky", "Peepin' In And Out The Window" b/w "Extra Extra, Read All About It", "Who Stole The Cookie" b/w "That's My Baby", "Looking For Wonderland, My Lover" b/w "Make It An Extra" and "Vangie Don't You Cry" b/w "My Guy Is As Sweet As Can Be".

Solo recordings

Tuff Records released singles in 1964 credited to Vernell Hill (Ethel Davis) and Mary Sue Wellington (Mary Sue Wells: her name was adjusted to prevent confusion with Mary Wells).

J&S also released solo tracks by Ada Ray Kelly - billed as Ada "Cry Baby" Ray on the Zell's label in 1963 and 1964. Vernell Hill's Tuff single, "Long Haired Daddy", with songwriting credit by Abner Spector, was also released on Roulette in 1964.

In 1968, Lezli Valentine recorded for All Platinum, a label formed the previous year in Englewood, New Jersey, by Sylvia Robinson, and recorded the original versions of The Moments' hits "Love On A Two Way Street", "I'm So Lost", "I Gotta Keep On Loving You" and "I Won't Do Anything".

She also sang background on Eddie Kendricks' version of "Not On The Outside".

In a 2000 interview for John Clemente's book Girl Groups: Fabulous Females That Rocked The World, Valentine revealed she had retired from the music industry, worked in Alcohol Beverage Control and had become a stenographer under then-New York Governor Nelson Rockefeller.

Marie Hood went on to work for the Postal Service.

From 1963 through 1966, Marlene Mack, as Marlina Mars, had singles released on Capitol, Okeh and MGM.

Around 1970 she briefly partnered Herb Fame in Peaches and Herb's live shows, although the original Peaches, Francine Barker, still sang the female part on the duo's records.

Louise Murray, who recorded solo for Verve in 1965, was reported to be performing in a duo with her husband Donald Gatling: they bill themselves as the Two Hearts, referencing the group with whom Murray had recorded "Lonely Nights" in 1954.[4]

At the Detroit Breakdown concert held 31 July 2010 at the Guggenheim Band Shell, Murray came onstage during the set by ? and the Mysterians to duet on "Sally Go 'Round the Roses".[1]

Source: Wikipedia.org

 

Somebody Come and Play In the Traffic With Me! Earn as You Learn, Grow as You Go!


The Man Inside the Man
from
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A
JMK's Production

 

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Simply click this link and Grow as you Go Come and Play In Traffic With Me and My Team at Traffic Authority!

P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!

Friday, February 19, 2016

The Intruders~ "Me Tarzan, You Jane"


 The Intruders were an American soul music group most popular in the 1960s and 1970s.[1]

As one of the first groups to have hit songs under the direction of Kenny Gamble and Leon Huff, they had a major influence on the development of Philadelphia soul.



The Intruders
The Intruders 1968.jpg
The Intruders in 1968 (clockwise from bottom): Sam "Little Sonny" Brown,Phil Terry,Eugene "Bird" Daughtry, and Robert "Big Sonny" Edwards.
Background information
Origin Philadelphia, Pennsylvania, United States
Genres R&B, Soul
Years active 1960–1985
Labels Excel, Gamble, TSOP, Streetwave, Moor Ent.

Members Sam "Little Sonny" Brown (deceased)
Robert "Big Sonny" Edwards
Phillip "Phil" Terry
Eugene "Bird" Daughtry (deceased)
Robert "Bobby Starr" Ferguson

 

Biography

Formed in 1960, the group originally consisted of Sam "Little Sonny" Brown, Eugene "Bird" Daughtry, Phillip "Phil" Terry and Robert "Big Sonny" Edwards.[2]

In 1969, Sam Brown was replaced as lead singer by Bobby Starr, only to rejoin the group in 1973.


In 1965, when songwriters and record producers Kenny Gamble and Leon Huff first contemplated leaving the Cameo-Parkway record label to risk launching their own label, the vocalists on which they pinned all their hopes and venture capital were The Intruders.

Like many other subsequent acts the duo produced, which included Harold Melvin and the Blue Notes and The O'Jays, The Intruders had already developed a vocal sound that was both theirs and uniquely Philadelphian.[3]


Brown, Daughtry, Terry and Edwards had been recording and performing one-off singles together since 1961, blending Philly's street corner doo-wop tradition with black gospel fervor.

The result was neither as pop-infected as Motown, nor as funky and blues-inflected as Stax.

The sound which The Intruders refined for the Excel, Gamble and Philadelphia International imprints reflected a different attitude than either Stax or Motown.[4]


Gamble and Huff's success with The Intruders helped convince Columbia Records to grant them the money to launch Philadelphia International.

Gamble and Huff acknowledged that their work with The Intruders was the foundation of what they called "The Sound Of Philadelphia".[5][6]

The Intruders, meanwhile, were undergoing some internal turmoil.

When the group resurfaced on the 1970 Gamble LP, When We Get Married, lead singer Brown was replaced by Bobby Starr.[7]

The title song, "When We Get Married" (R&B #8, Pop #45), a Dreamlovers cover, became a hit on the charts, as was the follow-up "Win, Place Or Show (She's A Winner)" (UK #14).[1]

 Starr's tenure with the group included Soul Train television appearances, and the rare collector's single, "I'm Girl Scoutin".[8]

Brown returned to the group in 1973 for the album Save The Children, which spawned The Intruders' last two big hits, "I Wanna Know Your Name" (R&B #9, Pop #60) and "I'll Always Love My Mama" (R&B #6, Pop #36).

Kenny Gamble's mother Ruby, the inspiration for "I'll Always Love My Mama", died March 10, 2012 in Mount Airy, Pennsylvania, at age 96.


Cowboys to Girls...and cover versions

"Cowboys to Girls" (R&B #1, Pop #6) remains the only chart topping single of their career.

It was a 1968 Top 10 Pop and R&B smash, that was awarded an R.I.A.A. gold disc for one million sales in mid May 1968.[2]

It was covered by the Hacienda Brothers.

The "Duke of Earl", Gene Chandler, also covered the song.

Other artists, such as Sweet Blindness, Philly Cream, and Joe Bataan, have also covered the song.[9]

Other covers of their hit singles included "Together", which was recorded by Gladys Knight & The Pips on their Silk 'N' Soul LP, as well as The Three Degrees on their 1975 work, Take Good Care Of Yourself.

It was also covered by the Latin group Tierra, who took the song to Top 20 on the charts in 1980.[10]

In 2005, singer Keith Sweat covered The Intruders' 1973 hit, "I Wanna Know Your Name".

In 1968, Peaches & Herb covered The Intruders'1966 hit, "(We'll Be) United".

This song also served as the basis for Peaches and Herb's even bigger 1978 #1 "sequel" hit, "Reunited" .[11][12][13][14][15]

During the late 1970s and early 1980s, their music was popular on the West Coast among Latino, specifically Chicano, youth, as evidenced by their covers by the Hacienda Brothers and Tierra.

Daughtry died of cancer on December 25, 1994 at age 55,[16] and Brown committed suicide by jumping off the Strawberry Mansion Bridge in April 1995.

According to Marc Taylor, in the book, "A Touch Of Classic Soul of the Early 1970's" (1996, Aloiv Publishing, Jamaica, New York), in 1975, Edwards and Terry walked away from the industry after becoming Jehovah's Witnesses.

The Intruders today include Bobby Starr, Glenn Montgomery and Phil Gay.

The group is featured on the "My Music DVD hosted by Patti LaBelle on PBS, and tour with the Love Train: Sound of Philadelphia Concert series.[17]

There are also several tribute groups including the best variation of The Intruders, "The Philly Intruders" who appear on The Big Show DVD, and "The Fabulous Intruders" founded by William Payton, Sr.

Source: Wikipedia.org


Somebody Come and Play In the Traffic With Me! Earn as You Learn, Grow as You Go!



The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!



TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.

Simply click this link and Grow as you Go Come and Play In Traffic With Me and My Team at Traffic Authority!

P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!

The Intruders~ "This is My Love Song"




The Intruders were an American soul music group most popular in the 1960s and 1970s.[1]

As one of the first groups to have hit songs under the direction of Kenny Gamble and Leon Huff, they had a major influence on the development of Philadelphia soul.


The Intruders
The Intruders 1968.jpg
The Intruders in 1968 (clockwise from bottom): Sam "Little Sonny" Brown,Phil Terry,Eugene "Bird" Daughtry, and Robert "Big Sonny" Edwards.
Background information
Origin Philadelphia, Pennsylvania, United States
Genres R&B, Soul
Years active 1960–1985
Labels Excel, Gamble, TSOP, Streetwave, Moor Ent.

Members Sam "Little Sonny" Brown (deceased)
Robert "Big Sonny" Edwards
Phillip "Phil" Terry
Eugene "Bird" Daughtry (deceased)
Robert "Bobby Starr" Ferguson

 

Biography

Formed in 1960, the group originally consisted of Sam "Little Sonny" Brown, Eugene "Bird" Daughtry, Phillip "Phil" Terry and Robert "Big Sonny" Edwards.[2]

In 1969, Sam Brown was replaced as lead singer by Bobby Starr, only to rejoin the group in 1973.


In 1965, when songwriters and record producers Kenny Gamble and Leon Huff first contemplated leaving the Cameo-Parkway record label to risk launching their own label, the vocalists on which they pinned all their hopes and venture capital were The Intruders.

Like many other subsequent acts the duo produced, which included Harold Melvin and the Blue Notes and The O'Jays, The Intruders had already developed a vocal sound that was both theirs and uniquely Philadelphian.[3]


Brown, Daughtry, Terry and Edwards had been recording and performing one-off singles together since 1961, blending Philly's street corner doo-wop tradition with black gospel fervor.

The result was neither as pop-infected as Motown, nor as funky and blues-inflected as Stax.

The sound which The Intruders refined for the Excel, Gamble and Philadelphia International imprints reflected a different attitude than either Stax or Motown.[4]


Gamble and Huff's success with The Intruders helped convince Columbia Records to grant them the money to launch Philadelphia International.

Gamble and Huff acknowledged that their work with The Intruders was the foundation of what they called "The Sound Of Philadelphia".[5][6]

The Intruders, meanwhile, were undergoing some internal turmoil.

When the group resurfaced on the 1970 Gamble LP, When We Get Married, lead singer Brown was replaced by Bobby Starr.[7]

The title song, "When We Get Married" (R&B #8, Pop #45), a Dreamlovers cover, became a hit on the charts, as was the follow-up "Win, Place Or Show (She's A Winner)" (UK #14).[1]

 Starr's tenure with the group included Soul Train television appearances, and the rare collector's single, "I'm Girl Scoutin".[8]

Brown returned to the group in 1973 for the album Save The Children, which spawned The Intruders' last two big hits, "I Wanna Know Your Name" (R&B #9, Pop #60) and "I'll Always Love My Mama" (R&B #6, Pop #36).

Kenny Gamble's mother Ruby, the inspiration for "I'll Always Love My Mama", died March 10, 2012 in Mount Airy, Pennsylvania, at age 96.


Cowboys to Girls...and cover versions

"Cowboys to Girls" (R&B #1, Pop #6) remains the only chart topping single of their career.

It was a 1968 Top 10 Pop and R&B smash, that was awarded an R.I.A.A. gold disc for one million sales in mid May 1968.[2]

It was covered by the Hacienda Brothers.

The "Duke of Earl", Gene Chandler, also covered the song.

Other artists, such as Sweet Blindness, Philly Cream, and Joe Bataan, have also covered the song.[9]

Other covers of their hit singles included "Together", which was recorded by Gladys Knight & The Pips on their Silk 'N' Soul LP, as well as The Three Degrees on their 1975 work, Take Good Care Of Yourself.

It was also covered by the Latin group Tierra, who took the song to Top 20 on the charts in 1980.[10]

In 2005, singer Keith Sweat covered The Intruders' 1973 hit, "I Wanna Know Your Name".

In 1968, Peaches & Herb covered The Intruders'1966 hit, "(We'll Be) United".

This song also served as the basis for Peaches and Herb's even bigger 1978 #1 "sequel" hit, "Reunited" .[11][12][13][14][15]

During the late 1970s and early 1980s, their music was popular on the West Coast among Latino, specifically Chicano, youth, as evidenced by their covers by the Hacienda Brothers and Tierra.

Daughtry died of cancer on December 25, 1994 at age 55,[16] and Brown committed suicide by jumping off the Strawberry Mansion Bridge in April 1995.

According to Marc Taylor, in the book, "A Touch Of Classic Soul of the Early 1970's" (1996, Aloiv Publishing, Jamaica, New York), in 1975, Edwards and Terry walked away from the industry after becoming Jehovah's Witnesses.

The Intruders today include Bobby Starr, Glenn Montgomery and Phil Gay.

The group is featured on the "My Music DVD hosted by Patti LaBelle on PBS, and tour with the Love Train: Sound of Philadelphia Concert series.[17]

There are also several tribute groups including the best variation of The Intruders, "The Philly Intruders" who appear on The Big Show DVD, and "The Fabulous Intruders" founded by William Payton, Sr.

 

Source: Wikipedia.org 


 

Somebody Come and Play In the Traffic With Me! Earn as You Learn, Grow as You Go!



The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!



TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.

Simply click this link and Grow as you Go Come and Play In Traffic With Me and My Team at Traffic Authority!

P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here! 


Saturday, February 6, 2016

Conway Twitty~ "The Clown"



Conway Twitty (born Harold Lloyd Jenkins; September 1, 1933 – June 5, 1993) was an American musician and singer.

He had success in the country, rock, R&B, and pop genres. From 1971 to 1976, Twitty received a string of Country Music Association awards for duets with Loretta Lynn.

Although never a member of the Grand Ole Opry, he was inducted into both the Country Music and Rockabilly Halls of Fame.





Conway Twitty
Conway Twitty 1974.JPG
1974 promotional photo
Background information
Birth name Harold Lloyd Jenkins
Born September 1, 1933
Friars Point, Coahoma County, Mississippi, U.S.
Origin Helena, Phillips County
Arkansas
Died June 5, 1993 (aged 59)
Springfield, Missouri, U.S.
Genres Country, rock and roll
Occupation(s) Singer-songwriter
Instruments Vocals, guitar
Years active 1956(officially 1958)-1993
Labels MCA, Elektra, MGM, Decca, Sun Records, Warner Bros. Records
Associated acts Loretta Lynn, Sam Moore, Jerry Lee Lewis, The Twitty Bird Band, Joni Lee

 

 

Awards

Academy of Country Music
Country Music Association
Country Music Hall of Fame and Museum
Delta Music Museum Hall of Fame
  • Posthumous inductee
Grammy Awards
Rockabilly Hall of Fame
  • Posthumous inductee

 

Covers

Twitty was known to cover songs—most notably "Slow Hand" which was a major pop hit for the Pointer Sisters, "The Rose" which was a major pop hit for Bette Midler, and "Heartache Tonight" which was a major pop hit for The Eagles; Twitty's songs have also been covered numerous times, including four notable covers, George Jones' rendition of "Hello Darlin", Blake Shelton's "Goodbye Time", The Misfits and Glen Campbell [4] versions of "It's Only Make Believe" and Elvis Presley's version of "There's a Honky Tonk Angel (Who'll Take Me Back In)".

In addition, Ken Checker's version of "I'd Love to Lay You Down" was sung and received some airplay, mostly in the concert realm.

Some artists have had hits with songs that Twitty recorded but never released as singles.

Among these are: The Oak Ridge Boys's top five hit,

"I Wish You Could Have Turned My Head (And Left My Heart Alone),"
 originally from Conway's 1979 album Crosswinds,

Steve Wariner's "I'm Already Taken" from Twitty's 1981 album Mr. T (which Wariner wrote),

 Lee Greenwood's "It Turns Me Inside Out" from Twitty's 1982 album Southern Comfort,

 John Conlee's "In My Eyes" from Twitty's 1982 album Dream Maker,

 John Schneider's "What's a Memory Like You (Doin' in a Love Like This?)" from Twitty's 1985 album Chasin' Rainbows,

and Daryle Singletary's "The Note" and Ricky Van Shelton's "Somebody Lied" from Twitty's 1985 album Don't Call Him a Cowboy.

Biography

Early life

Conway Twitty was born Harold Lloyd Jenkins on September 1, 1933 in Friars Point in Coahoma County in northwestern Mississippi.

He was named by his great uncle, after his favorite silent movie actor, Harold Lloyd. The Jenkins family moved to Helena, Arkansas when Harold was ten years old.

In Helena, Harold formed his first singing group, the Phillips County Ramblers.[citation needed]

Two years later, Harold had his own local radio show every Saturday morning. He also played baseball, his second passion.

He received an offer to play with the Philadelphia Phillies after high school (Smiths Station High School), but he was drafted into the United States Army.

He served in the Far East and organized a group called The Cimmerons to entertain fellow GIs.[1]

Wayne Hause, a neighbor, suggested that Harold could make it in the music industry.

Soon after hearing Elvis Presley's song "Mystery Train", Harold began writing rock and roll material.

He went to the Sun Studios in Memphis, Tennessee and worked with Sam Phillips, the owner and founder, to get the "right" sound.[citation needed]


Stage name

Accounts vary of how Harold Jenkins acquired his stage name of Conway Twitty.

Allegedly, in 1957, Jenkins decided that his real name wasn't marketable and sought a better show business name.

In The Billboard Book of Number One Hits Fred Bronson states that the singer was looking at a road map when he spotted Conway, Arkansas, and Twitty, Texas, and chose the name Conway Twitty.

Another account says that Jenkins met a Richmond, Virginia, man named W. Conway Twitty Jr. through Jenkins' manager in a New York City restaurant.

The manager served in the US Army with the real Conway Twitty.

Later, the manager suggested to Jenkins that he take the name as his stage name because it had a ring to it.

In the mid-1960s, W. Conway Twitty subsequently recorded the song "What's in a Name but Trouble", lamenting the loss of his name to Harold Jenkins.

Pop and rock & roll success

In 1958 using his new stage name, Conway Twitty's fortunes improved while he was with MGM Records, and an Ohio radio station had an inspiration, refraining from playing "I'll Try" (an MGM single that went nowhere in terms of sales, radio play, and jukebox play), instead playing the B-side, "It's Only Make Believe", a song written between sets by Twitty and drummer Jack Nance when they were in Hamilton, Ontario, playing at the Flamingo Lounge.[2]

The record took nearly one year to reach and stay at the top spot on the Billboard pop music charts in the US, as well as No. 1 in 21 other countries, becoming the first of nine top 40 hits for Twitty.

It sold over four million copies, and was awarded a gold disc by the RIAA.[3]

That same year, country singer Tabby West of ABC-TV's Ozark Jubilee heard Twitty and booked him to appear on the show.[1]

When "It's Only Make Believe" was first released, because of voice similarities, many listeners assumed that the song was actually recorded by Elvis Presley, using "Conway Twitty" as a pseudonym.

Twitty would go on to enjoy rock and roll success with songs including "Danny Boy" (Pop No. 10) and "Lonely Blue Boy" (Pop No. 6).

 "Lonely Blue Boy", originally titled "Danny", was recorded by Presley for the film King Creole but was not used in the soundtrack.[citation needed]

Country music career

Twitty always wanted to record country music and, beginning in 1965, he did just that.

His first few country albums were met with some country DJ's refusing to play them because he was known as a rock 'n' roll singer.

However, he finally broke free with his first top five country hit, "The Image of Me", in July 1968, followed by his first number one country song, "Next in Line", in November 1968.

Few of his singles beginning in 1968 ranked below the top five.

In 1970, Twitty recorded and released his biggest country hit, "Hello Darlin'", which spent four weeks at the top of the country chart and is one of Twitty's most recognized songs.

In 1971 he released his first hit duet with Loretta Lynn, "After the Fire Is Gone". It was a success, and many more followed, including "Lead Me On" (1971), "Louisiana Woman, Mississippi Man" (1973), "As Soon as I Hang Up the Phone" (1974), "Feelins'" (1975), "I Still Believe in Waltzes", "I Can't Love You Enough", and many others.

Together, Conway and Loretta (as they were known in their act), won four consecutive Country Music Association awards for vocal duo (1972–75) and a host of other duo and duet awards from other organizations throughout the 1970s.

In 1973, Twitty released "You've Never Been This Far Before", which was not only No. 1 in country for three weeks that September but also reached No. 22 on the pop charts.

Some more conservative disc jockeys refused to play the song, believing that some of the lyrics were too sexually suggestive.

In 1978, Twitty issued the single "The Grandest Lady of Them All" honoring the Grand Ole Opry, but for the first time since 1967, a single of his failed to reach top ten status as some radio stations refused to play a song honoring the property of a competitor (broadcast by WSM-AM).

Nevertheless, the single reached the top 20, peaking at No. 16 but it was well below expectations, and this set in motion the changes that were to take place in his career, including a new hairstyle, changing from the slicked-back pompadour style to the curlier style he would keep the rest of his life.

However, Twitty's popularity and momentum were unaffected by the song as his next 23 consecutive singles all made it into the top 10, with 13 peaking at No. 1, including "Don't Take It Away", "I May Never Get to Heaven", "Happy Birthday Darlin'" and remakes of major pop hits such as "The Rose" and "Slow Hand".

In 1985, going by all weekly music trade charts, the song "Don't Call Him a Cowboy" became the 50th single of his career to achieve a No. 1 ranking.

He would have five more through 1990, giving him a total of 55 No. 1 hits. George Strait eclipsed the feat of 50 No. 1 hits in 2002 with his single "She'll Leave You With a Smile" and then reached No. 1 for the 56th time in 2007 when the single "Wrapped" hit the top on the Media Base 24/7 list.

Throughout much of Twitty's country music career his recording home was Decca Records, later renamed MCA.

He signed with the label in late 1965 but left in 1981 when it appeared MCA was marketing and promoting newer acts, plus management at the label had changed and other factors brought on the decision.

He joined Elektra/Asylum in 1982.

That label merged with its parent company, Warner Bros. Records in 1983. He stayed on with Warner Bros.

Records through early 1987 but then went back to MCA to finish out his career. In 1993, shortly before he died, he recorded a new album, Final Touches.

Baseball

Twitty joined entrepreneur Larry Schmittou and other country music stars, such as Cal Smith, Jerry Reed, Larry Gatlin, and Richard Sterban, in 1977 as investors in the Nashville Sounds, a minor league baseball team of the Double-A Southern League that began play in 1978.[4]

He threw out the ceremonial first pitch at the team's inaugural home opener at Herschel Greer Stadium on April 26, 1978.[5]

Twitty City

Twitty lived for many years in Hendersonville, Tennessee, just north of Nashville, where he built a country music entertainment complex called Twitty City at a cost of over $3.5 million.

Twitty and Twitty City were once featured on the TV series Lifestyles of the Rich and Famous. and was also seen in the Nashville episode of the BBC series Entertainment USA, presented by Jonathan King.

Opened in 1982 it was a popular tourist stop throughout the 1980s and into the early 1990s; it was shut down in 1994 following a year-long tribute show called Final Touches, when fans and peers in the music business dropped by.

The complex was auctioned off and bought by the Trinity Broadcasting Network the #1 Faith-based network in the world; now known as Trinity Music City, USA, it is open to the public, with free tours.

Personal life

Twitty was married four times, to three different ladies. His first marriage lasted from 1953 to 1954.

He had married because Ellen was pregnant with his son, Michael. His second marriage, and longest, was to his wife Mickey.

Twitty married Mickey in 1956 and had his three other children by her, Kathy, Joni Lee, and Jimmy Twitty.

Mickey and Conway had married, divorced and then remarried again quietly in their years together.

By 1984, after 28 years of marriage on and off, the stress of her husband being away so often took its toll on Mickey, and she and Conway divorced.

In 1987, Twitty married his 36-year-old office secretary, Delores "Dee" Henry.

They were married until Twitty's death.

Death

In June 1993, Twitty became ill while performing at the Jim Stafford Theatre in Branson, Missouri, and was in pain while he was on his tour bus.

He collapsed and was rushed to the hospital.

He was rushed into surgery, but died in Springfield, Missouri, at Cox South Hospital, in early hours of the morning the next day, from an abdominal aortic aneurysm, aged 59, two months before the release of what would be his final studio album, Final Touches.

Four months after Twitty's death, George Jones included a cover of "Hello Darlin'" on his album High-Tech Redneck.

Twitty was buried at Sumner Memorial Gardens in Gallatin, Tennessee in a red granite vault, under the name "Harold L. Jenkins".

There is space reserved next to him for his wife and son Michael. [6]

Posthumous releases

Since his death, Twitty's son Michael and grandson Tre have been carrying on his musical legacy.

His most recent chart appearance on the country charts was a duet with Anita Cochran, "I Want to Hear a Cheating Song" (2004), which was made possible by splicing Twitty's vocal from old recordings and even interviews, recorded over the years.

As a result, Twitty's isolated vocal track transferred to a digital multi-track and digitally re-assembled into the new performance.

Similar to the electronic duets of Patsy Cline and Jim Reeves, Hank Williams and Hank Williams, Jr. or Nat King Cole and Natalie Cole, Cochran added her vocal to the already-produced backing tracks along with Twitty's reconstructed vocal.[citation needed]

Currently, Bear Family Records offers a single-disc collection featuring 30 songs entitled "Conway Rocks," in addition to "The Rock'n'Roll Years," a comprehensive 8-disc box set showcasing his complete early recordings as a rock artist.[citation needed]

Legal issues

Taxes

Twitty's success in country music was a key factor in his winning a 1983 case, Harold L. Jenkins (a/k/a Conway Twitty) v. Commissioner in United States Tax Court.

The Internal Revenue Service allowed Twitty to deduct from his taxes, as an "ordinary and necessary" business expense, payments he had made in order to repay investors in a defunct fast-food chain called Twitty Burger.

The chain went under in 1971.

The rule is that the payment of someone else's debts is not deductible.

Twitty alleged that his primary motive was "protecting his personal business reputation."

The court opinion contained testimony from Twitty about his bond with country music fans.[7]

Estate

Twitty married four times (twice to Mickey). His widow in 1993, Delores "Dee" Henry Jenkins, and his four grown children from the previous marriages, Michael, Joni, Kathy and Jimmy Jenkins, engaged in a public dispute over the estate.

Twitty's will had not been updated to account for the fourth marriage, but Tennessee law reserves one third of any estate to the widow.

After years of probate, the four children received the rights to Twitty's music, name and image.

The rest of the estate went to public auction, where much of the property and memorabilia was sold after his widow rejected the appraised value.

In 2008, controversy again erupted in his family when the four remaining children sued Sony/ATV Music Publishing over an agreement that Twitty and his family signed in 1990.

The suit alleged that the terms of the agreement were not fully understood by the children, although they were all adults at the time. It sought to recover copyrights and royalty revenue that the document assigned to the company.[8]

55 No.1 hits



Twitty was the only singer to have 55 No. 1 hits[citation needed] in his career until George Strait eventually eclipsed the long-held record.

Conway's 55th and final No. 1 was "Crazy in Love" in 1990 on the Cashbox country chart.

His final No. 1 on the Billboard country charts was "Desperado Love" in 1986.

His first No. 1 was "It's Only Make Believe" in 1958 on the Hot 100 pop chart.

He is best known for his 1970 No. 1 single "Hello Darlin'."[citation needed]

There were multiple weekly music charts in circulation during much of Conway's career: Billboard, Record World, Cashbox, Gavin, Radio, and Records. Billboard is the lone surviving publication of the group.

Radio and Records, emerging in 1973, was bought out by Billboard in 2006 (ending a 33-year run as an independent music survey) but the R&R brand was phased out in 2009 altogether.

Conway reached No. 1 on Radio and Records many times; quite a few of his No. 1 hits in the latter years of his career reached the top of this publication while peaking in the top five in Billboard.

The Gavin Report, founded in 1958, ended publication in 2002. Cashbox was in publication from 1942 through 1996.

As is the case with Radio and Records, Conway reached No. 1 on Cashbox with most of his recordings.

His 55th and final No. 1 hit, "Crazy in Love", reached No. 1 on Cashbox and No. 3 on Billboard in the fall of 1990. Record World started out under the name Music Vendor in 1946.

The publication's name change took place in 1964. Conway often reached No. 1 on the Record World country charts with singles that reached the No. 2 or No. 3 position on Billboard's chart.

Billboard began publication in 1894 and was completely different from what it appears today. It wasn't until the 1930s that music sales and, later, jukebox play became a focal point of the publication.

In the late 1950s, Billboard unveiled their Hot 100 chart which has more commonly become known as the pop singles chart.

Their country chart began in 1944 and is still in publication. Twitty reached No. 1 40 times on the Billboard country chart from 1968 through 1986.

His 1958 single "It's Only Make Believe" reached No. 1 on Billboard's Hot 100, giving him an overall total of 41 Billboard No. 1 hits. The 41 Billboard No. 1 hits are often what historians and critics[who?] point to whenever citing his No. 1 total even though, technically, he reached the top 14 additional times with other singles on the other weekly music charts.

 

Source: Wikipedia.org 

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