Showing posts with label Vocal Group Hall of Fame. Show all posts
Showing posts with label Vocal Group Hall of Fame. Show all posts

Thursday, August 27, 2015

The Stylistics~ "Break Up To Make Up"




The Stylistics are a soul music vocal group, and were one of the best-known Philadelphia soul groups of the 1970s.

They formed in 1968, and were composed of singers Russell Thompkins, Jr., Herb Murrell, Airrion Love, James Smith, and James Dunn.

All of their US hits were ballads, graced by the soaring falsetto voice of Russell Thompkins, Jr. and the lush productions of Thom Bell, which helped make the Stylistics one of the most successful soul groups of the first half of the 1970s."[1]

During the early 1970s, the group had twelve consecutive U.S. R&B top ten hits, including "Stop, Look, Listen", "You Are Everything", "Betcha by Golly, Wow", "People Make the World Go Round", "I'm Stone in Love with You", "Break Up to Make Up", and "You Make Me Feel Brand New".[1]



The Stylistics
The Stylistics on Soul Train 1974.jpg
The group performing on Soul Train in 1974.
Background information
Origin Philadelphia, Pennsylvania, United States
Genres R&B, soul
Years active 1968–present
Labels Avco, H&L

Members Airrion Love
Herbie Murrell
Harold Eban Brown
Jason Sharp

Past members Russell Thompkins, Jr.
James Dunn
James Smith
Raymond Johnson
Van Fields

 

 

 

Career

Early years

The Stylistics were created from two Philadelphia groups, The Percussions and The Monarchs.[2] Russell Thompkins Jr., James Smith, and Airrion Love came from the Monarchs, and James Dunn and Herbie Murrell came from the Percussions.

In 1970, the group recorded "You're a Big Girl Now", a song their road manager Marty Bryant co-wrote with Robert Douglas, a member of their backing band Slim and the Boys, and the single became a regional hit for Sebring Records.[1]

Producer Bill Perry spent $400 to record the number in the Virtue Studios in Philadelphia. The larger Avco Records soon signed the Stylistics, and the single eventually climbed to number seven on the US Billboard R&B chart in early 1971.[1]

Success: The Bell/Creed years

After signing to Avco, the record label approached producer Thom Bell, who had already produced a catalogue of hits for The Delfonics, to work with the group.[3]

The Stylistics auditioned for Bell, but he was initially unimpressed.[3]

He ultimately agreed to produce the group because he believed in the potential of lead singer, Russell Thompkins, Jr.'s distinctive, nasal high tenor & falsetto voice.[3]

Avco gave Bell complete creative control over the Stylistics and he proceeded to focus the group's sound exclusively around Thompkins's voice.[3]

On most of the group hits, Bell would have Thompkins sing virtually solo.[3]

The first song recorded with Bell and his collaborator, lyricist Linda Creed, was the lush "Stop, Look, Listen".[4]

Bell imported techniques he had perfected with The Delfonics and his musical arrangements worked perfectly with Thompkins' falsetto vocals.

Their hits from this period —distilled from three albums— included "Betcha by Golly, Wow" (U.S. #3), "I'm Stone in Love with You", "Break Up to Make Up" (U.S. #5), "You Make Me Feel Brand New" featuring Thompkins singing a rare lead vocal duet with Airron Love, the aforementioned "Stop, Look, Listen", "You Are Everything", and the Top 20 Pop hit "Rockin' Roll Baby" (U.S. #14).

"You Make Me Feel Brand New" was the group's biggest U.S. hit, holding at No. 2 for two weeks just as the spring of 1974 turned to summer, and was one of the group's five U.S. gold singles.

The Stylistics' smooth sound also found an easier path on to adult contemporary airwaves than many other soul artists and the group made Billboard magazine's Easy Listening singles chart twelve times from 1971 to 1976, with three entries ("Betcha by Golly, Wow", "You Make Me Feel Brand New", and "You'll Never Get to Heaven (If You Break My Heart)") reaching the Top 10.

Every single that Bell produced for the Stylistics was a Top Ten R&B hit, and several—"You Are Everything", "Betcha by Golly Wow!", "I'm Stone in Love with You", "Break Up to Make Up", and "You Make Me Feel Brand New"—were also Top Ten pop chart hits.[1]

The band also enjoyed commercial success with big hits with this material throughout Europe.

Changing style: Continuing international success

Thom Bell stopped working with the Stylistics in 1974,[1] and the split proved commercially difficult for the group in the U.S.

Just as with the Delfonics, the Stylistics were to some extent a vehicle for Bell's own creativity. They struggled to find the right material although their partnership with label owners Hugo & Luigi as producers and arranger Van McCoy started well with "Let's Put It All Together" (#18 pop, No. 8 R&B) and "Heavy Fallin' Out" (#4 R&B, No. 41 pop).

Following singles were notably less successful, but as U.S. success began to wane, their popularity in Europe, and especially the United Kingdom, increased.[1]

Indeed, the lighter 'pop' sound fashioned by McCoy and Hugo & Luigi gave the group a UK #1 in 1975 with "Can't Give You Anything".[1][5]

Further successes with "Sing Baby Sing", "Na Na Is The Saddest Word", "Funky Weekend" and "Can't Help Falling in Love" consolidated the group's European popularity.[1][5]

They are one of the few U.S. acts to have two chart-topping greatest hits albums in the UK.[5]

The Stylistics switched record labels during this period as Avco Records transitioned into H&L Records in 1976.[1]

Notwithstanding this, the band began to struggle with increasingly weak material, and although the singles and albums came out as before, by 1978 chart success had vanished.

A move to Mercury in 1978 for two albums produced by Teddy Randazzo failed to produce any major success.

Russell Thompkins Jr. wrote (in the sleevenotes for the re-issue of the 1976 album, Fabulous) that the group began to feel that the music they were recording was becoming dated and not in keeping with the popular disco sound of the late 1970s.

In 1979, they had a small part in the movie Hair, directed by Miloš Forman, where they play conservative army officers. They double Nell Carter in singing a tongue-in-cheek song called "White Boys".

Later years

Both James Dunn and James Smith departed in 1980 due to conflicts over the direction of the group.[6]

The group continued, recruiting new member Raymond Johnson. They would also reunite with Thom Bell and sign with Philadelphia International Records subsidiary, TSOP Records in 1980.

They released the single, "Hurry Up This Way Again", that year which brought them back into the R&B Top 20 (peaking at #18). Johnson departed in 1985, leaving the group a trio.

Love, Murrell, and Thompkins continued to tour until 2000, when Russell Thompkins, Jr. left the group.

Love and Murrell brought in two new members from one set of the Delfonics – (Harold) Eban Brown as lead singer, and tenor singer Van Fields who also sang with an a cappella group called A Perfect Blend.

In 2011, Fields departed from the group due to creative differences and was replaced by Jason Sharp (formerly with the band Heatwave).

The group, prior to Fields' departure, was featured live on the DVD The Stylistics Live at the Convocation Center (2006), as well as with other artists of the 1970s on the DVD, 70s Soul Jam. They recorded their latest album, That Same Way, in 2008.

Russell Thompkins, Jr. launched his own group in 2004, the New Stylistics, with the returning Raymond Johnson, plus James Ranton and Jonathan Buckson. They were featured on the DVD Old School Soul Party Live!, which was part of the PBS My Music series.

In 2006 their hit single, "Can't Give You Anything (But My Love)", was used as the base for a Japanese advertisement campaign by Gatsby, to launch their new male hair styling product, 'Moving Rubber'.

The campaign was successful and featured one of Japan's most popular celebrities Takuya Kimura of the pop group SMAP.

They were also featured guests on SMAP's television show, SMAP×SMAP, one of the highest rated shows in Japan to promote the 'Moving Rubber' product.

In October 2009, they featured on the UK BBC One television program, Friday Night with Jonathan Ross.

Their song, "People Make the World Go Round", was used by Spike Lee in the soundtrack for 1994 film Crooklyn, as performed by Marc Dorsey.

Personnel

Current members
Former members
  • Russell Thompkins, Jr. – born March 21, 1951, Philadelphia (1968–2000)
  • James Dunn – born February 4, 1950, Philadelphia (1968–1980)
  • James Smith – born June 16, 1950, New York City (1968–1980)
  • Raymond Johnson (1980–1986)
  • Van Fields – born November 12, 1952, Philadelphia (2000–2011)


Awards and recognition

Source: Wikipedia.org


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Tuesday, July 7, 2015

The O'Jays~ "Back Stabbers"



The O'Jays are an American R&B group from Canton, Ohio, formed in 1958 and originally consisting of Eddie Levert (born June 16, 1942), Walter Williams (born August 25, 1943), William Powell (January 20, 1942 – May 26, 1977), Bobby Massey and Bill Isles.

The O'Jays made their first chart appearance with "Lonely Drifter" in 1963, but reached their greatest level of success once Gamble & Huff, a team of producers and songwriters, signed them to their Philadelphia International label in 1972.

With Gamble & Huff, the O'Jays (now a trio after the departure of Isles and Massey) emerged at the forefront of Philadelphia soul with "Back Stabbers" (1972), and topped the Billboard Hot 100 the following year with "Love Train".

Numerous other hits followed through the 1970s and into the 80s and 90s, and The O'Jays were inducted into the Vocal Group Hall of Fame in 2004, and The Rock and Roll Hall of Fame in 2005.

Yahoo Image Search The O' Jays


The O'Jays
The O'Jays-photo-by-raymond-boyd.jpg
The O'Jays (Walter Williams, Eric Grant and Eddie Levert) perform at the Arie Crown Theater in Chicago, April 2010.
Background information
Also known as The Triumphs, The Mascots
Origin Canton, Ohio, United States
Genres R&B, soul, disco
Years active 1958–present
Labels Minit, Philadelphia International, MCA
Associated acts Gerald LeVert, Teddy Pendergrass, Harold Melvin & The Blue Notes, LeVert
Website www.mightyojays.com

Members Eddie Levert*
Walter Williams *
Eric Grant

Past members Bill Isles *
Bobby Massey *
William Powell *
Sammy Strain
Nathaniel Best
(*Original members)


Career

They formed the group in Canton, Ohio in 1958 while attending Canton McKinley High School. Originally known as The Triumphs, and then The Mascots, the friends began recording with "Miracles" in 1961, which was a moderate hit in the Cleveland area.

In 1963, they took the name "The O'Jays", in tribute to Cleveland radio disc jockey Eddie O'Jay who was part of the powerful management team of Frankie Crocker, Herb Hamlett & Eddie O'Jay, (Toop, 1991).

In 1963, The O'Jays released "Lonely Drifter," their very first national chart hit on the Billboard Hot 100, peaking at #93. Their debut album, released shortly thereafter was Comin' Through.

Throughout the 1960s, they continued to chart with minor hits such as "Lipstick Traces" (which they performed nationally on the ABC Television program, Shivaree), "Stand In For Love," "Stand Tall," "Let It All Out," "I'll Be Sweeter Tomorrow," "Look Over Your Shoulder," "Deeper In Love With You," and "One Night Affair".

However, while they issued dozens of singles throughout the decade, they never once hit the US top 40 (although "Lipstick Traces" made it to #19 in Canada.) On the R&B charts, The O'Jays were somewhat more prominent, but their only top 10 R&B single prior to 1972 was 1968's "I'll Be Sweeter Tomorrow".

In spite of their success as a touring group and on the R&B charts, the group had been considering quitting the music industry in 1972; around that same time original members Bill Isles and Bobby Massey departed, leaving the group a trio.

The remaining three members soldiered on and Gamble & Huff, a team of producers and songwriters with whom the O'Jays had been working for several years, signed them to their Philadelphia International label.

Suddenly, The O'Jays fortunes changed and they finally scored with their first million-seller, "Back Stabbers",[1] from the album of the same name. This album produced several more hit singles, including "992 Arguments," "Sunshine," "Time To Get Down," and the #1 pop smash, "Love Train".

During the remainder of the 1970s the O'Jays continued releasing hit singles, including "Put Your Hands Together" (Pop #10), "For the Love of Money" (Pop #9), "Give the People What They Want", "Let Me Make Love To You", "I Love Music" (Pop #5), "Livin' for the Weekend", "Message in Our Music" and "Darlin' Darlin' Baby (Sweet Tender Love)".

Original member William Powell died of cancer in 1977 at age 35.

After adding Sammy Strain (born December 9, 1939) (of Little Anthony and the Imperials), the O'Jays continued recording, though with limited success. 1978's "Use ta Be My Girl" was their final Top Five hit, though they continued placing songs on the R&B charts throughout the 1980s.

The O'Jays success was not confined to the United States, as they also logged up nine hit singles in the United Kingdom between 1972 and 1983, including four tracks that reached the Top 20 in the UK Singles Chart.[2]

Their 1987 album, Let Me Touch You, was a breakthrough of sorts, and included the #1 R&B hit "Lovin' You". Though they continued charting on the R&B charts in the late 1980s and early 1990s, the O'Jays never again achieved pop success.

In 1992, Sammy Strain left the group, and returned to the Imperials, to be replaced by Nathaniel Best, and later, by Eric Grant. Later in the 1990s, the group did little recording, though they remained a popular live draw. Their latest album was Imagination in 2004.

In 2003, they co-starred in the movie The Fighting Temptations, which starred Cuba Gooding Jr. and Beyoncé Knowles. In the film, they played three barbers who joined the local church choir to help out the film's protagonist Darrin (Gooding) who was the choir director.

In 2005, the O'Jays were inducted into the Rock and Roll Hall of Fame. Original members Eddie Levert, Walter Williams, Bobby Massey and, posthumously, William Powell, were inducted.

In a note of controversy, Sammy Strain was also inducted with the group, while original member Bill Isles was not. (Strain is one of the few artists in popular music history who is a double RRHOF inductee: with The O'Jays in 2005, and Little Anthony and the Imperials in 2009).

In 2006, the O'Jays performed at the ESPY awards, hosted by Lance Armstrong. "For the Love of Money" is the theme song to the hit reality TV show The Apprentice, starring Donald Trump.

On February 23, 2007, Radio-Canada's website reported that Canadian Industry Minister, Jim Prentice, had used the song "For The Love of Money" without the group's permission during a political event, a faux pas since Prentice is responsible for the application of the Copyright Act in Canada.

Radio-Canada also reported that Prentice has since been contacted by the attorneys for both the O'Jays and Warner/Chappell Music.

On June 28, 2009, at the 2009 BET Award Show in the Shrine Auditorium the O'Jays were honored with BET's 2009 Life Time Achievement Award.

Tevin Campbell, Trey Songz, Tyrese Gibson, and Johnny Gill performed a medley of the group's songs, followed by the presentation of the award by Don Cornelius. The group reminisced, joked with the audience and accepted their award before performing renditions of their hit songs.

On October 30, 2010, the group performed at Jon Stewart and Stephen Colbert's Rally to Restore Sanity and/or Fear in Washington, D.C. In Cleveland, Ohio on August 17, 2013 The O'Jays were inducted into The Official R&B Music Hall of Fame.


Source: Wikipedia.org


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Thursday, June 25, 2015

Little Anthony and The Imperials~ "I'M Taking a Vacation From Love"


Little Anthony and the Imperials is an American rhythm and blues/soul/doo-wop vocal group from New York, first active in the 1950s.

Lead singer Jerome Anthony "Little Anthony" Gourdine was noted for his high-pitched falsetto voice, influenced by Jimmy Scott.

The group was one of the very few doo-wop groups to maintain success on the R&B and pop charts well throughout the 60's. They were inducted into the Rock and Roll Hall of Fame on April 4, 2009,[1] 23 years after the group's first year of eligibility for induction.


Little Anthony and the Imperials

Little Anthony and the Imperials in 2005, New York City.(L to R) Harold Jenkins,Ernest Wright,Clarence Collins,"Little Anthony" Gourdine
Background information
Also known as The Imperials
Origin Brooklyn, New York City, USA
Genres R&B, doo-wop, rock & roll, soul, adult contemporary
Years active 1958–present
Labels End, Roulette, United Artists Records, Avco Records, Janus Records, Veep Records, DCP Records
Website littleanthonyandtheimperials.net

Members "Little Anthony" Gourdine *
Ernest Wright *
Robert Deblanc
Johnny Britt

Past members Clarence "Wa-hoo" Collins *
Samuel "Sammy" Strain
Glouster "Nate" Rogers *
Tracey Lord *
Bobby Wade
Harold "Hawk" Jenkins
Kenny Seymour
George Kerr
Original members *


Career

In 1957, a doo-wop group known as the Chesters existed with members Clarence Collins, Tracy Lord, Nathaniel Rodgers, and Ronald Ross. Anthony Gourdine, a former member of the Duponts, joined as lead vocalist.

Ernest Wright took over from Ross, and the group recorded briefly for Apollo Records.[citation needed]

Changing their name to the Imperials, they signed with End Records in 1958.

Their first single was "Tears on My Pillow", which was an instant hit. (While playing this song, D.J. Alan Freed came up with the name "Little Anthony".) The B-side, "Two People in the World", was also a hit.

The group followed up with "Shimmy, Shimmy, Ko Ko Bop" in 1960.

When their success dwindled in 1961, Gourdine left to attempt a solo career.

Original Imperials member Nate Rogers was drafted into the service and Tracey Lord, another original member, left to get married. and the line-up then became Collins, Wright, Sammy Strain, (a childhood friend who had grown up together with the Imperials in Brooklyn), and George Kerr.

Kerr was replaced by Kenny Seymour after a short time. This line-up had little success.[2]

Gourdine returned in 1963, replacing Seymour. The group's classic line-up – Gourdine, Wright, Collins, and Strain – was now complete.

With the help of record producer/songwriter Teddy Randazzo (a childhood friend of the group), the Imperials found success on the new DCP (Don Costa Productions) label with the dramatic pop-soul records "I'm On The Outside (Looking In)" (1964), "Goin' Out Of My Head" (1964), "Hurt So Bad" (1965), "I Miss You So" (1965), "Take Me Back" (1965), "Hurt" (1966), "Better Use Your Head" (1966), and "Out of Sight, Out Of Mind" (1969).[3]

In 1965, the Imperials appeared on the CBS-TV special Murray The K - It's What's Happening, Baby, where they performed "I'm Alright" before a live audience in New York at the Brooklyn Fox Theater. At the height of their career, the group made two appearances on The Ed Sullivan Show, at the time television's top talent showcase, on March 28, 1965, and again on January 25, 1970.[4][5]

They also performed on many other popular television variety shows during the sixties, including Shindig!, Hullabaloo, Perry Como's Kraft Music Hall, Soul Train, Dick Clark's American Bandstand, and The Tonight Show.

The Imperials then joined United Artists Records and were assigned to its Veep Records subsidiary, and then to the parent label itself, where they recorded "World Of Darkness","It's Not The Same", "If I Remember To Forget", "Yesterday Has Gone", and the Thom Bell-produced "Help Me Find A Way (To Say I Love You)".

Albums from this era include: Reflections, Payin' Our Dues, Out Of Sight, Out Of Mind (named after their hit cover of The Five Keys song), and Movie Grabbers, which included a rendition of "You Only Live Twice", the James Bond motion picture theme.

The song was originally recorded by The Imperials -expressly for the film and it's soundtrack- but was later given instead to Nancy Sinatra for the film, due to her father Frank's greater influence.[6][7]

They recorded three singles for Janus Records including "Father Father", which they later performed on the Merv Griffin Show.

Then they went to Avco Records in the mid-1970s and recorded On A New Street,[8] and charted with the songs "La La La (At the End)" and "I'm Falling In Love With You".

This album was produced by both Bell and Randazzo. A second LP for Avco Records entitled Hold On was withdrawn from sale in the USA after the failure of the title track to sell and AVCO's subsequent financial difficulties.

The group appeared on Soul Train on May 26, 1973. By this time, Strain and Wright had left the group, although both would eventually return.[citation needed]

Wright left in 1971 to join Tony Williams' Platters. He was replaced by the returning Kenny Seymour, who was again replaced after a short time by Bobby Wade, formerly a Cleveland based singer with a number of solo releases on Cleveland labels, that included Way Out and Big Jim.

Strain left in 1972. He had a restaurant in Los Angeles and was not singing for three years; at the end of that period he was briefly a member of The Fandangos with Lonnie Cook and Alvin Walker.

He also auditioned for the lead voice of Arpeggio. Strain had been replaced by Harold Jenkins as a member of The Imperials. He then joined the O'Jays as the replacement for original O'Jays member William Powell, who left the group due to illness. (Powell died of cancer shortly thereafter.)

Jenkins had already been functioning as the group's choreographer. Jenkins and Seymour had previously performed together in the Impacts. Gourdine left for a second (more successful) attempt at a solo career.

The trio of Collins, Wade, and Jenkins continued as "the Imperials". Collins left in 1988, and was replaced by Sherman James. They then toured as "Bobby Wade's Imperials". James left in 1992, and was replaced by Ron Stevenson.[citation needed]

Reunion

In 1992, Collins, Wright, Strain, and Gourdine reunited for a concert at Madison Square Garden. This reunion proved to be a success. When the decision was made for the foursome to tour together again, Wade relinquished the Imperials name, with his group becoming "Bobby Wade's Emperors". They[which?] became the house band at Caesars Palace in Las Vegas.

At this point, Strain left the O'Jays, and permanently returned to the Imperials.

1992, the year of the group's reformation, was also the 40th anniversary of Dick Clark's American Bandstand, and he invited the Imperials to appear as part of the televised special celebration.

On August 30, 1997, the group was featured on NBC's Today show as part of that show's "Summer Concert Series", and appeared on two popular PBS specials: Rock, Rhythm, and Doo-Wop and Soul Spectacular: 40 Years Of R&B in 2002 and 2003, respectively. Also, during this period, they recorded two new CDs: Little Anthony & the Imperials – Live: Up Close & Personal (the group's first ever live album), and Pure Acapella,[9]

An all acapella CD showcasing the group's vocal talents on several classic 50's doo-wop songs, including their own hit, "Two People In The World", which was written by Imperials member Ernest Wright. These two recordings marked the first time that the classic line-up had recorded together in over 30 years.

Later years: 2000 to present

Gourdine, Collins, Wright, and Strain continued touring as "Little Anthony and the Imperials" until Strain retired in 2004 and Jenkins returned to take his place. In 2010, Jenkins also retired, and was replaced by Robert DeBlanc.[10]

As of 2012, the Imperials were (along with the Dells), one of the few 1950s-era R&B groups still touring with the great majority of their original members (Gourdine, Collins, and Wright).

They are also one of the very few late 1950s-based groups to successfully re-invent themselves and go on to maintain consistent recording success well into the 1960s/1970s,[citation needed] while many of their contemporaries had long since faded from the charts.

Little Anthony and the Imperials released their first new LP in several years in October 2008, entitled "You'll Never Know", and they performed on the Late Show with David Letterman on August 26, 2008.

On their Discovery album, the electronic music duo Daft Punk sampled Little Anthony and the Imperials' 1977 recording of "Can You Imagine" for the track "Crescendolls".

Imperials founder Collins retired from the group in late 2012 due to age and health reasons.[11] He still owns the trademark on The Imperials' name. He and Anthony are married to twin sisters, Brenda Collins and Linda Gourdine.[12]

The Contemporary Christian Gospel Group The Imperials uses the name with Collins' permission. Gourdine's first wife was Judy Fouseca, with whom he had four children, and four more by his second wife, Linda.[13][14][15] Strain, once married to singer Yvonne Fair (now deceased), is married to his second wife, DeBorah, and has two children, Vincent and Shawn.[16]

Original member Wright is married and has a daughter, Nicole.[17]

He is also a songwriter and producer. Original Imperials bass singer Glouster "Nate" Rogers is a cancer survivor. He has been married many years to wife Loretta.[16][18] Original Imperials member Tracy Lord is deceased.[19]

In early 2014, Gourdine toured the UK with David Gest's Legends of Soul when he performed "Tears on My Pillow" and "Goin' Out of My Head" .[20] The same year, he released his biography, Little Anthony: My Journey, My Destiny, recounting his life, his memories, and his years with The Imperials.[21]

As of 2015, The Imperials are still performing. Imperials founder Collins, now retired, has been replaced by Johnny Britt. De Blanc and original members Wright and Gourdine round out the group.

When the group is not touring, Gourdine does stage plays and currently also has a one-man show, which he is currently doing to support his recently-released biography, and to celebrate his 55-plus years as a performer.[22][23][24]

2009 Rock and Roll Hall of Fame induction and other awards

Little Anthony and the Imperials received the Rhythm and Blues Foundation's Pioneer Award in 1993.

They were inducted into the Vocal Group Hall of Fame in 1999 and the Long Island Music Hall of Fame on October 15, 2006. In 2007, the Imperials were inducted into the Hit Parade Hall of Fame[25][26]

On January 14, 2009, it was announced that Little Anthony and the Imperials had been inducted into the Rock and Roll Hall of Fame.[27] Gourdine, Wright, Collins, Strain, and Rogers were present to be honored.[28]

Deceased original Imperials member Tracy Lord was inducted posthumously; his sons accepted his Rock and Roll Hall of Fame induction on his behalf.[29]

The group was inducted by Smokey Robinson. In October 2009, the group performed "Two People in the World" at the 25th Anniversary Rock & Roll Hall of Fame Concert.[30]

In 2014, Goldmine magazine inducted the Imperials into The Goldmine Hall of Fame.

Editor Phil Marder referred to them as one of the few 1950s doo-wop groups (though the group hated that label) to consistently chart hits during the British Invasion.[31][32]  

Goldmine also named Little Anthony and the Imperials as one of The 20 Greatest Doo-Wop Groups of All Time.[33]

Sammy Strain is one of the few artists in popular music history who is a double Rock and Roll Hall of Fame inductee, having been inducted with the O'Jays in 2005 and the Imperials in 2009.

In 2015, Little Anthony and the Imperials are scheduled to be inducted into the Official Rhythm and Blues Music Hall of Fame in Cleveland . [34]

Source: Wikipedia.org


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Thursday, October 18, 2012

The Belmounts~ "Tell Me Why" (1961)



I Love  the 50s & the 60s  Great cars, Fantastic Music, and BEAUTIFUL Women!

 Dion and the Belmonts were a leading American vocal group of the late 1950s.

All members were from the Bronx, New York City.

The group formed when Dion DiMucci, lead singer (born July 18, 1939), joined The BelmontsCarlo Mastrangelo, bass-baritone (born October 5, 1938), Fred Milano, second tenor (August 22, 1939 – January 1, 2012), and Angelo D'Aleo, first tenor (born February 3, 1940), in late 1957.


Dion and the Belmonts
Dion and The Belmonts 1960.jpg
The group in 1960.
Background information
Origin Bronx, New York City

History

The name The Belmonts was derived from the fact that two of the four singers lived on Belmont Avenue in the Bronx, and the other two lived near Belmont Avenue.

After an unsuccessful single on Mohawk Records in 1957, the group signed with Laurie Records in early 1958.

The breakthrough came when their very first Laurie release, "I Wonder Why" reached No. 22 on the Billboard Top 100 charts, and they appeared for the first time on the nationally televised American Bandstand show, hosted by Dick Clark.

Dion said of the Belmonts; "I'd give 'em sounds. I'd give 'em parts and stuff. That's what 'I Wonder Why' was about. We kind of invented this percussive rhythmic sound. If you listen to that song, everybody was doing something different. It was totally amazing. When I listen to it today, often times I think, 'Man, those kids are talented'.[1]

 Dion and the Belmonts were the sound of the city.

Their roots were groups like the Flamingos, the Five Satins, and the Dells; acts who developed their sound in urban settings on street corners, mimicking instruments with their voices, even complex jazz arrangements.[2]

They followed the hit with the ballads, "No One Knows" (No. 19) and "Don’t Pity Me" (No. 40), which they also performed on Bandstand.

This early success brought them their first major tour in late 1958, with The Coasters, Buddy Holly and Bobby Darin.

It was followed by the historic and tragic, "Winter Dance Party" tour featuring Holly, Ritchie Valens and The Big Bopper.

On February 2nd 1959, after playing the Surf Ballroom, Holly arranged to charter a plane. Dion decided he couldn't afford the $36 cost to fly to the next venue.

"$36 seemed like an awful lot of money to me," he said, and told Holly, no.

Shortly after midnight, on February 3rd 1959, the plane crashed near Clear Lake, Iowa, with Holly, Valens, The Big Bopper, and the pilot, Roger Peterson, all being killed.

Bobby Vee, then an unknown artist, performed in Holly’s place at the very next concert. Later, Jimmy Clanton, Frankie Avalon, and Fabian were hired to finish the tour in place of the three deceased headliners.

In March 1959, Dion and the Belmonts’ next single, "A Teenager in Love", broke the Top Ten, reaching No. 5 on the Billboard Hot 100 and No. 28 on the UK Singles Charts.

Written by Doc Pomus and Mort Shuman, it's considered one of the greatest songs in Rock and Roll history. It was followed by their first album, "Presenting Dion and the Belmonts". Their biggest hit, "Where or When", was released in November 1959, and reached No. 3 on the Billboard Hot 100 with the group making another national appearance on American Bandstand.

The flip side, "That's My Desire", although never charting nationally, is as well known in many areas, especially New York City.

Other singles released for the group that year continued to chart Billboard, but were less successful.

In early 1960, Dion checked into a hospital for heroin addiction, a problem he had since his mid-teens. At the height of the group's success his drug dependency worsened. When, "Where or When", peaked, he was in a hospital detoxifying.[3]

 In addition, there were financial and musical differences between Dion and members of the Belmonts. "They wanted to get into their harmony thing, and I wanted to rock and roll," said Dion.

"The label wanted me doing standards. I got bored with it quickly. I said, I can't do this. I gotta play my guitar. So we split up and I did, "Runaround Sue", "The Wanderer", and "Ruby Baby".[4]

In October 1960, DiMucci decided to quit for a solo career.

Now simply known as "Dion", his first major hit, "Lonely Teenager" was backed by a female chorus .

He eventually chose to work with The Del-Satins, who backed him (uncredited) on all his early Laurie and Columbia Records hits, such as "The Wanderer", "Runaround Sue", "Ruby Baby", and "Donna the Prima Donna".

Later reissues of these songs would often be erroneously attributed to Dion and the Belmonts.

The Belmonts also continued to release records on their own label, Sabina Records, but with less success.
 
Dion and the Belmonts reunited in late 1966 for the album Together Again on ABC Records.

Produced by "DiMont Music", two singles were released from the LP, "My Girl The Month of May" / "Berimbau", and "Movin' Man" / "For Bobbie".

 Neither charted in the United States, but fared better in England.

"My Girl The Month Of May" broke the "Radio London Fab 40" top ten at No. 9 the week of December 25, 1966.

One reviewer stated, "some British radio DJ's gave it a lot of airplay at the time."

The follow up, "Movin Man", reached No. 17 on the "Radio London" charts on March 26, 1967.

"My Girl The Month Of May", was later covered by English artists Alan Bown in 1967, and by The Bunch (featuring Sandy Denny of Fairport Convention) in April 1972.

During their brief mid 60's reunion, Dion and the Belmonts appeared on the popular "Clay Cole Show" performing "Berimbau" and "My Girl The Month of May", and occasionally performed at local New York City clubs such as "The Mardi Gras" on Staten Island (April 29, 1967) before disbanding.

The original group reunited once again June 2, 1972 for a show at Madison Square Garden, which was recorded and released as a live album for Warner Brothers.

A year later, in 1973, DiMucci, Mastrangelo, Milano and D'Aleo performed once more, doing a sold out concert at the Nassau Coliseum on Long Island, New York. No recording of the 1973 reunion was ever released.

In 1968, as a solo performer, Dion recorded "Abraham, Martin and John" written by Dick Holler.

It is a tribute to social change icons, Abraham Lincoln, Martin Luther King, Jr., John F. Kennedy and Robert F. Kennedy.

It was written as a response to the assassination of King and the younger Kennedy in April and June of 1968.



The group in 1966.

When producer Phil Gernhard initially presented the song to DiMucci, the latter didn't care for it. With the persistence of Gernhard, and Dion's wife Susan, he flew to New York that summer. He recorded just one take and history was made.

Laurie Records released the single in September of that year and it quickly raced up the charts, peaking at number four in November.

DiMucci was invited to sing his new hit on “The Smothers Brothers Comedy Hour”, as well as many other top shows, and Dion was once again a star.

In 2000, Dion and the Belmonts were inducted in the Vocal Group Hall of Fame.

Source:Wikipedia




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